 | This article needs additional citations for verification .(March 2023) |
The waistline is the line of demarcation between the upper and lower portions of a garment, which notionally corresponds to the natural waist but may vary with fashion from just below the bust to below the hips. The waistline of a garment is often used to accentuate different features. The waistline is also important as a boundary at which shaping darts (such as those over the bust and in the back) can be ended.
Similar to necklines, waistlines may be grouped by their shape, depth, and location of the body. [1]
Waistlines can be secured with a variety of methods:
A corset is a support garment commonly worn to hold and train the torso into a desired shape, traditionally a smaller waist or larger bottom, for aesthetic or medical purposes, or support the breasts. Both men and women are known to wear corsets, though this item was for many years an integral part of women's wardrobes.
Victorian fashion consists of the various fashions and trends in British culture that emerged and developed in the United Kingdom and the British Empire throughout the Victorian era, roughly from the 1830s through the 1890s. The period saw many changes in fashion, including changes in styles, fashion technology and the methods of distribution. Various movement in architecture, literature, and the decorative and visual arts as well as a changing perception of gender roles also influenced fashion.
A skirt is the lower part of a dress or a separate outer garment that covers a person from the waist downwards.
The waist is the part of the abdomen between the rib cage and hips. On people with slim bodies, the waist is the narrowest part of the torso.
A tutu is a dress worn as a costume in a classical ballet performance, often with attached bodice. It may be made of tarlatan, muslin, silk, tulle, gauze, or nylon. Modern tutus have two basic types: the Romantic tutu is soft and bell-shaped, reaching the calf or ankle; the Classical tutu is short and stiff, projecting horizontally from the waist and hip.
1830s fashion in Western and Western-influenced fashion is characterized by an emphasis on breadth, initially at the shoulder and later in the hips, in contrast to the narrower silhouettes that had predominated between 1800 and 1820.
1840s fashion in European and European-influenced clothing is characterized by a narrow, natural shoulder line following the exaggerated puffed sleeves of the later 1820s and 1830s. The narrower shoulder was accompanied by a lower waistline for both men and women.
An hourglass corset is a garment that produces a silhouette resembling an hourglass shape characterized by wide hips, narrow waist, and wide bust.
Fashion in the period 1795–1820 in European and European-influenced countries saw the final triumph of undress or informal styles over the brocades, lace, periwigs and powder of the earlier 18th century. In the aftermath of the French Revolution, no one wanted to appear to be a member of the French aristocracy, and people began using clothing more as a form of individual expression of the true self than as a pure indication of social status. As a result, the shifts that occurred in fashion at the turn of the 19th century granted the opportunity to present new public identities that also provided insights into their private selves. Katherine Aaslestad indicates how "fashion, embodying new social values, emerged as a key site of confrontation between tradition and change."
The neckline is the top edge of a garment that surrounds the neck, especially from the front view. Neckline also refers to the overall line between all the layers of clothing and the neck and shoulders of a person, ignoring the unseen undergarments.
The hemline is the line formed by the lower edge of a garment, such as a skirt, dress or coat, measured from the floor.
Sweater design is a specialization of fashion design in which knitted sweaters are designed to fulfill certain aesthetic, functional and commercial criteria. The designer typically considers factors such as the insulating power of the sweater ; the fashion of its colors, patterns, silhouette and style lines, particularly the neckline and waistline; the convenience and practicality of its cut; and in commercial design, the cost of its production and the profitability of its price point. Sweater designs are often published in books and knitting magazines. Sweater design is an old art, but continues to attract new designers such as Nicky Epstein and Meg Swansen.
Fashion in the period 1500–1550 in Western Europe is marked by very thick, big and voluminous clothing worn in an abundance of layers. Contrasting fabrics, slashes, embroidery, applied trims, and other forms of surface ornamentation became prominent. The tall, narrow lines of the late Medieval period were replaced with a wide silhouette, conical for women with breadth at the hips and broadly square for men with width at the shoulders. Sleeves were a center of attention, and were puffed, slashed, cuffed, and turned back to reveal contrasting linings.
A bustline is an arbitrary line encircling the fullest part of the bust or body circumference at the bust. It is a body measurement which measures the circumference of a woman's torso at the level of the breasts. It is measured by keeping a measuring tape horizontal and wrapping it around the body so that it goes over the nipples and under the arms.
An A-line skirt is a skirt that is fitted at the hips and gradually widens towards the hem, giving the impression of the shape of a capital letter A. The term is also used to describe dresses and coats with a similar shape.
Princess seams are long rounded seams sewn into women's blouses or shirts to add shaping or a tailored fit to closely follow a woman's shape. They are sewn into the front and/or back of a shirt, and extend from the waist up to the arms. Princess seams are distinct from darts in that they form a continuous line and are a full seam. Darts, on the other hand, are folds sewn into the clothing to shape the resultant garment.
Darts are folds sewn into fabric to take in ease and provide shape to a garment, especially for a woman's bust. They are used frequently in all sorts of clothing to tailor the garment to the wearer's shape, or to make an innovative shape in the garment. Fabric may be thought of as flat, and a dart has the effect of removing a wedge shaped piece and pulling the edges of that wedge together to create a shallow cone. This effect can be seen quite easily with a paper pattern by pulling together the edges of a dart intake as it would be sewn. Since fabric is generally more flexible than paper the fabric will shift around the apex of the cone and form a softer, but still curved, shape. In a garment a dart ends in a point at a full area of the body.
Female body shape or female figure is the cumulative product of a woman's skeletal structure and the quantity and distribution of muscle and fat on the body.
"Princess line" or "princess dress" describes a woman's fitted dress or other garment cut in long panels without a horizontal join or separation at the waist. Instead of relying on darts to shape the garment, the fit is achieved with long seams and shaped pattern pieces. A rarely used alternative name for the Princess line was French-dart-line dress.
 | This fashion-related article is a stub. You can help Wikipedia by expanding it. |