Given the vastness of the African continent, its music is diverse, with regions and nations having many distinct musical traditions. African music includes the genres makwaya, highlife, mbube, township music, jùjú, fuji, jaiva, afrobeat, afrofusion, mbalax, Congolese rumba, soukous, ndombolo, makossa, kizomba, taarab and others. African music also uses a large variety of instruments from all across the continent. The music and dance of the African diaspora, formed to varying degrees on African musical traditions, include American music like Dixieland jazz, blues, jazz, and many Caribbean genres, such as calypso and soca. Latin American music genres such as cumbia, salsa music, son cubano, rumba, conga, bomba, samba and zouk were founded on the music of enslaved Africans, and have in turn influenced African popular music.
The music of Nigeria includes many kinds of folk and popular music. Little of the country's music history prior to European contact has been preserved, although bronze carvings dating back to the 16th and 17th centuries have been found depicting musicians and their instruments. The country's most internationally renowned genres are Indigenous, Apala, Aurrebbe music, Rara music, Were music, Ogene, Fuji, Jùjú, Afrobeat, Afrobeats, Igbo highlife, Afro-juju, Waka, Igbo rap, Gospel,Nigerian pop and Yo-pop. Styles of folk music are related to the over 250 ethnic groups in the country, each with their own techniques, instruments, and songs. The largest ethnic groups are the Igbo, Hausa and Yoruba. Traditional music from Nigeria and throughout Africa is often functional; in other words, it is performed to mark a ritual such as the wedding or funeral and not to achieve artistic goals. Although some Nigerians, especially children and the elderly, play instruments for their own amusement, solo performance is otherwise rare. Music is closely linked to agriculture, and there are restrictions on, for example, which instruments can be played during different parts of the planting season.
Yoruba is a language that is spoken in West Africa, primarily in Southwestern and Central Nigeria. It is spoken by the Yoruba people. Yoruba speakers number roughly 47 million, including about 2 million second-language speakers. As a pluricentric language, it is primarily spoken in a dialectal area spanning Nigeria, Benin, and Togo with smaller migrated communities in Côte d'Ivoire, Sierra Leone and The Gambia.
Fújì is a genre of Yoruba popular music that emerged in Nigeria in the 1960s. It evolved from the improvisational wéré music also known as ajísari (meaning "waking up for sari", performed to awaken Muslims before dawn during the fasting season of Ramadan. Fuji music was named after the Japanese stratovolcano-mountain, Mount Fuji by Alhaji Sikiru Ayinde Barrister. It features energetic beats, diverse Yoruba rhythms, and call-and-response vocals. Fuji's influence extends into contemporary music, with its hooks and rhythms frequently appearing in Nigerian hip hop.
Jùjú is a style of Yoruba popular music, derived from traditional Yoruba percussion. The name juju from the Yoruba word "juju" or "jiju" meaning "throwing" or "something being thrown". Juju music did not derive its name from juju, which is a form of magic and the use of magic objects, common in West Africa, Haiti, Cuba and other Caribbean and South American nations. It evolved in the 1900s in urban clubs across the countries, and was believed to have been created by Ababababaa Babatunde King, popularly known as Tunde King. The first jùjú recordings were by King and Ojoge Daniel in the 1920s, when King pioneered it. The lead and predominant instrument of jùjú is the gagan, talking drum.
Salawa Abeni Alidu is a Nigerian singer. An Ijebu Yoruba from Ijebu Waterside, in Ogun State, she began her professional career in waka music when she released her debut album titled, Late General Murtala Ramat Mohammed, in 1976, on Leader Records. It became the first recording by a female artist in Yoruba Songs to sell over a million copies in Nigeria.
Apala is a music genre originally developed by the Yoruba people of Nigeria, during the country's history as a colony of the British Empire. It is a percussion-based style that originated in the late 1930s. The rhythms of apala grew more complex over time, and have influenced the likes of Cuban music, whilst gaining popularity in Nigeria. It has grown less religious centered over time.
The music of West Africa has a significant history, and its varied sounds reflect the wide range of influences from the area's regions and historical periods.
Yoruba music is the pattern/style of music practiced by the Yoruba people of Nigeria, Togo, and Benin. It is perhaps best known for its extremely advanced drumming tradition and techniques, especially using the gongon hourglass shape tension drums. Yoruba folk music became perhaps the most prominent kind of West African music in Afro-Latin and Caribbean musical styles; it left an especially important influence on the music used in Santería practice and the music of Cuba.
Kalakuta Republic was the name musician and political activist Fela Kuti gave to the communal compound that housed his family, band members, and recording studio. Located at 14 Agege Motor Road, Idi-Oro, Mushin, Lagos, Nigeria, it had a free health clinic, and recording facility. Fela declared it independent from the state ruled by the military junta after he returned from the United States in 1970. The compound burned to the ground on February 18, 1977 after an assault by a thousand armed soldiers.
General Ayinla Kollington, born Abdulrasaq Kolawole Ilori to Chief Ayanda Ilori, a Kingmaker and Alhaja Asiawu Mofodeke Ilori. He is a Nigerian Fuji musician and one of the pioneers of the genre. He hailed from Ilota, a Town on the outskirt of Ilorin, Kwara State, Nigeria. He is also called Baba Alatika, Kebe-n-Kwara, Baba Alagbado.
The talking drum is an hourglass-shaped drum from West Africa, whose pitch can be regulated to mimic the tone and prosody of human speech. It has two drumheads connected by leather tension cords, which allow the player to change the pitch of the drum by scraping the cords between their arm and body.
Were music is a Yoruba music, which, like ajisari, is a way of using music to arouse the Islamic faithful to pray and feast during Ramadan festival in Yorubaland. Ajiwere or oniwere means "one who performs were music."
Batile or Batili Alake was a prominent Yoruba waka singer.
Sakara music is a form of popular Nigerian music based in the traditions of Yoruba music. It mostly in the form of praise songs, that uses only traditional Yoruba instruments such as the solemn-sounding goje violin, and the small round sakara drum, which is similar to a tambourine and is beaten with a stick. Sakara music overlays the nasalized, melismatic vocals of Eastern Africa and Arabic on the traditional percussion instruments. The music is often brooding and philosophical in mood.
Yinka Davies is a Nigerian singer, dancer, lyricist, vocalist and judge of reality show and Nigerian Idol. She is a proud member of the Lagos Jazz Society, Yinka has been in the Nigerian entertainment industry for 28 years.
Indigenous Nigerian music is the music originating from the various indigenous tribes of Nigeria. It encompasses mainly traditional music styles, although some forms have absorbed partial influences from genres performed by immigrant and foreign musicians.
Ojude Oba is an ancient festival celebrated by the Yoruba people of Ijebu-Ode, a major town in Ogun State, Southwestern Nigeria. This annual festival usually takes place the third day after Eid al-Kabir (Ileya), to pay homage and show respect to the Royal Majesty, the Awujale of Ijebuland. It is one of the most spiritual and glamorous festivals celebrated in Ijebuland and generally in Ogun State as a whole.
Sikiru Ololade Ayinde Balogun, MFR, better known by his stage name Ayinde Barrister was a Nigerian-born Yoruba singer-songwriter, songproducer and music performer. He is regarded as a pioneer of Fuji and Wéré music. After his first break into music in 1965, Ayinde Barrister went on to release over 70 studio albums.
Raheem, O. 2020. "Waka Music," in Daily Life of Women: An Encyclopedia from Ancient Times to the Present, eds. Colleen Boyett, H. Micheal Tarver & Mildred Diane Gleason (Bloomsbury Publishing). ISBN 9781440846922
