George Catlin was an American lawyer, painter, author, and traveler, who specialized in portraits of Native Americans in the American frontier. Traveling to the American West five times during the 1830s, Catlin wrote about and painted portraits that depicted the life of the Plains Indians. His early work included engravings, drawn from nature, of sites along the route of the Erie Canal in New York State. Several of his renderings were published in one of the first printed books to use lithography, Cadwallader D. Colden's Memoir, Prepared at the Request of a Committee of the Common Council of the City of New York, and Presented to the Mayor of the City, at the Celebration of the Completion of the New York Canals, published in 1825, with early images of the City of Buffalo.
Andrew Newell Wyeth was an American visual artist, primarily a realist painter, working predominantly in a regionalist style. He believed he was also an abstractionist, portraying subjects in a new, meaningful way. The son of N. C. Wyeth and father of Jamie Wyeth, he was one of the best-known U.S. artists of the middle 20th century. James H. Duff explores the art and lives of the three men in An American Vision: Three Generations of Wyeth Art. Raised with an appreciation of nature, Wyeth took walks that fired his imagination. Henry David Thoreau, Robert Frost, and King Vidor's The Big Parade (1925) inspired him intellectually and artistically. Wyeth featured in a documentary The Metaphor in which he discussed Vidor's influence on the creation of his works of art, like Winter 1946 and Portrait of Ralph Kline. Wyeth was also inspired by Winslow Homer and Renaissance artists.
Ian Hornak was an American draughtsman, painter and printmaker. He was one of the founding artists of the Hyperrealist and Photorealist fine art movements; credited with having been the first Photorealist artist to incorporate the effect of multiple exposure photography into his landscape paintings; and the first contemporary artist to entirely expand the imagery of his primary paintings onto the frames.
Isabel Bishop was an American painter and graphic artist. Bishop studied under Kenneth Hayes Miller at the Art Students League of New York, where she would later become an instructor. She was most notable for her scenes of everyday life in Manhattan, as a member of the loosely-defined ‘Fourteenth Street School’ of artists, grouped in that precinct. Union Square features prominently in her work, which mainly depicts female figures. Bishop’s paintings won the American Academy of Arts and Letters Award, among other distinctions.
Masami Teraoka is an American contemporary artist. His work includes Ukiyo-e-influenced woodcut prints and paintings in watercolor and oil. He is known for work that merges traditional Edo-style aesthetics with icons of American culture.
Audrey Lenora Flack was an American visual artist. Her work pioneered the art genre of photorealism and encompasses painting, printmaking, sculpture, and photography.
Betty Parsons was an American artist, art dealer, and collector known for her early promotion of Abstract Expressionism. She is regarded as one of the most influential and dynamic figures of the American avant-garde.
James Prosek is an American artist, writer and naturalist. He was born in Connecticut and grew up in the town of Easton, CT where he still lives. His father was born in Santos, Brazil and his mother in Prague, Czechoslovakia. He is a 1997 graduate of Yale University.
John Harvey McCracken was a minimalist artist. He lived and worked in Los Angeles, Santa Fe, New Mexico, and New York.
Pat Steir is an American painter and printmaker. Her early work was loosely associated with conceptual art and minimalism, however, she is best known for her abstract dripped, splashed and poured "Waterfall" paintings, which she started in the 1980s, and for her later site-specific wall drawings.
Enrique Chagoya is a Mexican-born American painter, printmaker, and educator. The subject of his artwork is the changing nature of culture. He frequently uses shocking imagery, irony, and Mesoamerican icons to convey his point in his artwork. Chagoya teaches at Stanford University in the department of Art and Art History. He lives in San Francisco.
Alfonso Angel Yangco Ossorio was a Filipino American abstract expressionist artist who was born in Manila in 1916 to wealthy Filipino parents from the province of Negros Occidental. His heritage was Hispanic, Filipino, and Chinese. Between the ages of eight and thirteen, he attended school in England. At age fourteen, he moved to the United States. Ossorio attended Portsmouth Priory in Rhode Island, graduating in 1934. From 1934 to 1938, he studied fine art at Harvard University and then continued his studies at the Rhode Island School of Design. He became an American citizen in 1933 and served as a medical illustrator in the United States Army during World War II.
John Seery is an American artist who is associated with the lyrical abstraction movement. He was born in Maspeth, New York, was raised in Flushing, Queens and as a teen, moved to Cincinnati, Ohio.
Nir Hod is an Israeli visual artist, based in New York. He works in the mediums of painting, sculpture, and video art.
Jane Stuart was an American painter, best known for her miniature paintings and portraits, particularly those made of George Washington. She worked on and later copied portraits made by her father, Gilbert Stuart, and created her own portraits. In the early 19th century, she assumed the responsibility of supporting her family after her father's death. She first worked in Boston, but later moved to Newport, Rhode Island, where she was the first woman who painted portraits. In 2011, she was inducted into the Rhode Island Heritage Hall of Fame.
Joseph Irwin Zucker was an American artist. Born in Chicago, he received a B.F.A. from the Art Institute of Chicago in 1964 and an M.F.A., from the same institution in 1966.
The Kasmin Gallery, formerly known as the Paul Kasmin Gallery, is a New York City fine art gallery, founded in SoHo in 1989.
Cotopaxi is an 1862 oil painting by American artist Frederic Edwin Church, a member of the Hudson River School. The painting depicts Cotopaxi, an active volcano that is also the second highest peak in modern-day Ecuador, spewing smoke and ash across a colorful sunrise. The work was commissioned by well-known philanthropist and collector James Lenox and was first exhibited in New York City in 1863. Cotopaxi was met with great acclaim, seen by some as a "parable" of the Civil War, then raging in the American South, with its casting of light against darkness in a vast tropical landscape. Church first depicted Cotopaxi beginning in 1853 during his first of several travels to South America, forming a series of at least 10 paintings on the subject during his lifetime. Cotopaxi has been called by some art historians the "apex" of the Cotopaxi series or Church's "ultimate interpretation" of the eponymous volcano.
Matvey Levenstein is a Russian-American painter best known for his oil on copper, wood, and linen; and sumi ink on paper depictions of landscapes and interior/still lifes that explore themes of history and representation. Invoking the intersection at which avant-garde cinema meets the tradition of European painting, Levenstein's work explores and embodies the object-image relationship.
Isabella Kirkland is an American visual artist and biodiversity researcher. She is known for intricate, representational paintings that straddle art history, natural science and ecological activism. Since the mid-1990s, she has documented biota in series focused on species that are extinct, disappearing, collected or illegally trafficked, or emerging from near-extinction. Her work fuses the classical naturalist tradition of wildlife painters like John James Audubon and the precise rendering style and time-tested oil techniques of 17th-century Dutch Master still life painters. Situated in the contemporary context of global warming, however, her paintings subtly upend such idealized traditions, invoking a sense of accountability in response to the specter of ecological flux and impermanence. New York Times critic Ken Johnson wrote that Kirkland "produces richly atmospheric pictures collectively populated by hundreds of animals. … Updating the peaceable kingdom genre, she is trying to make beautiful paintings of the world at its most beautiful, not for the sake of art but for the sake of our endangered biosphere. She does not preach but communicates an infectious spirit of care."
