|Directed by||Paul L. Stein|
|Produced by||Louis H. Jackson|
|Written by|| Henry C. James |
|Starring|| Carol Raye |
|Music by||Hans May|
|Edited by||Douglas Myers|
|Distributed by||Anglo-American Film Corporation|
|13 August 1945|
Waltz Time is a 1945 British musical film directed by Paul L. Stein and starring Carol Raye, Peter Graves and Patricia Medina.
In Imperial Vienna a young Grand Duchess is prevented from marrying the man she loves.
According to Kinematograph Weekly the film performed well at the British box office in 1945.The 'biggest winner' at the box office in 1945 Britain was The Seventh Veil, with "runners up" being (in release order), Madonna of the Seven Moons, Old Acquaintance, Frenchman's Creek, Mrs Parkington, Arsenic and Old Lace, Meet Me in St Louis, A Song to Remember, Since You Went Away, Here Come the Waves, Tonight and Every Night, Hollywood Canteen, They Were Sisters, The Princess and the Pirate, The Adventures of Susan, National Velvet, Mrs Skefflington, I Live in Grosvenor Square, Nob Hill, Perfect Strangers, Valley of Decision, Conflict and Duffy's Tavern. British "runners up" were They Were Sisters, I Live in Grosvenor Square, Perfect Strangers, Madonna of the Seven Moons, Waterloo Road, Blithe Spirit, The Way to the Stars, I'll Be Your Sweetheart, Dead of Night, Waltz Time and Henry V.
Henry V is a 1944 British Technicolor film adaptation of William Shakespeare's play of the same name. The on-screen title is The Chronicle History of King Henry the Fifth with His Battell Fought at Agincourt in France. It stars Laurence Olivier, who also directed. The play was adapted for the screen by Olivier, Dallas Bower, and Alan Dent. The score is by William Walton.
Dead of Night is a 1945 black and white British anthology horror film, made by Ealing Studios. The individual segments were directed by Alberto Cavalcanti, Charles Crichton, Basil Dearden and Robert Hamer. It stars Mervyn Johns, Googie Withers, Sally Ann Howes and Michael Redgrave. The film is best remembered for the concluding story featuring Redgrave and an insane ventriloquist's malevolent dummy.
Phyllis Hannah Murray-Hill, known professionally as Phyllis Calvert, was an English film, stage and television actress. She was one of the leading stars of the Gainsborough melodramas of the 1940s such as The Man in Grey (1943) and was one of the most popular movie stars in Britain in the 1940s. She continued acting until some 50 years later.
Perfect Strangers, is a 1945 drama film made by London Films. It stars Robert Donat and Deborah Kerr as a married couple whose relationship is shaken by their service in the Second World War. The supporting cast includes Glynis Johns, Ann Todd and Roland Culver. It was produced and directed by Alexander Korda from a screenplay by Clemence Dane and Anthony Pelissier based on a story by Clemence Dane. Dane won the Academy Award for Best Story. The music score was by Clifton Parker and the cinematography by Georges Périnal.
The Way to the Stars is a 1945 British war drama film made by Two Cities Films. In the United States it was known as Johnny in the Clouds and distributed by United Artists. It was produced by Anatole de Grunwald and directed by Anthony Asquith. The screenplay was co-written by noted dramatist, Terence Rattigan, as a significant reworking of his 1942 play Flare Path, which incorporated his Royal Air Force (RAF) experiences as a Flight Lieutenant. The film stars Michael Redgrave, John Mills, Rosamund John and Stanley Holloway.
The Fallen Idol is a 1948 British mystery thriller film directed by Carol Reed, and starring Ralph Richardson, Bobby Henrey, Michèle Morgan, and Denis O'Dea. Its plot follows the young son of a French diplomat in London, who comes to suspect that his family's butler, whom he idolises, has committed a murder. It is based on the 1936 short story "The Basement Room", by Graham Greene.
Waterloo Road is a 1945 British film directed by Sidney Gilliat and starring John Mills, Stewart Granger, and Alastair Sim. It is based on the Waterloo area of South London. According to the British Film Institute database, it is the third in an "unofficial trilogy" by Gilliat, preceded by Millions Like Us (1943) and Two Thousand Women (1944).
The Seventh Veil is a 1945 British melodrama film directed by Compton Bennett and starring James Mason and Ann Todd. It was made by Ortus Films and released through General Film Distributors in the UK and Universal Pictures in the United States. The screenplay concerns a woman who attempts suicide to escape her cruel guardian.
Blithe Spirit is a 1945 British fantasy-comedy film directed by David Lean. The screenplay by Lean, cinematographer Ronald Neame and associate producer Anthony Havelock-Allan is based on producer Noël Coward's 1941 play of the same name, the title of which is derived from the line "Hail to thee, blithe Spirit! Bird thou never wert" in the poem "To a Skylark" by Percy Bysshe Shelley.
Patricia Paz Maria Medina was an English-American actress. She is perhaps best known for her roles in the films Phantom of the Rue Morgue (1954) and Mr. Arkadin (1955).
It Always Rains on Sunday is a 1947 British film adaptation of Arthur La Bern's novel by the same name, directed by Robert Hamer. The film has been compared with the poetic realism movement in the French cinema of a few years earlier by the British writers Robert Murphy, in the Oxford Dictionary of National Biography, and Graham Fuller.
I Live in Grosvenor Square is a British comedy-drama romance war film directed and produced by Herbert Wilcox. It was the first of Wilcox's "London films" collaboration with his wife, actress Anna Neagle. Her co-stars were Dean Jagger and Rex Harrison. The plot is set in a context of US-British wartime co-operation, and displays icons of popular music with the purpose of harmonising relationships on both sides of the Atlantic. An edited version was distributed in the United States, with two additional scenes filmed in Hollywood, under the title A Yank in London.
Madonna of the Seven Moons is a 1945 British drama film directed by Arthur Crabtree for Gainsborough Pictures and starring Phyllis Calvert, Stewart Granger and Patricia Roc. The film was produced by Rubeigh James Minney, with cinematography from Jack Cox and screenplay by Roland Pertwee. It was one of the Gainsborough melodramas.
Caravan is a 1946 British black-and-white drama film directed by Arthur Crabtree. It was one of the Gainsborough melodramas and is based on a novel Caravan by Eleanor Smith.
The Gainsborough melodramas were a sequence of films produced by the British film studio Gainsborough Pictures between 1943 and 1947 which conformed to a melodramatic style. The melodramas were not a film series but an unrelated sequence of films which had similar themes that were usually developed by the same film crew and frequently recurring actors who played similar characters in each. They were mostly based on popular books by female novelists and they encompassed costume, such as The Man in Grey (1943) and The Wicked Lady (1945) and modern-dress, such as Love Story (1944) and They Were Sisters (1945) settings. The popularity of the films with audiences peaked mid-1940s when most of the cinema audiences consisted of mainly women. The influence of the films led to other British producers releasing similarly themed works, such as The Seventh Veil (1945), Pink String and Sealing Wax (1945), Hungry Hill (1947), The White Unicorn (1947), Idol of Paris (1948), and The Reluctant Widow (1950) and often with the talent that made Gainsborough melodramas successful.
Piccadilly Incident is a 1946 British drama film directed by Herbert Wilcox and starring Anna Neagle, Michael Wilding, Coral Browne, Edward Rigby and Leslie Dwyer. Wilcox teamed his wife Anna Neagle with Michael Wilding for the first time, establishing them as top box-office stars in five more films, ending with The Lady with a Lamp in 1951. Wilding was third choice for leading man after Rex Harrison and John Mills.
They Were Sisters is a 1945 British melodrama film directed by Arthur Crabtree for Gainsborough Pictures and starring James Mason and Phyllis Calvert. The film was produced by Harold Huth, with cinematography from Jack Cox and screenplay by Roland Pertwee. They Were Sisters is noted for its frank, unsparing depiction of marital abuse at a time when the subject was rarely discussed openly. It was one of the Gainsborough melodramas.
Strawberry Roan is a 1945 British drama film directed by Maurice Elvey and starring William Hartnell and Carol Raye. The screenplay was developed from the then-popular 1932 novel of the same name by Wiltshire author A. G. Street.
I'll Be Your Sweetheart is a 1945 British historical musical film directed by Val Guest and starring Margaret Lockwood, Vic Oliver and Michael Rennie. It was the first and only musical film produced by Gainsborough Studios. Commissioned by the British Ministry of Information, it was set at the beginning of the 20th century, and was about the composers of popular music hall songs fighting for a new copyright law that will protect them from having their songs stolen. Copyright scholar Adrian Johns has called the film "propaganda" and "a one-dimensional account of the piracy crisis [about sheet music in the early 20th century] from the publishers' perspective", but also highlighted its value as historical document, with large parts of the dialogue "closely culled from the actual raids, court cases, and arguments of 1900-1905."
This is a summary of 1945 in music in the United Kingdom.
|This article related to a British film of the 1940s is a stub. You can help Wikipedia by expanding it.|
|This article about a historic musical film is a stub. You can help Wikipedia by expanding it.|