Wat Damnak វត្តដំណាក់ | |
---|---|
Religion | |
Affiliation | Theravada Buddhism |
Location | |
Location | Siem Reap |
Country | Cambodia |
Geographic coordinates | 13°21′06″N103°51′28″E / 13.3517°N 103.8578°E |
Architecture | |
Completed | 1927 |
Wat Domnak is a famous Buddhist pagoda and one of the teaching monasteries in the city of Siem Reap, Cambodia.
The name of Wat Domnak commemorates the fact that this pagoda was a former residence (Damnak, in Khmer, ព្រះដំណាក់ ) of the monarchy of Cambodia.
Wat Damnak was formerly the royal residence of King Sisowath from 1904 to 1927. Later, the king's palace was relocated near the Banana King Ashram. After the Royal Palace was relocated, the courtyard of the old palace complex was turned into a Buddhist pagoda.
The first Abbot, Preah Dhammacariyeavangs Et, is depicted as a conservative Buddhist monk by the Kambujasuriya in 1927, holding on to his palm-leaf manuscript rather than printed books. [1]
In 1935, Venerable Prin Tim was chosen to be the new chief of the pagoda, for which he built not only the current pagoda building of Wat Damnak but also the youth hostel. In fact, after he was called to oversee all of the pagodas of the province of Siemreap after 1939, he was responsible for the creation of numerous schools in the region. [2]
The youth hostel was part of the larger movement of building youth hostels encouraged by the 20 June 1936 law of the Front populaire led by Léon Blum in France, and it was developed in Cambodia hoping that it would "lead Cambodian youth to travel and so broaden the mind". The first youth hostel in the neighbourhood of Wat Damnak had Prince Sutharot as its honorary president. In December 1939, Khmer civil servant and playwright penned a played called Indra s'ennuie (Indra is bored) staging the descent of Indra on earth, for him to realize that the real paradise was near Woat Domnak, at the youth hostel in Siem Reap. [3]
In the 1950s, the monks of Wat Damnak erected some stupas in the courtyard of the pagoda on the model of Banteay Srei, following the advice of archaeologist Henri Marchal, of the French School of the Far East. [4]
In 1974, the statues of Preah Ang Chek Preah Ang Chorm which had been worshipped by the infamous Dap Chhuon, were sheltered within the compound in the monastery in order to protect it from the destruction caused by the Cambodian Civil War, their later fate being controversial. [5]
During the Khmers Rouges regime, Wat Damnak was used by the Khmers Rouges as their military base. When the Khmer Rouges entered Siem Reap on 17 April 1975, the revolutionary committee was formed at Wat Damnak. The next day, Venerable Put Ponn and two other monks were escorted to attend a celebration in honour of their coup. The monks were required to say the traditional prayer celebrating victory. [6]
Breaking the most fundamental monastic rules, monks were seen carrying guns at Wat Domnak as a gun-toting monk was nominated district chief. [7]
In order to regenerate the monastic order after its dispersion, Tep Vong performed ordinations of new monks in September 1979 at Wat Domnak. [8]
During the Khmer Rouge period the statue of Yay Deb was broken into pieces and thrown into a pond in nearby Wat Damnak. The Yay Deb statue, virtually identical to the leper king exhibited at the National Museum, apart from not having fangs. Thought to be contemporaneous with the leper king, Yay Deb was found by early researchers at Wat Kling Rangsei, a Buddhist pagoda built on a pre-Angkorean temple site south of the Western Baray. Like many other statues at the time, Yay Deb's baromey is said to have prevented the iconoclasts from totally destroying her or from dragging her far from her seat of power. Having recovered the different pieces in 1985, Siem Reap residents, including the staff of the Angkor Conservation Office, transferred the reconstituted statue from Wat Damnak to its original spot under a bodhi tree where it used to stand. Since the head had entirely disappeared, in 1988 the conservation office molded a replica in cement and attached it to the ancient stone body. Mistaken for an ancient original, this head was stolen soon thereafter. The conservation office attached a new cement head, which remains today. [9]
This loss was compensated by the construction of a new stupa to host a relic of Buddha, a rite of installation done in various other pagodes across Cambodia and encouraged by lay Buddhist teacher and political influencer Buth Savong. [10]
Wat Domnak is one of the teaching monasteries of Siem Reap, and this academic ambition has developed considerably since the early 2000s.
The Center for Khmer Studies was founded in 1999 as an initiative of the World Monuments Fund, an international NGO in the field of preservation. . Wat Damnak to host the center as a central location and a traditional place of learning. [11]
In 2001, Wat Damnak was among other sites in Cambodia to be considered part of the Buddhist heritage at risk "sometimes ancient, and little known". [12]
In 2005 the monks of Wat Damnak founded the Life and Hope Association (LHA), a non-profit, non-governmental, and non-political organization which was part of a new movement of Buddhist social work in Cambodia. [13]
An international conference, the first of its kind on the history of medicine in Southeast Asia was held in January 2006 at Wat Damnak Monastery. [14]
In mid December 2007, archaeologists, ceramic experts, historians, researchers, teachers and artists came together in Siem Reap, Cambodia, for an international conference titled Ancient Khmer and Southeast Asian Ceramics at the Center for Khmer Studies in the grounds of Wat Damnak. [15]
Wat Damnak has a low front section with columns or pillars over the entire eastern facade of the sanctuary, typical of the first half of the twentieth century.
The railings have balusters of the western type - so-called pear balusters which are most common of that period. The wall was pierced with vertical ovals arranged at a rhythm identical to that of the balusters.
The capitals have western moldings. While the capitals of the pillars usually have classical moldings and do not meet Western criteria, we note the isolated case of Vat Damnak, where the capitals of the two small columns fluted shaft of the porch are of a composite style, with a foliated basket and Ionic capital volutes.
The simple arched doorframe is inspired by Western architectural decor. This representation, much less common than those of Angkorian pediments, developed during the reign of Sisowath, as if the observation of colonial buildings had gradually inspired the builders of sanctuaries.
On the five doors and the fourteen shutters of the sanctuary of Damnak, there are series of historiated scenes of the Reamker including remarkable bas-reliefs, by their number and the subjects treated as by their quality. The decoration with a red and gold background, illustrating historiated scenes from the Reamker, is very elaborate and of great finesse. It is a testimony of ancient techniques drawing traditional Khmer motifs in the shape of flowers or flame.
The bai sema leaves, generally decorated with a bas-relief, are only decorated in their middle with a full vertical molding, a simple rod, a sign of their antiquity. [16]
Today, Wat Domnak is not only a Buddhist temple for monks to practice and for Buddhists to perform rituals, but this pagoda is also a center of study. Lessons are given for monks to study Pali, Sanskrit and Dharma. In addition, the pagoda also has a primary school for children to study. In addition, every day, many people go to read books or do homework there.
Separately, in the pagoda, there is also an institution called Center for Khmer Studies open for the public to study, research documents and read books.
Wat Damnak has long attracted tourists to its neighbourhood, with the first youth hostel opening in the 1930s.
This touristic development has led to some criticism, as younger generations who train in classical dance at Wat Damnak, are encouraged to turn the traditional dances of Cambodia into a tourist show. [17]
The famous roast beef around Wat Damnak has been on sale for more than two decades, dating back to the 1990s. Different from the roast beef in Phnom Penh with long skewers, the famous roast beef around Wat Damnak has short and rather flat bamboo skewers. The lean beef at the end is turned upside down with a spicy red sauce. [18] The pagoda has also given its name to Cambodia's most acclaimed restaurant Cuisine Wat Damnak, run by French chef Joannès Rivière, set up in the vicinity of the pagoda. [19]
Angkor Wat is a Hindu-Buddhist temple complex in Cambodia. Located on a site measuring 162.6 hectares within the ancient Khmer capital city of Angkor, it was originally constructed in 1150 CE as a Hindu temple dedicated to the deity Vishnu. It was later gradually transformed into a Buddhist temple towards the end of the century.
Reamker is a Cambodian epic poem, based on the Sanskrit's Rāmāyana epic. The name means "Glory of Rama". It is the national epic of Cambodia, along with the less famous version of the Trai Bhet. The earliest mention of this epic's manuscript in Cambodia dates back to the 7th century based on Veal Kantel inscription (K.359). The surviving text of Reamker dates from 16th century. Reamker adapts the Hindu ideas of the Ramayana to Buddhist themes and shows the balance of good and evil in the world. More than just a reordering of the epic tale, the Reamker is a mainstay of the royal ballet's repertoire. Like the Ramayana, it is a philosophical allegory, exploring the ideals of justice and fidelity as embodied by the protagonists, King Rāma and Queen Sītā. The epic is well known among the Khmer people for its portrayal in Khmer dance theatre, called the Lakhon, in various festivals across Cambodia. Scenes from the Reamker are painted on the walls of the Royal Palace in Khmer style, and its predecessor is carved into the walls of the Angkor Wat and Banteay Srei temples. It is considered an integral part of Cambodian culture.
The Royal Palace of Cambodia is a complex of buildings which serves as the official royal residence of the King of Cambodia. Its full name in Khmer is the Preah Barom Reacheaveang Chaktomuk Serey Mongkol. The Cambodian monarchs have occupied it since it was built in the 1860s, with a period of absence when the country came into turmoil during and after the reign of the Khmer Rouge.
Buddhism in Cambodia or Khmer Buddhism has existed since at least the 5th century. In its earliest form it was a type of Mahāyāna Buddhism. Today, the predominant form of Buddhism in Cambodia is Theravada Buddhism. It is enshrined in the Cambodian constitution as the official religion of the country. Theravada Buddhism has been the Cambodian state religion since the 13th century. As of 2019 it was estimated that 97.1 percent of the population are Buddhists.
The Silver Pagoda is located on the south side of the Royal Palace in Chey Chumneas, Phnom Penh. The official name is Wat Ubaosoth Ratanaram, also known as Wat Preah Keo Morakot which is commonly shortened to Wat Preah Keo in Khmer.
Siem Reap is the second-largest city of Cambodia, as well as the capital and largest city of Siem Reap Province in northwestern Cambodia.
Samdech Preah Agga Maha Sangharajadhipati Tep Vong was a Cambodian Buddhist monk who served as the Great Supreme Patriarch of Cambodia until his death in 2024. He was well known for his role in re-establishing the Cambodian monkhood after the Pol Pot period and for his links to dominant political leaders after the 1980s.
Phnom Kulen is a mountain range and a part of Phnom Kulen National Park in Siem Reap Province, Cambodia.
A wat is a type of Buddhist and Hindu temple in Cambodia, Laos, East Shan State, Yunnan, the Southern Province of Sri Lanka, and Thailand.
Wat Althea, also called Prasat Vat Althea, is a 12th-century Hindu temple at Angkor, Cambodia with an active Buddhist temple and cemetery adjacent to the walled ancient structure.
Son Kuy or Chavay Kuy, also known as Oknha Son Kuy, was the governor of the Khmer province of Trapeang. He was beheaded by Emperor Thiệu Trị of the Nguyễn dynasty in 1841, in exchange for preserving the cultural tradition for the Khmer Krom. Nowadays, the figure of Chavay Kuy has become a rallying call and a symbol of the separatist intent of the current Khmer Krom.
An achar or achar wat is a lay Buddhist upāsaka who becomes a ritual specialist and takes on the role of master of ceremonies in various religious rites in Cambodia.
Wat Moha Leap, or vatt Mahā Lābh (វត្តមហាលាភ), is a century-old Buddhist pagoda in Kampong Cham province, Cambodia. It is the country's last standing temple with a wooden structure.
Wat Vihear Suor is a Theravada Buddhist temple located in Kandal Province, Cambodia. It was built on an older pre-Buddhist cult site belonging to the Angkor era.
The Poem of Angkor Wat, is a Khmer poem which dates from the beginning of the 17th century. It celebrates Angkor Wat, the magnificent temple complex at Angkor and describes the bas-reliefs in the temple galleries that portray the Reamker. The Poem of Angkor Wat is considered to be the earliest original literary work in Khmer language. It is one of the two great epic poems of Cambodia with the Reamker in the style of the Indian epic poetry.
The Grande Inscription d’Angkor, referenced as K. 301 or Inscription Modern Angkor Wat (IMA) #38, is the longest Khmer inscription at Angkor Wat. Dated to 1701, it is located on the east wall between the bas-relief galleries and facing the Chey Non stupa in the courtyard outside.
The Preah Ang Chek Preah Ang Chorm shrine is a religious shrine in Siem Reap, Cambodia. It is located within the compound of the Royal Residence where two statues referred to as Preah Ang Chek and Preah Ang Chorm are worshipped since 1982.
Samdech Preah Moha Sangkha Reach Nil Teang or Nil Tieng as it was written during the French protectorate of Cambodia, was the first Supreme Patriarch of Cambodia in the Mahanikaya. He held that position during the reign of three consecutive kings: King Preah Ang Duong, King Norodom, King Sisowath.
The Trai Bhet is a treatise on Khmer cosmogony composed at the latest at the end of the 17th century. As one of Cambodia's national epics, it is another Khmer version of the Hindu epic Ramayana, different again from the Khmer Reamker. The Trai Bhet is an important part of the Khmer literary canon, though it has largely been forgotten.