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Wednesday 13 | |
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![]() Poole in 2013 | |
Background information | |
Birth name | Joseph Michael Poole |
Also known as |
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Born | Lexington, North Carolina, U.S. | August 12, 1976
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Instruments |
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Years active | 1992–present |
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Website | officialwednesday13 |
Joseph Michael Poole (born August 12, 1976), better known by his stage name Wednesday 13, is an American singer and musician. Apart from his solo career, he was the frontman of the horror punk/glam metal band Murderdolls and has also played in several other bands, including Maniac Spider Trash, Frankenstein Drag Queens from Planet 13, Bourbon Crow, and Gunfire 76.
Joe Poole's musical career began in 1992 when he played guitar in his first band Mizery, which was later renamed Psycho Opera. Other members included Ray Franks (guitar), Michael Patrick (bass guitar), Jeff Washam (drums), and Todd Cage (vocals). Soon after, Poole moved on to being the vocalist for Maniac Spider Trash with Ray Franks (guitar), Michael Patrick (bass guitar), and Doug McCollum (drums). Poole fronted the band from 1992 to 1996. The band released a 6-song cassette called Dumpster Mummies in 1994 under the fictitious record label, Dead/Hell Records. In 1995, the band also recorded a full-length album called Murder Happy Fairytales. Unfortunately, the band broke up before the album saw an official release. Many years later, in 2010, Joe Poole and Ray Franks worked together for a CD release of Dumpster Mummies and a digital release of Murder Happy Fairytales.
In 1996, Joe Poole decided to leave Maniac Spider Trash behind and formed the more punk inspired Frankenstein Drag Queens from Planet 13 with Doug McCollum (drums) and Robby McGalliard (bass). With the release of the band's first album, The Late Late Late Show, the members revealed their new stage names - Wednesday 13, Sicko Zero, and Seaweed. As a 3-piece band, Wednesday 13 handled the song writing, vocals, and guitar work. In 1997, Ray Franks was invited to step in to carry the guitar duties and assumed the stage name Abby Normal. The years that followed spawned many songs that would go on to become horror punk cult classics and many performances that left audiences entertained, shocked, and bewildered. By 2002, a revolving door of band members eventually left Wednesday 13 as the only remaining original member, but not before Wednesday 13 had four studio albums and a number of singles under his belt, including contributions to tribute albums for Alice Cooper and Sweet. Because Wednesday 13 had written and produced every album by Frankenstein Drag Queens from Planet 13, he caught the attention of Joey Jordison from Slipknot. Jordison contacted Wednesday 13 about joining Murderdolls in 2002 and the following year was spent recording and touring for Beyond The Valley Of The Murderdolls. In May 2006, the Frankenstein Drag Queens From Planet 13 announced a reunion, which was followed by the release of Little Box Of Horrors, a box set of the band's complete discography. A touring line-up of Wednesday 13, Sicko Zero, and Abby Normal was assembled for a limited number of performances.
Poole was contacted by Joey Jordison of Slipknot and was asked to join Jordison's new horror punk band, Murderdolls. Originally formed as a collaboration between Jordison and Tripp Eisen of Static-X and Dope, Poole became the driving force of the band after he moved from bass guitar to lead vocals. Murderdolls released one EP in 2002, Right to Remain Violent , to promote a forthcoming album the same year, Beyond the Valley of the Murderdolls . Most of the songs on the album were re-recorded versions of songs by Poole's previous band, Frankenstein Drag Queens from Planet 13. Two singles were released from the album, including a cover of Billy Idol's "White Wedding". The album reached No. 40 on the UK album chart.
Murderdolls played their last show on January 17, 2004. After this, they broke up, with Jordison returning to Slipknot. Both Poole and Jordison maintained that the band did not split up for good, and that they would return to record a second album in the future. In February 2010, while on a solo tour in Australia, Poole told Drum Media, "We're possibly going to do another Wednesday record, record it in the summer and have it out around Halloween. We're in talks right now to do another Murderdolls album. So right now I don't know which of the two is going to happen, of course if Murderdolls is possible then we have to do that, it's gotta be the number one priority. It's just talks right now. We're having the same conversations that we were having in the very beginning of the band. Right now, we're just trying to get a game plan together."
In March 2010, Jordison told Kerrang! magazine [1] that Murderdolls had reunited to work with the producer Chris Harris. Jordison said, "It's been an ongoing conversation between Wednesday and I from 2006 until now. We were bored with everything out there, and thought we had something to piss people off and shake things up. Everything is such a product or a fucking formula these days... fuck formula! Fuck the norm!" Murderdolls released their second album, Women and Children Last, on August 31, 2010. In March 2013, Wednesday 13 announced in an interview that the Murderdolls had split up for good in 2011.
After the Murderdolls broke up in 2004, Poole went on a solo tour of the United Kingdom in March, called the Graveyard A Go-Go tour. For his live performances, he was joined by members of the horror punk band Death Becomes You, though this was not meant to be permanent. [2] Poole returned to North Carolina in June 2004 and began to put together a more permanent band, with whom he would perform under the Wednesday 13 name. He brought in the former Frankenstein Drag Queens member, Ikky, on guitar. The band is heavily influenced by KISS and Alice Cooper, while not straying far from Poole's previous horror punk projects. In September 2004, Ikky was replaced by Matt Montgomery. Wednesday 13 toured Europe in November 2004 on the Look What the Bats Dragged in tour. Some of the dates were supported by the English rockers Viking Skull.
In 2005, after touring, Poole released his first album Transylvania 90210 , [3] and made a music video for the track "I Walked with a Zombie", depicting the band members in footage from the original Night of the Living Dead horror movie. Following the album's release, the group embarked on a tour of the United Kingdom, entitled Tour from the Crypt. Also in 2005, they played on the main stage of the Download Festival at Donington and opened some shows for Alice Cooper around Halloween.
Poole left Roadrunner Records before signing a new deal with Rykodisc, with whom he released Fang Bang on September 12, 2006. [4] The European version of the album contains a cover of Motörhead's "R.A.M.O.N.E.S." and the Japanese edition has the same track listing as the European CD, with a bonus song entitled "Good Day to Die". The American edition has "Burn the Flames", a Roky Erickson cover version, as its only bonus track. Skeletons was released in the US on April 29, 2008, available exclusively through Hot Topic locations. It was released in the UK on May 12, 2008, by DR2 Records. [5]
On November 14, 2008, Poole released his first live album, Fuck It, We'll Do It Live . The CD/DVD package was recorded in 2008 at Crocodile Rock in Allentown, Pennsylvania. Wednesday 13 released it exclusively through Hot Topic, just as he had for Skeletons. A two-track digital download entitled Xanaxtasy was released on December 24, 2010, through iTunes. The release was announced on Wednesday 13's Facebook page on December 20, 2010, and contains two songs recorded during his 2009 sessions. Of the two songs, "Xanaxtasy" was previously released in the Bloodwork EP limited edition vinyl and "It's a Wonderful Lie" was previously released on his limited edition vinyl release From Here to the Hearse. During May 2011, Poole released a remix album/EP titled Re-Animated and announced that a portion of all sales for the first month would be donated to the American Red Cross. [6]
On Wednesday, July 13, Wednesday released the track listing for Calling All Corpses via Bravewords. [7] The album was released on October 11 in the US and October 10 elsewhere. He released his fifth album, The Dixie Dead, on February 19, 2013, and his sixth album, Monsters of the Universe: Come Out and Plague , on January 12, 2015.
His seventh album, Condolences, was released on June 2, 2017, after signing with Nuclear Blast. This was followed by Necrophaze in 2019.
On 7th October 2022, he released his ninth studio album, Horifier, after signing with Napalm Records.
Since 2005, under the alias of Buck Bourbon, Poole has maintained an outlaw country side project called Bourbon Crow. Wednesday 13 was in contact with the former drummer Jeff Washam from Psycho Opera and was going to tour on the East Coast project. Scheduling prevented Washam doing the tour. The band released its first album in 2006, Highway to Hangovers, and a second album, Long Way to the Bottom, in 2009. In 2015, the band released a third album, Off the Wagon on the Rocks.
Poole teamed up with Todd Youth of The Chelsea Smiles to write and record an album with a more glam rock sound and without any horror themes, [8] under the band name Gunfire 76. Rough mixes of the album's title track, "Casualties & Tragedies", were uploaded onto the band's Myspace page on August 12, 2009, for the fans to have an idea of what the band sounded like. The album was released on October 6, 2009. [9] Gunfire 76 toured from December 2009 to January 2010 with Bullets and Octane on the First Blood tour.
Poole is originally from Landis, North Carolina. He has one daughter with his ex-wife Roxanne and has a granddaughter who was born in 2017.
The 2019 album Necrophaze was the first Wednesday 13 album recorded sober by Poole. He has maintained sobriety and continues to tour.
Year | Album details | Peak chart positions | |
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US Heat. [10] | US Ind. [11] | ||
2005 | Transylvania 90210: Songs of Death, Dying, and the Dead
| 34 | — |
2006 | Fang Bang
| — | — |
2008 | Skeletons
| — | — |
2011 | Calling All Corpses
| 21 | — |
2013 | The Dixie Dead
| — | — |
2015 | Monsters of the Universe: Come Out and Plague
| 25 | — |
2017 | Condolences
| 7 | 25 |
2019 | Necrophaze
| 2 | — |
2022 | Horrifier
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Year | Title |
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2008 | Bloodwork (EP)
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2011 | Re-Animated
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2012 | Spook & Destroy
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2014 | Tunes from the Crypt No.1
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2021 | Necrophaze - Antidote
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Year | Title |
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2008 | Fuck It, We'll Do It Live
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2010 | From Here to the Hearse
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2014 | Undead Unplugged
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2014 | Dead Meat: 10 Years of Blood, Feathers & Lipstick
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2020 | Bad Things
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2020 | The Warner Years
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Horror punk is a music genre that mixes punk rock and 1950s-influenced doo-wop and rockabilly sounds with morbid and violent imagery and lyrics which are often influenced by horror films and science fiction B-movies. The genre was pioneered by the Misfits in the late 1970s and early 1980s. Subsequent bands formed in the Misfits' wake like Mourning Noise, the Undead and Samhain, solidifying horror punk's first wave. In the late 1990s and early 2000s the genre gained attention through the reunion of the Misfits and success of groups like AFI, Son of Sam and the Murderdolls. This popularity continued to the modern day with Blitzkid, Calabrese and Creeper.
Murderdolls was an American rock band formed in Hollywood, California in 2002. Its lineup consisted of core members Wednesday 13 and Joey Jordison while former touring members included Ben Graves, Acey Slade, Eric Griffin and Tripp Eisen.
Frankenstein Drag Queens from Planet 13 was an American horror punk band from North Carolina. The band was formed in 1996 by Wednesday 13, who recruited friends and former Maniac Spider Trash bandmates Seaweed and Sicko Zero. The band's history is riddled with a 'revolving door' lineup with 13 being the only member to have never been replaced.
Emil John Schmidt IV, known professionally as Acey Slade, is an American musician. He is the bassist and one of the guitarists in the industrial metal band Dope and a former guitarist of the horror punk and glam metal act Murderdolls. He is also the lead singer and guitarist of Acey Slade & the Dark Party and a touring guitarist of The Misfits. Previous to this, he served as the bassist in Joan Jett & the Blackhearts and as the lead vocalist and guitarist in the punk rock band Trashlight Vision, which broke up in 2007.
Nathan Jonas "Joey" Jordison was an American musician. He was the original drummer of the nu metal band Slipknot, in which he was designated #1, and the guitarist for the horror punk supergroup Murderdolls.
Night of the Living Drag Queens is the second full-length release by North Carolina punk band the Frankenstein Drag Queens from Planet 13. It was originally released on Uncle God Damn Records in 1998, and was later re-released on Century Media Records in collaboration with People Like You Records in 1999 as a Digi-Pack. It is also featured in the 2006 box set "Little Box of Horrors". "Twist My Sister", Let's Go to War" and "Die My Bride" were later re-recorded for the murderdolls album Beyond the Valley of the Murderdolls
Beyond the Valley of the Murderdolls is the debut studio album by American horror punk supergroup Murderdolls. It was released in 2002 by Roadrunner Records. The album reached number 40 on the UK Albums Chart, and sold 100,000 copies in the U.S.
Todd Schofield, known as Todd Youth, was an American guitarist, best known for his work with Warzone, Murphy's Law and Danzig.
Transylvania 90210: Songs of Death, Dying, and the Dead is the debut studio album by American horror punk musician Wednesday 13, released on April 13, 2005, by Roadrunner Records. The album contains fourteen standard tracks, as well as a bonus track exclusive to Japan, titled "Thank You Satan". The album spawned two singles, "I Walked with a Zombie", inspired by the film of the same name, and "Bad Things", which was released only as a promo in the UK to promote the band's upcoming tour.
Songs from the Recently Deceased is the third full-length release by American punk band the Frankenstein Drag Queens from Planet 13. It was originally released on Uncle God Damn Records in 1999, and was later re-released on Century Media Records in collaboration with People Like You Records in 2000 as a Digi-Pack. It is also featured in the 2006 box set "Little Box of Horrors".
The Late, Late, Late Show is the first full-length release by North Carolina horror themed punk band the Frankenstein Drag Queens from Planet 13. It was released on Uncle God Damn Records in 1996, and was later re-released as part of the "Little Box of Horrors" box set in 2006, on Restless Records.
Bloodwork is the first EP by American horror punk musician Wednesday 13 The band struggled to come to a conclusion as to whether the EP would receive a CD release or if it would stay download only for the time being. On June 4, 2008, a decision was reached and was posted on the band's Myspace blog
"The Bloodwork EP, which is currently available for download on Itunes and Amazon, will be available for sale as a physical cd during the U.S. tour starting on July 1, 2008."
Bloodwork was sold during the US and UK 2008 tours, and though once stated to be a tour exclusive, the EP was officially released online on January 22, 2009.
Fuck It, We'll Do It Live is the first live album by American horror punk musician Wednesday 13. It contains a live performance recorded at the Crocodile Rock in Allentown, Pennsylvania on July 18, 2008. The album was released on October 21, 2008, through Hot Topic locations in the United States and on website Interpunk.com, in a two-disc format with recordings of the live performance on CD and DVD.
The Hellbilly Deluxe 2 World Tour was a worldwide concert tour by American rock band Rob Zombie that began in October 2009 in support of his fourth studio album Hellbilly Deluxe 2. The tour consisted of 12 legs spanning across Japan, North America, Europe and Australia. The tour marked the first time Zombie has performed internationally since the beginning of his solo career.
Women and Children Last is the second and final studio album by American horror punk supergroup Murderdolls released through Roadrunner Records on August 31, 2010, and produced by Chris "Zeuss" Harris. With the exception of Murderdolls touring guitarist Ramon Surman, who contributed lead guitars, and Mötley Crüe's Mick Mars, who guests on "Drug Me to Hell" and "Blood Stained Valentine", the album was recorded by Wednesday 13 and Joey Jordison. In Metal Hammer, Jordison explained why the old lineup would not be returning:
The old band, we didn’t even know each other before it all came together [...] It was dysfunctional but it worked, but this time, we wanted it to be a little more stable. It was apparent that if we were going to do the Murderdolls again, we were going to do it with everything we’ve got.
Undead Unplugged is the first acoustic album by horror punk musician Wednesday 13. It features mainly acoustic versions of songs from his solo career, with one original track entitled "Undead". The album also features acoustic versions of Murderdolls and Frankenstein Drag Queens From Planet 13 songs, both being bands Wednesday had fronted in the past.
Dead Meat: 10 Years of Blood, Feathers & Lipstick is a box set and 2nd compilation album by horror punk musician Wednesday 13. It's a collection that spans his solo career from 2003-2013 and other projects he fronted such as Murderdolls and Frankenstein Drag Queens From Planet 13 It features 4 discs. A best of compilation, a collection of demos and the entire Re-Animated EP with extra remixes.
Roman Surman is an American musician and the current lead guitarist for Wednesday 13's horror punk solo band. Surman was also a guitarist for Gunfire 76, Bourbon Crow and the second incarnation of Murderdolls, all bands fronted by Wednesday 13.
From Here to the Hearse is a 2010 limited edition vinyl compilation album released by American musician Wednesday 13. It features songs from his horror punk solo career and his various side projects such as his outlaw country project Bourbon Crow, his glam metal project Gunfire 76 and covers from his previous band Frankenstein Drag Queens From Planet 13. It was a limited release only seeing 1,000 copies being made in the US. The album title is taken from the track of the same name on Wednesday's Skeletons album.