Weird Faith | ||||
---|---|---|---|---|
Studio album by | ||||
Released | February 9, 2024 | |||
Genre | ||||
Length | 41:21 | |||
Label | Anti- | |||
Producer | ||||
Madi Diaz chronology | ||||
|
Weird Faith is the sixth studio album by the American singer-songwriter Madi Diaz, released on February 9, 2024, by Anti-. The album follows her fifth studio album, History of a Feeling , and tours with Angel Olsen, Waxahatchee, and Harry Styles. It was written in Nashville and upstate New York, recorded in upstate New York by Diaz and Sam Cohen, and produced by Diaz, Cohen, and Konrad Snyder.
Weird Faith has been described as an indie rock, indie folk, and indie pop album. The album features sparse, acoustic arrangements that highlight Diaz's lyrics and vocals, and it addresses themes of love, trust, and intimacy. Critics have positively reviewed the album, particularly praising Diaz's emotional songwriting.
Following the release of her critically acclaimed fifth studio album History of a Feeling (2021), the Nashville-based singer-songwriter Madi Diaz went on tour and opened for Angel Olsen, Waxahatchee, and Harry Styles. She also accepted an offer from Styles to join his tour band. [1] [2] [3] At the same time, Diaz began working on her sixth studio album, Weird Faith. She wrote the album from her home in Nashville and in upstate New York, where she recorded the album with Sam Cohen. Cohen co-produced the album with Konrad Snyder. [4] [5]
Diaz said in an interview with Stereogum that she wrote Weird Faith during a period in her life in which she was "learn[ing] how to trust [her]self", trust the growth of her career, and trust in her relationships with her new manager, new label, and new romantic partner. [1] When writing the songs on Weird Faith, Diaz told BrooklynVegan that she spent time in places of worship, where she would "quietly ask [her]self questions". She also said that she was influenced by the Bonticou Crag rock scramble in upstate New York, Harold Melvin & the Blue Notes' "If You Don't Know Me by Now", The Maori Girls of Turakina by the Turakina Maori Girls Choir, Julia Michaels' Not in Chronological Order , and "Like an Old Fashioned Waltz" by Sandy Denny. [5] Diaz said in Nylon that the album was inspired by her father. [6] Diaz worked with several co-writers, including Olivia Barton on "Everything Almost", Steph Jones and Charlie Hickey on "Same Risk", [7] and Lori McKenna on the title track. [8]
Weird Faith has been described as an indie rock, indie folk, and indie pop album. [3] [4] Critics have generally said that the album's mostly-acoustic tracks are minimalist compositions that highlight Diaz's vocals and songwriting. In No Depression , Maeri Ferguson called Diaz's songwriting "raw and direct" and the musical arrangements "[s]parse[,] ... gritty and textured". She said that the vocals ranged from being "stark" to "almost hymnal in their power". [8] Adam Fink in Exclaim! called the musical arrangement "relatively subdued", and noted the lyrics' emotional power. [2] In Glide, Ryan Dillon stated that the album had a "very honed sonic landscape", featuring minimal arrangements that support, rather than "outshine", Diaz's vocals. [9] Lucy Harbron in Far Out wrote that the music was straightforward, with "high-quality, plain sailing" production. She also noted that the production had "enough difference and layers" to ensure that Diaz's lyrics did not sound "one-note". [10] Similarly, in Pitchfork , Marissa Lorusso said that the album's production was straightforward, with moments of sound layering to highlight particular emotions. She also called Diaz's voice "resonant and emotionally rich". [11] Jeremy Fisette in Beats Per Minute likewise praised Diaz for her "bell-clear voice, capable of communicating immense power and subtle heartache", but criticized the album's uniform tempos, slow pacing, and simple production. [12]
According to critics, Weird Faith addresses themes of love, trust, and intimacy. Mia Hughes in Stereogum , Fisette in Beats Per Minute, and Fink in Exclaim! wrote that, by contrast with History of a Feeling, which addressed the end of a relationship, Weird Faith was written from the perspective of falling in love, as well as the complications that can arise early in a relationship. [1] [2] [12] Likewise, in Glide Dillon said that the album focuses on a new relationship and the difficulties associated with falling in love, which he viewed as a metaphor for Diaz's relationship with her career and newfound fame, and the anxieties surrounding them. [9] Comparing "Think of Me" from History of a Feeling with "Girlfriend" on Weird Faith, Eric Bennett in Paste wrote that instead of directing "betrayal and hurt" towards her "cheating ex and his new partner", Diaz now "extends grace" towards her new boyfriend's ex-girlfriend, being honest and open with her emotions and insecurities. [3] Rhian Daly wrote in The Forty-Five that Diaz's "penetrative lyrics" focus on themes of love and trust, as well as Diaz's relationships with herself and others, and her "fears and trepidations, insecurities and overthinking". [13] Lorusso in Pitchfork said that the album captures the "paradox" that while falling in love can be beautiful, it is also "absurd and mortifying". [11] Diaz said in an interview with Exclaim! that the album was about "having some weird faith and walking forward" when falling in love in a new relationship. [7]
In Nashville Scene , Jacqueline Zeisloft also highlighted the theme of intimacy, writing that Diaz "conveys the beautiful messiness of sustaining a long-term relationship". [4] Ferguson said that the album "navigate[s] the uneven terrain of intimacy"—including confronting jealousy, personality flaws, and insecurities—particularly the moment "when the dust settles" and a person is confronted with rebuilding a relationship. [8] Similarly, Steffanee Wang in Nylon wrote that the album is about "love and unhealthy cycles", featuring "bare-boned confessionals" about Diaz's "neurotic habits, toxic thought patterns, and an ever-hopeful desire to be better". [6] Marcy Donelson wrote for AllMusic that the album "shines a blue light on the dark underbelly of love, where the flaws, compromises, and insecurities lie". [14]
Weird Faith is Diaz's sixth studio album. It was released on February 9, 2024, by Anti-. [15] On February 10, Diaz played the song "Everything Almost" from the album on The Tonight Show . [16] She began the Weird Faith tour to support the album on February 12; as of March 2024 [update] , the tour is scheduled to end on April 4, 2024. [17] Anti- released a deluxe edition of the album on October 25, 2024. [18] It includes a version of the album track "For Months Now" featuring Lizzy McAlpine, a new single titled "Worst Case Scenario", a song titled "One Less Question" featuring Lennon Stella, and several demo tracks. [19]
Aggregate scores | |
---|---|
Source | Rating |
Metacritic | 81/100 [20] |
Review scores | |
Source | Rating |
AllMusic | [14] |
DIY | [21] |
Beats Per Minute | 72% [12] |
Exclaim! | 8/10 [2] |
Far Out | [10] |
The Forty-Five | [13] |
The Line of Best Fit | 7/10 [22] |
Paste | 8.2/10 [3] |
Pitchfork | 7.3/10 [11] |
Under the Radar | [23] |
Weird Faith received a score of 81 out of 100 on review aggregator Metacritic based on nine critics' reviews, indicating "universal acclaim". [20] Critics praised the album for Diaz's songwriting and production. Fink in Exclaim! rated the album an 8 out of 10, praising the production and writing that Diaz's songwriting was "plainly spoken" and relatable. [2] For Glide Magazine, Dillon wrote that Diaz's "blunt" songwriting "anchor[s]" listeners in the "mostly ambient" production, calling the album an "opus". [9] In Paste, Bennett rated the album an 8.2 out of 10 and called Diaz's songwriting "stylized but diaristic"; he also said that the album highlighted Diaz's vocals, but that the instrumentation "felt like a second thought" on some tracks. [3] In The Forty-Five, Daly rated the album 4.5 out of 5 stars and said that Diaz's songwriting "makes you feel like you're right in the middle of the scenes she creates with her pen". [13] Fisette, who rated the album 72% for Beats Per Minute, called Diaz a "hell of a songwriter" and said that the album was "honest and well-written". [12]
Critics also praised the album's tone. Sarah Taylor of DIY rated the album 4 out of 5 stars, calling the tracks "wistful yet self-aware", with Diaz striking a "defiant" tone and proclaiming "her faith in love". [21] Caleb Campbell, who rated the album 7.5 out of 10 stars for Under the Radar , said that the album was "often tender and unfussed in presentation, yet full of unsparing honesty". [23] Writing for Garden & Gun , Dacey Orr Sivewright said that the album "combines big feelings and bold sounds" in a manner unique to Diaz. [24] Lorusso in Pitchfork rated the album 7.3 out of 10, praising Diaz's "ear for melody" and the use of "intimacy and restraint" to provide emotional heft to the lyrics. [11]
Some critics compared Weird Faith with Diaz's previous album, History of a Feeling. Bennett said that while "History of a Feeling was the mess of emotions, Weird Faith is the cool-headed exhale." [3] Harbron, who rated the album 3.5 out of 5 stars, said that Weird Faith continued the story of History of a Feeling by capturing "the feeling of returning to love after a brutal loss". [10] Lana Fleischli in Flood wrote that Diaz had grown from her last album, moving on from themes of "loneliness and heartache" to being in a new relationship. [25] Fisette said that the album operates from a point of "delicate uncertainty" at the start of a relationship, while its predecessor operated in "very well-worn territory". [12] Amaya Lim in The Line of Best Fit rated the album 7 out of 10, praising Diaz's songwriting as "sharp and salient". However, she opined that its sparse production style undercut the album's emotions of joy, unlike History of a Feeling, where the sparse production style highlighted that album's dark themes. [22]
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Same Risk" |
| 3:28 |
2. | "Everything Almost" |
| 3:00 |
3. | "Girlfriend" |
| 3:28 |
4. | "Hurting You" |
| 3:29 |
5. | "Get to Know Me" |
| 3:40 |
6. | "Kiss the Wall" |
| 3:05 |
7. | "God Person" |
| 3:38 |
8. | "Don't Do Me Good" (with Kacey Musgraves) |
| 4:13 |
9. | "For Months Now" |
| 4:06 |
10. | "KFM" |
| 2:55 |
11. | "Weird Faith" |
| 3:00 |
12. | "Obsessive Thoughts" |
| 3:19 |
Total length: | 41:21 |
No. | Title | Writer(s) | Length |
---|---|---|---|
13. | "Worst Case Scenario" |
| 3:38 |
14. | "For Months Now (III)" (with Lizzy McAlpine) |
| 4:07 |
15. | "One Less Question" (with Lennon Stella) |
| 3:12 |
16. | "Human Condition (demo)" (demo track recorded by Diaz) | 2:55 | |
17. | "Don't Do Me Good (demo)" (demo track recorded by Diaz) |
| 4:11 |
18. | "Get to Know Me (demo)" (demo track recorded by Diaz) |
| 3:48 |
19. | "Same Risk (demo)" (demo track recorded by Diaz) |
| 3:18 |
20. | "Weird Faith (demo)" (demo track recorded by Diaz) |
| 2:54 |
Aimee Elizabeth Mann is an American singer-songwriter. Over the course of four decades, she has released ten studio albums as a solo artist. She is noted for her sardonic and literate lyrics about dark subjects, often describing lost or lonely underdog characters. Her work with the producer Jon Brion in the 1990s was influential on American alternative rock.
Kelly Diane Willis is an American country music singer-songwriter, whose music has been described as alternative country and new traditionalist.
My Truth is the second studio album by Swedish singer Robyn. It was released on 17 May 1999 by BMG Sweden. Robyn collaborated with the producers Lindström & Ekhé, Christian Falk, Billy Mann, Thomas Rusiak and Masters at Work on the album. A pop, R&B and soul record, My Truth is an autobiographical album for which Robyn co-wrote all fourteen songs. Some of its lyrics reflect on the singer's fall 1998 abortion, which became controversial when RCA Records began planning a North American release. When Robyn refused to change the album after the label's request, plans to release My Truth outside Sweden were cancelled.
Madi Diaz is an American singer-songwriter and musician.
"Cold Case Love" is a song recorded by Barbadian singer Rihanna for her fourth studio album, Rated R (2009). It was written and produced by The Y's. Following Chris Brown's assault on Rihanna, she started working on the sound of her new album. Timberlake, who co-wrote "Cold Case Love", labeled the sound of Rihanna's new project as a step forward for the singer. In February 2010, Rihanna admitted that the song's lyrics are about her complicated relationship with Brown.
"From Time" is a song recorded by Canadian recording artist Drake for his third studio album, Nothing Was the Same (2013). The song was written by Drake and its producers Chilly Gonzales and Noah "40" Shebib, while American singer-songwriter Jhené Aiko provided additional vocals and writing. "From Time" is the second collaboration between Drake and Aiko, during which she wrote to the music Drake provided for her.
"Sober" is a song by American singer Selena Gomez from her second solo studio album, Revival (2015), included as the fifth track on the record. The song was leaked two days prior the album's release, on October 7, 2015, and was originally scheduled to be released as the album's fifth single following "Kill Em with Kindness". Gomez collaborated with songwriters Chloe Angelides, Jacob Kasher Hindlin, and Julia Michaels, along with Norwegian duo Tor Hermansen and Mikkel Eriksen, who handled production under their stage name Stargate. Frequent collaborator Dreamlab handled the vocal production as well as background vocals. Driven to create a unique sound for herself, the singer focused on lyrics that reflected personal experiences, along with referencing influential albums of her youth, specifically Christina Aguilera's fourth studio album Stripped (2002).
Charlotte Cornfield is a Canadian singer-songwriter. She has released five albums: Two Horses (2011), Future Snowbird (2016), The Shape of Your Name (2019), Highs in the Minuses (2021), and Could Have Done Anything (2023).
The Lookout is the tenth studio album by American folk musician Laura Veirs, released on April 13, 2018 by Raven Marching Band Records to a positive critical reception. Veirs recorded the work around her collaboration case/lang/veirs and continued a streak of working with her husband Tucker Martine as producer.
"Cornelia Street" is a song written and recorded by the American singer-songwriter Taylor Swift for her seventh studio album, Lover (2019). She produced it with Jack Antonoff. The title of the song refers to a street in the New York neighborhood Greenwich Village, where Swift had rented a townhouse. One of the most personal tracks on Lover, "Cornelia Street" sees Swift pleading to never let her lover go, after having shared the ups and downs during the course of their relationship. The song is instrumented by a keyboard line, a delicate piano, and fluttering synthesizers.
Cape God is the second studio album by Canadian singer Allie X. It was released on February 21, 2020 by Twin Music and distributed by AWAL. The release followed her extended play Super Sunset (2018). The album was primarily written by Allie X and James Alan Ghaleb, and produced by Oscar Görres. It received generally positive reviews from music critics.
Wake Up! is the debut studio album by Australian-American indie pop musician Hazel English released on April 24, 2020. The album is produced by Justin Raisen and Ben H. Allen.
"I Finally Understand" is a song by British singer Charli XCX, released on 7 May 2020 as the third single from her fourth studio album, How I'm Feeling Now. As with all previous singles from the album, three official covers were released for the song. The song was first announced on Charli XCX's Twitter on 2 May 2020.
"My Tears Ricochet" is a song written and recorded by the American singer-songwriter Taylor Swift for her eighth studio album, Folklore (2020). She produced the song with Jack Antonoff and Joe Alwyn. "My Tears Ricochet" infuses arena and gothic styles of rock music and gospel. The production incorporates choir-inflected layered vocals, mellow synths, and shuddering drums, bringing forth a soundscape that critics described as haunting and sorrowful. Its lyrics are a narration by the ghost of a dead woman, which finds its murderer, who she once loved dearly, at its own funeral.
Wilted is the debut studio album by American singer-songwriter Paris Jackson. The album has received positive reviews from critics for the successful collaboration with producer Andy Hull and the strength of the release as a debut album, but it has also received criticism for inconsistent quality and some poor lyrics.
"That's When" is a song by Taylor Swift featuring Keith Urban. It was released as part of Fearless (2021), a re-recording of Swift's second studio album Fearless (2008). She wrote the track with the Warren Brothers at age 14 and handled the production with Jack Antonoff. "That's When" is an acoustic country pop and indie folk ballad about the end and aftermath of a relationship: Swift's and Urban's characters contemplate how to reunite with one another.
"Treacherous" is a song by the American singer-songwriter Taylor Swift, taken from her fourth studio album, Red (2012). Swift wrote the track with its producer Dan Wilson. Blending styles of country and pop, "Treacherous" is a slow-burning ballad that builds up into a finale. Its lyrics are about a narrator's attempt to protect a fragile and dangerous relationship. A demo of the song was included in the tracklist of Red's deluxe edition.
"Blind" is a song by American singer-songwriter SZA from her second studio album, SOS (2022). It is a beatless R&B and folk-pop song, featuring an orchestral production that consists of acoustic guitars, violas, and trumpets. SZA's vocal performance combines a rap cadence and slow falsetto vocals, with added vocal runs. In the song, SZA explores the duality of love and muses on a former relationship, as she expresses her disappointment to a toxic past partner while also expressing her continued attraction to him. For the chorus, SZA admits her insecurities in spite of seeking validation through sex, feeling empty and unable to find self-love within herself as a result of a failed romance. "Blind" also incorporates several pop culture references to figures such as Bob Saget and Jesus.
Honey is the second studio album by American singer-songwriter Samia. It was released on January 27, 2023, via Grand Jury Music. It serves as the follow-up to her debut album The Baby (2020).
History of a Feeling is the fifth studio album by American singer-songwriter Madi Diaz, released on August 27, 2021, through Anti-. Diaz co-produced the album with Andrew Sarlo, which follows seven years after her previous studio album, Phantom (2014). It received positive reviews from critics.