What's Easy for Two Is Hard for One

Last updated
"What's Easy for Two Is Hard for One"
Single by Mary Wells
from the album Mary Wells' Greatest Hits
B-side "You Lost the Sweetest Boy"
Released1963
Recorded1963
Genre Soul, pop
Label Motown
Songwriter(s) Smokey Robinson
Producer(s) Smokey Robinson
Mary Wells singles chronology
"Your Old Standby"
(1963)
"What's Easy for Two Is Hard for One"
(1963)
"You Lost the Sweetest Boy"
(1963)

"What's Easy for Two Is Hard for One" (also known as "What's Easy for Two Is So Hard for One") is a song written and produced by Smokey Robinson and released as a single by singer Mary Wells for the Motown label. [1]

Contents

Song information

In this song, the narrator is longing for a longtime partnership with a suitor and constantly begs the man to "take her to the preacher man" in hopes the couple does "what should be done" because "what two can easily do is so hard to be done by one".

Release and reaction

Released in mid-1963, the song returned Wells to the top 30 where it peaked at number 29 on the Billboard Hot 100 (and #8 R&B). [1] [2] Wells covered the song at least two more times.

Covers

"What's Easy for Two Is Hard For One" is one of the most covered Motown songs within the company.

Personnel

Mary Wells' version

Temptations' version

Connie Haines' version

Marvelettes' version

Related Research Articles

"That's the Way Love Is" is a 1967 Tamla (Motown) single recorded by The Isley Brothers and produced by Norman Whitfield, later covered in a 1969 hit version by Marvin Gaye.

What Becomes of the Brokenhearted

"What Becomes of the Brokenhearted" is a hit single recorded by Jimmy Ruffin and released on Motown Records' Soul label in the summer of 1966. It is a ballad, with lead singer Jimmy Ruffin recalling the pain that befalls the brokenhearted, who had love that's now departed. The song essentially deals with the struggle to overcome sadness while seeking a new relationship after a breakup.

"Don't Mess with Bill" is a million-selling Gold-certified 1966 single recorded by The Marvelettes for Motown Records' Tamla label. Written and produced by Smokey Robinson, "Don't Mess with Bill" features a lead vocal by Wanda Young. The single peaked at number seven on the Billboard Hot 100 in February 1966, and at number three on Billboard's R&B singles chart. "Don't Mess with Bill" was the Marvelettes' final Top 10 single.

"Take This Heart of Mine" is a song written by The Miracles members Warren "Pete" Moore, William "Smokey" Robinson and Marv Tarplin, produced by Robinson and released as a single by American soul singer Marvin Gaye, on Motown Records 'Tamla label in 1966.

"A Breathtaking Guy" is a 1963 song written and produced by Smokey Robinson and released first by Motown singing group The Supremes (1963) and later by The Marvelettes (1972). The single was originally released under the title "A Breath Taking, First Sight Soul Shaking, One Night Love Making, Next Day Heartbreaking Guy" by The Supremes, but was shortened after its official release. All three Supremes members - Diana Ross, Florence Ballard and Mary Wilson - sang the chorus with the original title together.

"It's Growing" is a 1965 hit single by The Temptations for the Gordy (Motown) label. Written by Miracles members Smokey Robinson and Pete Moore and produced by Robinson, the song was a top 20 pop single on the Billboard Hot 100 in the United States, on which it peaked at number 18. On Billboard's R&B singles chart, "It's Growing" peaked at number 3.

"When I'm Gone" is a song written by Smokey Robinson and a single he produced twice, one for early Motown star Mary Wells and the other for fellow Motown vocalist Brenda Holloway. Holloway's version became a hit while Wells' was aborted after the singer left the label in 1964.

"Your Old Standby" is a song written by Motown songwriters Smokey Robinson and Janie Bradford and released as a single by Motown star Mary Wells in 1963. The record marked her third top forty pop single to come out in 1963.

"Operator" is a Motown song recorded by Motown vocalists Mary Wells and Brenda Holloway. The Wells version was the b-side to her top ten hit, "Two Lovers" while Holloway's was issued as a single in 1965.

"I Couldn't Cry If I Wanted To" is a 1962 Motown song written by Edward Holland, Jr. and Norman Whitfield. It would later be released as B-sides for singles by The Temptations and Holland himself, both of which were produced by Whitfield.

"Everybody Needs Love" is a 1964 Motown song by Norman Whitfield and Edward Holland, Jr.. The first version released was by The Temptations for their album The Temptin' Temptations in 1965, but the most successful version was on a single by Gladys Knight & the Pips, which peaked at #39 on the Billboard Hot 100 chart, and #3 on the Billboard R&B singles chart, in 1967. Other Motown acts that recorded this song were Mary Wells, which featured Eddie Kendricks of The Temptations in the background, Jimmy Ruffin, The Velvelettes, and The Miracles. All versions of the song were produced by Whitfield.

"What Love Has Joined Together" is a song written and composed by Miracles members Smokey Robinson and Bobby Rogers, and was recorded by six Motown acts: Mary Wells, The Temptations, Smokey Robinson & The Miracles, Barbara McNair, Syreeta, and Queen Latifah and was issued as B-sides to hits by Wells and The Temptations; "Your Old Standby" for Wells, released in 1963, and "It's Growing" by The Temptations, released in 1965.

"I've Been Good to You" is a 1961 R&B song by The Miracles on Motown Records' Tamla label. It was released as the B-side of their Billboard Top 40 hit, "What's So Good About Goodbye", and was included on their album I'll Try Something New the following year. This sad, melancholy ballad charted #103 on the Billboard Pop chart. Despite its relatively modest chart placing, this song has been hugely influential, and is noted as Beatle John Lennon's favorite Miracles tune, and was the inspiration behind The Beatles' song, "Sexy Sadie". Written by Miracles lead singer Smokey Robinson, the song begins with the lyric, "Look what you've done...You've made a fool out of someone..." which Lennon later paraphrased in his song as, "What have you done...You've made a fool of everyone."

Gonna Give Her All the Love Ive Got

"Gonna Give Her All the Love I've Got" is a 1967 Soul song, originally recorded and made a hit by Jimmy Ruffin on Motown's Soul Label imprint. Ruffin's 1967 original version, from his album Jimmy Ruffin Sings Top Ten, reached the Pop Top 30, peaking at #29, and was a Top 20 R&B Hit as well, peaking at #14. It was also a hit in Britain, reaching #26 on the UK Singles Chart. The song has a social context: it depicts a man anticipating his release from prison on the morrow, when he'll return home on a train to "the girl that I left behind," promising himself that he will reward her steadfast love for him by "giv[ing] her all the love [he's] got." The song was written by Norman Whitfield and Barrett Strong and produced by Whitfield.

<i>Sophisticated Soul</i> 1968 studio album by The Marvelettes

Sophisticated Soul is the eighth album issued by Motown girl-group The Marvelettes. It is the first album to feature Anne Bogan who replaced Gladys Horton in 1967, although Horton's voice is featured on one of the tracks. Like many Motown albums produced in the late 1960s, Sophisticated Soul featured backing from The Andantes, Motown's premiere backing group, on certain tracks, others feature Bogan and Katherine Anderson.

"Just One Last Look" is a 1966 song written and produced by Motown's main production team Holland–Dozier–Holland, and recorded by The Temptations for the Gordy (Motown) label, and The Four Tops for the main Motown label. Intended for release as a single for both, it was blocked from doing so and shelved.

"Truly Yours" is a 1966 song and single by The Spinners for the Motown label. Co-written and produced by William "Mickey" Stevenson and Ivy Jo Hunter, the single became the Detroit-reared group's second to chart on the company label, and the fourth to chart altogether. It was also the last to chart in the 1960s and last to chart for the group until "It's a Shame". The single peaked at 11 on the BillboardBubbling Under Hot 100 charts. However, on the Billboard R&B singles chart, "Truly Yours" was a Top 20 hit, peaking at number 16.

"Just Another Lonely Night" is a 1965 song co-written and co-produced by William "Mickey" Stevenson and Ivy Jo Hunter. It was recorded by four Motown acts: The Temptations, Brenda Holloway, The Four Tops, and The Fantastic Four.

"Too Hurt to Cry, Too Much in Love to Say Goodbye" is a 1963 song and single written and composed by Motown's main production team Holland–Dozier–Holland. Credited to the Darnells the performers on both sides of the single were in fact the Andantes, Holland–Dozier–Holland, Mary Wilson of the Supremes (B-side), and members of the Marvelettes, the Four Tops, and the Temptations. Nobody involved with the production on either side was pleased with the false credit. Whatever the reason it was done, it didn't work as the single only peaked at 17 on the Billboard Bubbling Under Hot 100 charts.

"Say You" is a 1965 soul song, written by Robert Dobyne, Robert Staunton and Charles Jones, and recorded by both The Monitors, who had a charting R&B Hit with the song, and The Temptations.

References

  1. 1 2 The Complete Motown Singles Vol 3: 1963 [CD liner notes]. New York: Hip-O Select/Motown/Universal Records.
  2. Whitburn, Joel (2004). Top R&B/Hip-Hop Singles: 1942-2004. Record Research.
  3. "The Temptations Sing Smokey - The Temptations | Songs, Reviews, Credits". AllMusic . Retrieved 2016-09-27.
  4. The Complete Motown Singles Vol 8: 1968 [CD liner notes]. New York: Hip-O Select/Motown/Universal Records.
  5. 1 2 "Don't Forget the Motor City". Dftmc.info. Retrieved 2016-09-27.
  6. "Lulu Discography - UK". 45cat.com. Retrieved 2016-09-27.