Where the Pavement Ends | |
---|---|
Directed by | Rex Ingram |
Written by | Rex Ingram (adaptation & scenario) |
Based on | The Passion Vine by John Russell |
Produced by | Morton Spring |
Starring | Alice Terry Ramon Novarro |
Cinematography | John F. Seitz |
Edited by | Grant Whytock |
Production company | |
Distributed by | Metro Pictures |
Release date |
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Running time | 70 minutes at 8 reels (7,706 ft.) |
Country | United States |
Language | Silent (English intertitles) |
Where the Pavement Ends is a 1923 American silent South Seas romantic drama film directed by Rex Ingram on location in Cuba and starring his wife Alice Terry and Ramon Novarro as lovers. The film was produced and distributed by Metro Pictures. It is now considered to be a lost film. [1] Shooting began in September 1922, at Hialeah Studios in Miami, Florida, [2] yet another source says the film was shot in Coconut Grove, Florida. [3] According to a review in Life , the film was released with a "tragic" ending in New York City and a "happy" ending in other markets. [4]
Rex Ingram was an Irish film director, producer, writer, and actor. Director Erich von Stroheim once called him "the world's greatest director".
Ramón Gil Samaniego, known professionally as Ramon Novarro, was a Mexican actor. He began his career in American silent films in 1917 and eventually became a leading man and one of the top box-office attractions of the 1920s and early 1930s. Novarro was promoted by MGM as a "Latin lover" and became known as a sex symbol after the death of Rudolph Valentino. He is recognized as the first Latin American actor to succeed in Hollywood.
The Four Horsemen of the Apocalypse is a 1921 American silent epic war film produced by Metro Pictures Corporation and directed by Rex Ingram. Based on the 1916 Spanish novel The Four Horsemen of the Apocalypse, by Vicente Blasco Ibáñez, it was adapted for the screen by June Mathis. The film stars Pomeroy Cannon, Josef Swickard, Bridgetta Clark, Rudolph Valentino, Wallace Beery, and Alice Terry.
Alice Frances Taaffe, known professionally as Alice Terry, was an American film actress and director. She began her career during the silent film era, appearing in thirty-nine films between 1916 and 1933. While Terry's trademark look was her blonde hair, she was actually a brunette, and put on her first blonde wig in Hearts Are Trumps (1920) to look different from Francelia Billington, the other actress in the film. Terry played several different characters in the 1916 anti-war film Civilization, co-directed by Thomas H. Ince and Reginald Barker. Alice wore the blonde wig again in her most acclaimed role as "Marguerite" in film The Four Horsemen of the Apocalypse (1921), and kept the wig for any future roles. In 1925 her husband Rex Ingram co-directed Ben-Hur, filming parts of it in Italy. The two decided to move to the French Riviera, where they set up a small studio in Nice and made several films on location in North Africa, Spain, and Italy for MGM and others. In 1933, Terry made her last film appearance in Baroud, which she also co-directed with her husband.
Philippe De Lacy was a French-born American child actor who became a film producer, director, and cinematographer in adulthood.
The Student Prince in Old Heidelberg, also known as The Student Prince and Old Heidelberg, is a 1927 Metro-Goldwyn-Mayer silent drama film based on the 1901 play Old Heidelberg by Wilhelm Meyer-Förster. It was directed by Ernst Lubitsch, and stars Ramon Novarro and Norma Shearer.
Marceline Day was an American motion picture actress whose career began as a child in the 1910s and ended in the 1930s.
Through a Naked Lens is a 2005 American play by author George Barthel. It received its world premiere Off-Broadway at the Wings Theatre in New York City. The play itself uses historical evidence and imagined circumstances to depict the rise of early Hollywood film star Ramón Novarro. While a celebration of Novarro’s life, the drama is told largely through the perspective of reporter Herbert Howe. While Barthel places Howe and Novarro in a romantic relationship, it is unknown if such a connection actually existed. Howe did, however, spend a great deal of time with Novarro as his publicist. The play also features Alice Terry, Rex Ingram, Irving Thalberg, Jim Quirk, Adela Rogers St. Johns, and Louis B. Mayer as characters.
Across to Singapore is a 1928 American silent romantic drama film directed by William Nigh, and starring Ramon Novarro, Joan Crawford and Ernest Torrence. The plot involves a love triangle between a woman and two brothers, set on board ship and in Singapore.
The Midshipman is a 1925 American silent romantic drama film directed by Christy Cabanne. The film stars Ramon Novarro and Harriet Hammond. Joan Crawford had an early uncredited role as an extra.
Scaramouche (1923) is a silent swashbuckler film based on the 1921 novel Scaramouche by Rafael Sabatini, directed by Rex Ingram, released by Metro Pictures, and starring Ramon Novarro, Alice Terry, Lewis Stone, and Lloyd Ingraham.
The Arab is a 1924 American silent drama film starring Ramon Novarro and Alice Terry, written and directed by Rex Ingram, based on a 1911 play by Edgar Selwyn.
Trifling Women is a 1922 American silent romantic drama film directed by Rex Ingram. It is credited with boosting the careers of its leads, Barbara La Marr and Ramon Novarro. It has been described as Ingram's most personal film.
The Pagan is a 1929 synchronized sound romantic drama filmed in Tahiti and produced and distributed by Metro Goldwyn Mayer. While the film has no audible dialog, it was released with a synchronized musical score with sound effects using both the sound-on-disc and sound-on-film process. Both director W.S. Van Dyke and cinematographer Clyde De Vinna had previously visited Tahiti in 1928 to film White Shadows in the South Seas. The Pagan stars Ramón Novarro.
A Woman There Was is a 1919 American silent South Seas drama film directed by J. Gordon Edwards and starring Theda Bara. The film is based on the short story "Creation's Tears", by George James Hopkins. Bara portrays Zara, the daughter of a South Seas island tribal chief, who falls in love with a missionary and is killed after helping him escape.
Lovers or Lovers? is a 1927 silent film romance drama produced and distributed by MGM and directed by John M. Stahl. It stars Ramon Novarro and Alice Terry. It is based on the 1908 play The World and His Wife and is a remake of a 1920 silent of the same name from Paramount. Lovers is a lost film.
Forbidden Hours is a 1928 American silent romantic drama film directed by Harry Beaumont as a vehicle for Mexican-born star Ramon Novarro. It was the second of four films to pair Novarro with leading lady Renée Adorée.
Huddle is a 1932 American pre-Code sports drama film directed by Sam Wood and starring Ramon Novarro, Madge Evans, Ralph Graves and Una Merkel. This was the first of two films Ramon Novarro would make in 1932, and his first after appearing in the acclaimed, successful Mata Hari.
Jealous Husbands is a 1923 American silent drama film directed by Maurice Tourneur and starring Earle Williams, Jane Novak, and Ben Alexander.
A Lover's Oath is a lost 1925 American silent fantasy film directed by Ferdinand P. Earle, jun. and featuring Ramon Novarro. The film is based upon the Rubaiyat of Omar Khayyam, as translated by Edward Fitzgerald, and included quotes of its text on intertitles. Actor Milton Sills was scenarist and editor for the film.