|The Day She Paid|
|Directed by||Rex Ingram|
|Written by|| Hal Hoadley |
J. Clarkson Miller
|Based on||"Oats for the Woman"|
by Fannie Hurst
|Starring|| Francelia Billington |
Harry von Meter
|Distributed by||Universal Pictures|
|Language||Silent (English intertitles)|
The Day She Paid is a 1919 American silent drama film directed by Rex Ingram and starring Francelia Billington, Charles Clary, and Harry von Meter.
Set in Manhattan, New York, Marion Buckley receives a marriage proposal from Warren Rogers, a wealthy department store owner. Warren Rogers, however, is a widower with two daughters and has not taken the opportunity to remarry until now. However, Marion Buckley is very hesitant in accepting the marriage proposal, due to the fact that she had an affair with her employer, Leon Kessler and had promised to marry her. But after confronting Kessler with the news of the marriage proposal, he relents and promises to say nothing of the affair. Buckley and Rogers go on to get married, living happily together, until one day Kessler comes to visit, not to expose Buckley about the affair, but rather to ask for Rogers for his daughter, Ardath's, hand in marriage. Unsuspecting of anything, Rogers agrees to the marriage proposal, but in an effort to save Ardath from Kessler, hinting at an abusive relationship previously, Marion intervenes and tells Roger about the affair between the two. This enrages Rogers causing him to throw out Buckley stating that "sowing one's wild oats" is all right for a man, but not for a woman" . After this conflict, Marion decides to become a newspaper reporter in New York City where she encounters Kessler and learns that he is still chasing after Ardath, who is visiting New York with Rogers. In an attempt to save her from Kessler once again, Marion offers herself to him in exchange for him to leave Ardath alone for good. This conversation is heard through the door by Warren, and leads to him not only violently attack Kessler, but also take Marion back home, seemingly forgiving her.
Rex Ingram was an Irish film director, producer, writer, and actor. Director Erich von Stroheim once called him "the world's greatest director".
The Four Horsemen of the Apocalypse is a 1921 American silent epic war film produced by Metro Pictures Corporation and directed by Rex Ingram. Based on the 1916 Spanish novel The Four Horsemen of the Apocalypse, by Vicente Blasco Ibáñez, it was adapted for the screen by June Mathis. The film stars Pomeroy Cannon, Josef Swickard, Bridgetta Clark, Rudolph Valentino, Wallace Beery, and Alice Terry.
Alice Frances Taaffe, known professionally as Alice Terry, was an American film actress and director. She began her career during the silent film era, appearing in thirty-nine films between 1916 and 1933. While Terry's trademark look was her blonde hair, she was actually a brunette, and put on her first blonde wig in Hearts Are Trumps (1920) to look different from Francelia Billington, the other actress in the film. Terry played several different characters in the 1916 anti-war film Civilization, co-directed by Thomas H. Ince and Reginald Barker. Alice wore the blonde wig again in her most acclaimed role as "Marguerite" in film The Four Horsemen of the Apocalypse (1921), and kept the wig for any future roles. In 1925 her husband Rex Ingram co-directed Ben-Hur, filming parts of it in Italy. The two decided to move to the French Riviera, where they set up a small studio in Nice and made several films on location in North Africa, Spain, and Italy for MGM and others. In 1933, Terry made her last film appearance in Baroud, which she also co-directed with her husband.
Carefree is a 1938 musical film starring Fred Astaire and Ginger Rogers. With a plot similar to screwball comedies of the period, Carefree is the shortest of the Astaire-Rogers films, featuring only four musical numbers. Carefree is often remembered as the film in which Astaire and Rogers shared a long on-screen kiss at the conclusion of their dance to "I Used to Be Color Blind," all previous kisses having been either quick pecks or simply implied.
June Mathis was an American screenwriter. Mathis was the first female executive for Metro/MGM and at only 35, she was the highest paid executive in Hollywood. In 1926 she was voted the third most influential woman in Hollywood, behind Mary Pickford and Norma Talmadge. Mathis is best remembered for discovering Rudolph Valentino and writing such films as The Four Horsemen of the Apocalypse (1921), and Blood and Sand (1922).
Francelia Billington was an early American silent-screen actress, and an accomplished camera operator.
Half Moon Street is a 1986 British-American erotic thriller film directed by Bob Swaim and starring Sigourney Weaver, Michael Caine, Keith Buckley, and P. J. Kavanagh. The film is about an American woman working at a British escort service who becomes involved in the political intrigues surrounding one of her clients.
Upperworld is a 1934 American pre-Code drama film directed by Roy Del Ruth and starring Warren William as a wealthy married railroad tycoon whose friendship with a showgirl, played by Ginger Rogers, leads to blackmail and murder. Upperworld is one of the last films released before the strict enforcement of the Hollywood Production Code by Joseph I. Breen, which began July 1, 1934.
The Bait is a 1921 American silent crime drama film produced by and starring Hope Hampton, directed by Maurice Tourneur, and distributed by Paramount Pictures. John Gilbert, then working for Tourneur, wrote the scenario based on the stage play The Tiger Lady by Sidney Toler. Filmed in 1920, the picture was released a day after New Year's 1921. The Bait is now considered to be a lost film.
Twice Blessed is a 1945 comedy film directed by Harry Beaumont and starring Preston Foster, Gail Patrick, and Lee and Lyn Wilde. It was an MGM vehicle for the Wilde twins, who were first introduced in Andy Hardy's Blonde Trouble (1944).
Thundering Dawn is a 1923 American silent film directed and produced by Harry Garson. The story was originally written by John Blackwood and was adapted by Universal City scenario editor, Raymond L. Schrock. Lenore Coffee and John F. Goodrich are also credited for working on the screenplay. The film stars J. Warren Kerrigan, Anna Q. Nilsson, and Thomas Santschi. It was released on November 5, 1923. Before settling on Thundering Dawn, the film had two working titles; Havoc and The Bond of the Ring.
Paid in Full is a 1950 American drama film directed by William Dieterle and written by Robert Blees and Charles Schnee. The film stars Robert Cummings, Lizabeth Scott, Diana Lynn, Eve Arden, Ray Collins and Frank McHugh. The film was released on February 15, 1950 by Paramount Pictures.
Lord and Lady Algy is a lost 1919 American silent comedy film directed by Harry Beaumont and starring Tom Moore, Naomi Childers, and Frank Leigh. It is based on a play of the same name by R.C. Carton.
The White Sin is a 1924 silent romantic drama film directed by William A. Seiter and starring Madge Bellamy and John Bowers. It was distributed by Film Booking Offices of America (FBO).
The Kiss Barrier is a 1925 American silent drama film directed by Roy William Neill and written by Eugenie Magnus Ingleton. The film stars Edmund Lowe, Claire Adams, Diana Miller, Marion Harlan, Thomas R. Mills, and Charles Clary. The film was released on May 31, 1925, by Fox Film Corporation.
What a Wife Learned is a 1923 American drama film directed by John Griffith Wray and starring John Bowers, Milton Sills, Marguerite De La Motte, Evelyn McCoy, Harry Todd, and Aggie Herring. Written by Bradley King, the film was released on January 28, 1923, by Associated First National Pictures.
Frederick A. Thomson (1869–1925), sometimes spelled Thompson, was a director of silent films in the United States. He began his directing career in theater.
Effie Conley was an American dancer and actress who toured the vaudeville circuit with partner Fred Warren and appeared in silent films. Their vaudeville performances were well received.
At the Stroke of the Angelus is a silent short film starring Charles Clary and Francelia Billington. Billington portrays an American girl kidnapped in early childhood and brought up as a Mexican thief and street dancer. She falls in love with a wealthy American, who they come to believe may be her uncle.
Blazing Arrows is a 1922 American silent Western film directed by Henry McCarty and starring Lester Cuneo, Francelia Billington and Clark Comstock.