Wild Weekend (NRBQ album)

Last updated
Wild Weekend
Wild Weekend (NRBQ album).jpg
Studio album by
Released1989
Genre Pop, rock
Label Virgin [1]
Producer Bill Scheniman, Andy Paley
NRBQ chronology
Diggin' Uncle Q
(1988)
Wild Weekend
(1989)
Peek-A-Boo
(1990)

Wild Weekend is an album by the American band NRBQ, released in 1989. [2] [3] It was the band's first studio album in more than five years, due to disputes with their former label, Bearsville Records. [4]

Contents

The album peaked at No. 198 on the Billboard 200. [5] It sold around 75,000 copies in its first nine months of release. [6] NRBQ promoted it by touring with R.E.M. [7] The first single was "It's a Wild Weekend", for which the band shot a video. [8] "If I Don't Have You" was the second single. [9]

Production

The album was produced by Bill Scheniman and Andy Paley. [10] Roswell Rudd and John Sebastian contributed to the album. [11] The title track is a cover of the Rockin' Rebels' song, with lyrics and additional instrumentation. [12] "Boozoo, That's Who!" is about Boozoo Chavis; Chavis played accordion on the song. [13] [14] "Poppin' Circumstance" contains a trombone solo. [15] Virgin Records helped the band select tracks for the album. [16]

Critical reception

Professional ratings
Review scores
SourceRating
AllMusic Star full.svgStar full.svgStar empty.svgStar empty.svgStar empty.svg [17]
Chicago Sun-Times Star full.svgStar full.svgStar full.svgStar half.svg [18]
Chicago Tribune Star full.svgStar full.svgStar full.svgStar empty.svgStar empty.svg [19]
Robert Christgau B− [20]
The Encyclopedia of Popular Music Star full.svgStar full.svgStar empty.svgStar empty.svgStar empty.svg [21]
MusicHound Rock: The Essential Album Guide Star full.svgStar full.svgStar full.svgStar full.svgStar empty.svg [22]
The Rolling Stone Album Guide Star full.svgStar full.svgStar full.svgStar empty.svgStar empty.svg [23]
Spin Alternative Record Guide 8/10 [13]

The Washington Post wrote that the album "harks back to the early '60s, when rock-and-roll didn't take itself quite so seriously, when every single brought forth unforced enthusiasm for a new car, a new guitar sound, a new girl, a new Saturday night." [24] Robert Christgau opined: "First cute, then peculiar, then annoying, their callow act is turning positively perverse as they twinkle-toe past 40." [20] The Chicago Sun-Times noted that "NRBQ has learned to make an album work as an album, rather than as a random selection of cute curiosities or the studio transplant of a bar band." [18]

The New York Times determined that it's the "combination of a hard-driving, eccentric rhythm section, mixed loud and up front, along with the strangely sophisticated and satisfying tunes, that allows the album to radiate so much pleasure." [14] The Los Angeles Times said that Wild Weekend "may well be the finest of the group's 17 albums, bristling with some of the best pop hooks since Brian Wilson's heyday, performed with a playground zeal coupled with a musicianship so good they make it seem effortless." [25]

AllMusic wrote that "the quartet retains its eclectic range of pop and rock mayhem, adapting several well-worn concert favorites for this studio platter." [17] The Rolling Stone Album Guide concluded that "the spaced-out boyish charm starts to grate." [23]

Track listing

No.TitleLength
1."It's a Wild Weekend"3:26
2."Little Floater"3:06
3."Fireworks"3:34
4."Boy's Life"2:55
5."If I Don't Have You"2:12
6."Boozoo, That's Who!"3:20
7."Poppin' Circumstance"3:20
8."The One and Only"3:42
9."Immortal for a While"2:59
10."Fraction of Action"3:19
11."This Love Is True"2:44
12."Like a Locomotive"3:56

Related Research Articles

<span class="mw-page-title-main">NRBQ</span> American rock band

NRBQ is an American rock band founded by Terry Adams (piano), Steve Ferguson (guitar) and Joey Spampinato (bass). Originally the "New Rhythm and Blues Quintet", the group was formed circa 1965. Adams disbanded it for a time, and the group re-formed in 1967. The quartet is known for its live performances, containing a high degree of spontaneity and levity, and blending rock, pop, jazz, blues and Tin Pan Alley styles. Its membership comprises the quartet of pianist Adams, bassist Casey McDonough, guitarist Scott Ligon, and drummer John Perrin. Some of the members in the band's long history are singer, writer and bassist Joey Spampinato, guitarists Al Anderson and Johnny Spampinato; drummers Tom Staley and Tom Ardolino; and vocalist Frank Gadler.

<span class="mw-page-title-main">Boozoo Chavis</span> American zydeco musician (1930–2001)

Wilson Anthony "Boozoo" Chavis was an American accordion player, singer, songwriter and bandleader. He was one of the pioneers of zydeco, the fusion of Louisiana Creole and blues music developed in southwest Louisiana.

<i>And the Horse They Rode In On</i> 1990 studio album by Soul Asylum

And the Horse They Rode In On is an album by the Minneapolis band Soul Asylum, released in 1990. The vinyl, cassette, and CD versions of the album have different, but related, cover art. The band supported the album with a North American tour. The first single was "Spinnin'".

<i>Speak</i> (The Roches album) 1989 studio album by The Roches

Speak is an album by the American musical trio the Roches, released in 1989 on MCA Records. The album contained two singles that had accompanying videos, "Big Nuthin'" and "Everyone Is Good". Another track, "Nocturne", was included in the 1988 film Crossing Delancey, which costarred Suzzy Roche.

<i>Chain</i> (Pylon album) 1990 studio album by Pylon

Chain is the third studio album by the American rock band Pylon, released in 1990. It was released after a seven-year hiatus. R.E.M. had lobbied the band to record again, suggesting that Pylon could use R.E.M.'s practice space.

<i>Edge of Allegiance</i> 1989 studio album by Timbuk 3

Edge of Allegiance is the third album by the American band Timbuk 3, released in 1989.

<i>Doo Dad</i> 1991 studio album by Webb Wilder

Doo Dad is an album by the American roots rock musician Webb Wilder, released in 1991.

<i>Old Wives Tales</i> (album) 1989 studio album by Exene Cervenka

Old Wives' Tales is an album by the American musician Exene Cervenka, released in 1989. Cervenka told the Los Angeles Times that she considered the album to be "for and about women."

<i>Themes from Venus</i> 1988 studio album by Love Tractor

Themes from Venus is an album by the American band Love Tractor. It was released in 1988, and marked a return to an independent label, after the bankruptcy of RCA-affiliated Big Time Records.

<i>Boogie Woogie Zydeco</i> 1991 studio album by Chubby Carrier and the Bayou Swamp Band

Boogie Woogie Zydeco is an album by the American zydeco band Chubby Carrier and the Bayou Swamp Band, released in 1991. The album was part of the zydeco revival of the late 1980s and early 1990s, and was noted for its especially fast tempos and rock elements.

<i>Two Worlds One Heart</i> 1990 studio album by Ladysmith Black Mambazo

Two Worlds One Heart is an album by the South African choral group Ladysmith Black Mambazo, released in 1990. The first single was "Township Jive", which the group had performed on the Graceland tour.

<i>Serious Business</i> (Third World album) 1989 studio album by Third World

Serious Business is an album by the Jamaican band Third World, released in 1989. "Forbidden Love" was the first single. Third World supported the album with a North American tour.

<i>Boozoo Chavis</i> (album) 1991 studio album by Boozoo Chavis

Boozoo Chavis is an album by the American musician Boozoo Chavis, released in 1991. It was part of the Elektra/Nonesuch American Explorer series. The album was the culmination of a comeback for Chavis that had begun in 1984. Chavis supported the album by playing the Newport Folk Festival.

<i>Kerosene Man</i> 1990 studio album by Steve Wynn

Kerosene Man is an album by the American musician Steve Wynn, released in 1990. Wynn supported the album with a North American tour.

<i>Message for the Mess Age</i> 1994 studio album by NRBQ

Message for the Mess Age is an album by the American band NRBQ, released in 1994. It marked the band's 25th anniversary as a recording act. The album became the band's biggest seller less than six months after it was released.

<i>Surrender to Jonathan!</i> 1996 studio album by Jonathan Richman

Surrender to Jonathan! is an album by the American musician Jonathan Richman, released in 1996. Richman was the first musician signed to Neil Young's Vapor Records. Richman supported the album by touring with a full band.

<i>24 Hours a Day</i> (album) 1997 studio album by the Bottle Rockets

24 Hours a Day is the third album by the American band the Bottle Rockets, released in 1997. The band supported the album by touring with John Fogerty and then Todd Snider. Bass player Tom V. Ray left the band around the time of the album's release.

<i>NRBQ</i> (album) 1999 studio album by NRBQ

NRBQ is an album by the American band NRBQ, released in 1999. According to NRBQ, the album is untitled, with just the band's name on the cover. It was NRBQ's final studio album for Rounder Records.

<i>The Silos</i> (album) 1990 studio album by the Silos

The Silos is an album by the American band the Silos, released in 1990. A commercial disappointment, it was the band's only album for RCA Records. The Silos peaked at No. 141 on the Billboard 200. The band supported the album with a North American tour that included shows with the Jayhawks.

<i>Who Stole My Monkey?</i> 1999 studio album by Boozoo Chavis

Who Stole My Monkey? is an album by the American musician Boozoo Chavis, released in 1999. He is credited with his band, the Majic Sounds. Who Stole My Monkey? was the first zydeco album to include a Parental Advisory label. Chavis supported the album with a North American tour.

References

  1. Gettelman, Parry (29 Sep 1989). "Music". Calendar. Orlando Sentinel. p. 24.
  2. "NRBQ Biography, Songs, & Albums". AllMusic.
  3. "NRBQ Wild Weekend". Newsweek. Vol. 114, no. 16. Oct 16, 1989. p. 66.
  4. Mackie, John (2 Sep 1989). "At last we're going to get another dose of 'omnipop'". Vancouver Sun. p. D9.
  5. Whitburn, Joel (2010). Top Pop Albums (7 ed.). Record Research Inc. p. 575.
  6. McIntyre, Ken (July 20, 1990). "Obscurity is just fine for rock vets NRBQ". The Washington Times. p. E3.
  7. Harrison, Tom (11 Oct 1989). "REM Revving Up". Entertainment. The Province. p. 51.
  8. Heim, Chris (22 Sep 1989). "For two decades, NRBQ has bounced...". Friday. Chicago Tribune. p. 52.
  9. Snider, Eric (December 8, 1989). "Rock Splashed with a Twist". Weekend. St. Petersburg Times. p. 24.
  10. Gettelman, Parry (January 17, 1992). "What NRBQ Stands For". Calendar. Orlando Sentinel. p. 5.
  11. Toombs, Mikel (February 23, 1990). "You never know what the offbeat NRBQ band will do". The San Diego Union-Tribune. p. E7.
  12. "NRBQ Wild Weekend". Toronto Star. 20 Oct 1989. p. D18.
  13. 1 2 Spin Alternative Record Guide. Vintage Books. 1995. pp. 274–275.
  14. 1 2 Watrous, Peter (24 Sep 1989). "American Pie with a Dash of the Eccentric". The New York Times. p. A27.
  15. Smith, Peter (October 8, 1989). "Nick Lowe, NRBQ Truly Know How to Rock 'n' Roll". The Palm Beach Post. p. 2L.
  16. Oermann, Robert K. (December 29, 1989). "Through the Years with NRBQ". USA Today.
  17. 1 2 "Wild Weekend". AllMusic.
  18. 1 2 McLeese, Don (October 20, 1989). "NRBQ, Linda Ronstadt prove their strengths on new albums". Weekend Plus. Chicago Sun-Times. p. 61.
  19. Heim, Chris (2 Nov 1989). "Recordings". Chicago Tribune. p. 13I.
  20. 1 2 "NRBQ". Robert Christgau.
  21. Larkin, Colin (2006). The Encyclopedia of Popular Music. Vol. 6. MUZE. p. 245.
  22. MusicHound Rock: The Essential Album Guide. Visible Ink Press. 1999. p. 823.
  23. 1 2 The Rolling Stone Album Guide. Random House. 1992. p. 511.
  24. "NRBQ'S Rock-and-Roll for the Moment". The Washington Post. Retrieved 11 March 2022.
  25. Washburn, Jim (17 Oct 1989). "NRBQ Getting Back on Track After 6-Year Record Lockout". Calendar. Los Angeles Times. p. 3.