Will Crutchfield (born 1957) is an American conductor, musicologist, and vocal coach. He is the founding Artistic and General Director of Teatro Nuovo, a company that presented its inaugural season in the summer of 2018 at Lincoln Center's Frederick P. Rose Hall as the successor to the twenty years of opera at the Caramoor International Music Festival led by Crutchfield. [1] [2] He also has been a frequent guest conductor at the Polish National Opera and has led opera performances at the Canadian Opera Company, Washington National Opera, and Minnesota Opera. From 1999 through 2005, he served as Music Director of the Opera de Colombia in Bogotá. He was recently named one of Musical America's 2017 "Movers and Shapers," the publication's list of the top 30 industry professionals of the year.
Crutchfield was born in 1957 in Raleigh, North Carolina and spent most of his childhood in Newport News, Virginia, where he attended Hilton Elementary School and Warwick High School. As a youngster Crutchfield studied piano under Cary McMurran. In 1975, while still in high school, he signed on with the fledgling Virginia Opera, which had been organized the previous year in Norfolk. He graduated from Northwestern University with a B.A. in political science. His father, a Presbyterian minister, the Rev. Dr. Robert S. Crutchfield of Newport News, Va., is also a professional operatic tenor. [3]
A specialist in the bel canto repertoire, he prepared the first performing edition of Donizetti's Élisabeth ou la fille de l'exilé and conducted its world premiere at the Caramoor Festival on July 17, 2003. [4] Crutchfield conducted Rossini's Ciro in Babilonia at the 2012 Rossini Opera Festival in Pesaro, marking the first collaboration between his Bel Canto at Caramoor program and the Rossini Opera Festival. [5] He returned to the Rossini Opera Festival in 2014 to conduct Aureliano in Palmira in the world premiere of the critical edition of the score which he edited for Casa Ricordi. [6] [7] His performances and the subsequent recording of this work garnered the 2015 prize for best rediscovered work at the International Opera Awards. [8] In the summer of 2016, he conducted Aureliano in Palmira in its North American premiere for the Bel Canto at Caramoor International Music Festival. [9]
In 2014, Crutchfield was named a fellow of the John Simon Guggenheim Memorial Foundation. [10] In addition to his scholarly work on vocal style, Crutchfield was the youngest music critic in the history of The New York Times , where he was a regular contributor from 1983 to 1989. [11] [12] He has also authored numerous reviews and articles for Opera News , including his Crutchfield at large series. [13] [14]
Since 2017 Crutchfield's activity has centered on Teatro Nuovo, where he has sought revival of period performing style in Italian opera in a way the Wall Street Journal described as "transformative". [15] In 2019 the company presented Rossini's La gazza ladra and Stabat Mater, Bellini's La straniera, and Donizetti's Symphony in E Minor, with Crutchfield's reconstruction of the unfinished final movement. In March 2020, Opera Lafayette commissioned and performed his reconstruction, from Beethoven's sketches, of the original 1805 version of Florestan's aria in Fidelio (lost when the opera was shortened in 1806). [16]
Otello is an opera in three acts by Gioachino Rossini to an Italian libretto by Francesco Berio di Salsa after William Shakespeare's play Othello, or The Moor of Venice; it was premiered in Naples, Teatro del Fondo, 4 December 1816.
Juan Diego Flórez is a Peruvian operatic tenor, particularly known for his roles in bel canto operas. On June 4, 2007, he received his country's highest decoration, the Knight Grand Cross in the Order of the Sun of Peru.
The Caramoor Summer Music Festival is a music festival founded in 1945 that is held on the 90-acre (360,000 m2) estate of the Caramoor Center for Music and the Arts, which includes a Mediterranean-style stucco villa and is located about 50 miles (80 km) north of New York City in Katonah, New York.
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Elisabetta, regina d'Inghilterra is a dramma per musica or opera in two acts by Gioachino Rossini to a libretto by Giovanni Schmidt, from the play Il paggio di Leicester by Carlo Federici, which itself "was derived from a novel The Recess (1785) by Sophia Lee."
Otto mesi in due ore ossia Gli esiliati in Siberia is an opera in three acts by Gaetano Donizetti to a libretto by Domenico Gilardoni.
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Ciro in Babilonia, ossia La caduta di Baldassare is an azione sacra in two acts by Gioachino Rossini with a libretto by Francesco Aventi. It was first performed at the Teatro Comunale in Ferrara during Lent, 1812. The exact date of the premiere is unknown but is believed to be 14 March. During Lent it was the custom for Italian opera houses either to close or to stage works on themes from the Bible. Ciro in Babilonia is one of two Lenten operas by Rossini and is based on the Biblical story of the overthrow of the Babylonian king Belshazzar by the Persian ruler Cyrus the Great.
Salvatore Fisichella is an Italian operatic tenor known for his roles in bel canto operas, especially those of Rossini, Donizetti and Bellini. He has been recognized for the ease and vocal brilliance of his singing, and for having sung more of the leading roles in Bellini's operas than any other 20th century tenor.
Francesco Meli is an Italian operatic tenor particularly associated with the romantic repertoire.
Bruce Fowler is an American classical tenor who has had a major international performance career in operas and concerts since the early 1990s. He is particularly known for his appearances in bel canto operas. His first recording, as the tenor soloist for Handel's Messiah with Telarc, was nominated for a Grammy Award. He has also recorded Gioachino Rossini's Stabat Mater for Harmonia Mundi, Rossini's Armida for Sony, Jacques Ibert's Angelique for Fonit Cetra, Georg Philipp Telemann's Der Tag des Gerichts and Hugo Weisgall's Six Characters in Search of an Author on New World Records.
Angela Meade is an American operatic soprano.
Antonino Fogliani is an Italian conductor.
Jessica Pratt is an English-born Australian operatic coloratura soprano. Trained in Italy, Pratt is most recognised for her portrayal of Lucia in Donizetti's Lucia di Lammermoor, which she has performed over 100 times worldwide.
Giacomo Sagripanti is an Italian conductor, born January 28, 1982, in Giulianova, Abruzzo. He specializes in opera and symphonic music.
Teatro Nuovo is an American opera company and training institution specializing in the repertory and performance practice of bel canto opera. It was founded in 2017 by Will Crutchfield, who is currently its general and artistic director.
Alasdair Kent is an Australian operatic tenor, principally known for his interpretations of the Italian bel canto of Rossini, and Mozart. In 2016, Richard Bonynge presented him with the Joan Sutherland & Richard Bonynge Foundation Bel Canto Award. After studies in the US and his European debut with the Rossini Opera Festival in 2017, his international career has seen debuts in major roles in many of the world's leading opera houses and concert venues, including the Wiener Staatsoper, Teatro Real Madrid, Bayerische Staatsoper, Gran Teatre del Liceu, Opernhaus Zürich and the Festival d'Aix-en-Provence.
Silvia Tro Santafé is a Spanish lyric-coloratura mezzo-soprano. In her early career she was best known for her interpretations of Handel and became notable for her performances of Rossini, Bellini, Donizetti, and in recent years Verdi.