Founded | December 27, 1974 |
---|---|
Headquarters | 304 - 100 Arthur Street, Winnipeg, MB R3B 1H3 |
Key people | Kevin Tabachnick, Board Chair |
Website | winnipegfilmgroup.com/ |
The Winnipeg Film Group (WFG) is an artist-run film education, production, distribution, and exhibition centre in Winnipeg, Manitoba, committed to promoting the art of Canadian cinema, especially independent cinema. [1]
While specializing in short films, WFG's collection ranges from works one-second shorts to full-length features, with films spanning various genres including narrative drama and comedy, animation, documentary and experimental, as well as hybrids of genres. [2]
As a non-profit organization, its operations are funded by the Canada Council for the Arts, Manitoba Arts Council, and Winnipeg Arts Council. [3]
The Winnipeg Film Group was established in 1974 as a product of the annual Canadian Film Symposium at the University of Manitoba, which was dedicated to celebrating and screening independent Canadian cinema. [4] [5]
During the Symposium, several local independent filmmakers came together to approach the government to help fund the creation of the Winnipeg Film Group, aiming to pool resources towards making independent films. By the end of the Symposium, all filmmakers in attendance—including Denys Arcand, Donald Shebib, and Colin Low—signed what they called the "Winnipeg Manifesto," which began, "We, the undersigned filmmakers, wish to voice our belief that the present system of film production / distribution / exhibition works to the extreme disadvantage of the Canadian filmmaker." [4]
The Winnipeg Film Group was officially incorporated on 27 December 1974. [4] Soon after, in 1976, WFG collaboratively produced its first completed film, Rabbit Pie. [6] In 1980, You Laugh Like a Duck marked the first co-production between WFG and the Atlantic Filmmakers Cooperative. The following year, WFG began distributing independent films, [2] and in the fall of 1982, WFG began its cinematheque/revival house program (called Cinematheque), screening at the National Film Board’s Cinema Main. In 1984, The Three Worlds of Nick became the first WFG film to be screened at Toronto Festival of Festivals (now the Toronto International Film Festival). [4]
In 1986, WFG, in its entirety (including Cinematheque), moved into its current location in the Artspace Building at 100 Arthur Street, across the street from Winnipeg's Old Market Square. In 1989, three WFG members were nominated for Genie Awards: Ed Ackerman for Primiti Too Taa , Lorne Bailey for The Milkman Cometh , and Guy Maddin for Tales From The Gimli Hospital . [4]
In 1993, Watershed Media Trust in Bristol, England, hosted an 8-city, 4-film tour of work from the Winnipeg Film Group. WFG also partnered with Video Pool to establish "RE:VISIONS – The Winnipeg Women’s Film and Video Festival". Also that year, the WFG earned a lifetime achievement award from the Canadian Film and Television Producers Association. In 1999, Gordon Wilding's Rapture (1997) became the first WFG-supported film to be part of the Cannes Film Festival. [4]
In 2015, WFG launched the Women’s Film & Video Network (now Womxn’s Film & Video Network), purposed to supporting the film and video work of women in Manitoba. The network would become arms-length and member-led in 2019, changing its name to Womxn’s Film and Video Network. [4] [7]
Early films of the Winnipeg Film Group include: [4] [8]
Winnipeg Film Group provides training, funding, and equipment rentals to independent filmmakers. In terms of distribution, it makes Canadian films available to local, national, and international film festivals, broadcasters, other film co-ops, cinemas, and a variety of other presenting organizations.
WFG's first film, Rabbit Pie, was made in 1976 and was collaboratively produced. [6] Directed by Allan Kroeker, it is a pastiche of silent film tropes involving a plot wherein infant rabbits are eaten at a restaurant. [10]
The WFG is governed by a board of directors, which maintains the WFG’s bylaws and supports WFG's mandate, including by directly supporting private-sector fundraising. As the WFG is an artist-run organization, its board must mainly include practicing filmmakers and video artists. [11]
As a non-profit organization, WFG operations are funded by the Canada Council for the Arts, Manitoba Arts Council, and Winnipeg Arts Council. Project funders include Manitoba Film & Music, The Winnipeg Foundation, the Government of Manitoba, and Winnipeg School Division, in addition to individual project funders. Ongoing sponsors include William F. White International, On Screen Manitoba, and Film Training Manitoba. [3]
Dave Barber Cinematheque, formerly Winnipeg Cinematheque, as the professional presentation department of the Winnipeg Film Group, is a cinematheque theatre that screens both Canadian and world cinema. [12] [13] Operated on the first floor of the historic Artspace building in Winnipeg's Exchange District, it has one screen and plays two evening shows on weekdays, and matinées on the weekends.
The focus is on Canadian films, particularly the cinema of Manitoba, but there are also special screenings for international independent films, children's films, and classic films; Cinematheque also produces the annual Gimme Some Truth Documentary Festival. [13]
Originally known as Winnipeg Cinematheque, the theatre was renamed the Dave Barber Cinematheque after the 2021 passing of Dave Barber—the Cinematheque's senior programmer since 1982. [14]
WFG is notable for having many past staff and members attain prominent positions in the Canadian media industry. Honorary members are appointed for their "exceptional achievement as a Manitoba filmmaker or for their extraordinary contribution to the development of the Winnipeg Film Group as an organization." [15]
Honorary members of the WFG include: [15]
Other artists/members of WFG include: [16]
Dave Barber has been the Cinematheque programmer at the Winnipeg Film Group since the summer of 1982. He has won several awards for his efforts including the Making A Difference Award for “Extraordinary Contribution” to the Arts by the Winnipeg Arts Council (2007), the first-ever awarded Individual Award for “Outstanding Award of the Arts" by the Manitoba Foundation for the Arts, and the Queen Elizabeth II Diamond Jubilee Award by the Governor-General of Canada in April of 2013. [17]
Guy Maddin is a Canadian screenwriter, director, author, cinematographer, and film editor of both features and short films, as well as an installation artist, from Winnipeg, Manitoba. Since completing his first film in 1985, Maddin has become one of Canada's most well-known and celebrated filmmakers.
John Paizs is a Canadian film director, writer and actor. He is most noted for his debut feature film, Crime Wave, which was presented at the 1985 Toronto International Film Festival. He was the male lead and also wrote and directed the film.
The Heart of the World is a short film written and directed by Guy Maddin, produced for the 2000 Toronto International Film Festival. Maddin was one of a number of directors commissioned to make four-minute short films that would screen prior to the various feature films at the 2000 festival as part of the special Preludes program. After hearing rumours that other directors were planning films with a small number of shots, Maddin decided that his film would instead contain over 100 shots per minute, and enough plot for a feature-length film. Maddin then wrote and shot The Heart of the World in the style of Russian constructivism, taking the commission at its literal face value, as a call to produce a propaganda film. Even in its expanded, 6-minute version, The Heart of the World runs at a breakneck speed, averaging roughly two shots per second, a pace intensified by the background music, Time, Forward! by Georgy Sviridov.
Noam Gonick, is a Canadian filmmaker and artist. His films include Hey, Happy!, Stryker, Guy Maddin: Waiting for Twilight and To Russia with Love. His work deals with homosexuality, social exclusion, dystopia and utopia.
Dracula: Pages from a Virgin's Diary is a 2002 horror film directed by Guy Maddin, budgeted at $1.7 million and produced for the Canadian Broadcasting Corporation (CBC) as a dance film documenting a performance by the Royal Winnipeg Ballet adapting Bram Stoker's novel Dracula. Maddin elected to shoot the dance film in a fashion uncommon for such films, through close-ups and using jump cuts. Maddin also stayed close to the source material of Stoker's novel, emphasizing the xenophobia in the reactions of the main characters to Dracula.
Tales from the Gimli Hospital is a 1988 film directed by Guy Maddin. His feature film debut, it was his second film after the short The Dead Father. Tales from the Gimli Hospital was shot in black and white on 16 mm film and stars Kyle McCulloch as Einar, a lonely fisherman who contracts smallpox and begins to compete with another patient, Gunnar for the attention of the young nurses.
L'Atelier national du Manitoba was a three-year filmmaking and art project based in Winnipeg, Manitoba, Canada that ran from 2005 to 2008. The club's artistic output was devoted to the artistic study of the history, culture and ephemera of Winnipeg and Manitoba.
Marie Losier is a filmmaker and curator who's worked in New York City for 25 years and has shown her films and videos at museums, galleries, biennials and festivals. Losier studied literature at the University of Nanterre and Fine Arts at Hunter College in New York City. She has made a number of film portraits of avant-garde directors, musicians and composers, such as the Kuchar brothers, Guy Maddin, Richard Foreman, Tony Conrad, Genesis P-Orridge, Alan Vega, Peter Hristoff and Felix Kubin. Whimsical, poetic, dreamlike and unconventional, her films explore the life and work of these artists.
My Winnipeg is a 2007 Canadian film directed and written by Guy Maddin with dialogue by George Toles. Described by Maddin as a "docu-fantasia", that melds "personal history, civic tragedy, and mystical hypothesizing", the film is a surrealist mockumentary about Winnipeg, Maddin's home town. A New York Times article described the film's unconventional take on the documentary style by noting that it "skates along an icy edge between dreams and lucidity, fact and fiction, cinema and psychotherapy".
The imagineNATIVE Film + Media Arts Festival is the world's largest Indigenous film and media arts festival, held annually in Toronto. The festival focuses on the film, video, radio, and new media work of Indigenous, Aboriginal and First Peoples from around the world. The festival includes screenings, parties, panel discussions, and cultural events.
Adam Smoluk is a Canadian screenwriter, director, actor, community leader, and executive. His work in media productions often explores themes of alienation and isolation.
The Dead Father is a Canadian film directed by Guy Maddin, and his debut film. The short film tells a surrealist story of a Son's feelings of anger, sadness, and inadequacy after the return of his Dead Father. The Dead Father is shot in black and white on 16mm film and features Maddin's usual use on the stylistic conventions of silent-era cinema.
Benjamin Ross Hayden is a Métis Canadian film director, writer, producer, and actor. His debut feature film, The Northlander, was the first ever Telefilm Canada micro-budget selected for Perspective Canada program at the Cannes Film Festival, and premiered at the 40th Montreal World Film Festival in 2016. The film received a wide theatrical release in Canada during fall 2016. He is also the youngest film director in Canada to be accepted into the Telefilm micro-budget program, and from that is the only film director to ever to receive a theatrical release in Landmark Cinemas.
Deco Dawson is the professional name of Darryl Kinaschuk, a Ukrainian Canadian experimental filmmaker. He is most noted as a two-time winner of the Toronto International Film Festival Award for Best Canadian Short Film, winning at the 2001 Toronto International Film Festival for FILM(dzama) and at the 2012 Toronto International Film Festival for Keep a Modest Head, and was a shortlisted Canadian Screen Award nominee for Best Short Documentary for the latter film at the 1st Canadian Screen Awards in 2013.
Canada's Top Ten is an annual honour, compiled by the Toronto International Film Festival and announced in December each year to identify and promote the year's best Canadian films. The list was first introduced in 2001 as an initiative to help publicize Canadian films.
Hey, Happy! is a Canadian science fiction comedy film, directed by Noam Gonick and released in 2001.
The Little White Cloud That Cried is a German-Canadian experimental short film, directed by Guy Maddin and released in 2009. A tribute to underground filmmaker Jack Smith's 1963 film Flaming Creatures, it is a 16 mm film depicting a fantasia in which sea goddesses rise up out of the water to engage in an orgiastic battle. Writer and performer Lexi Tronic described the film as "the story of religious battles in an androgynous world, where everyone is trans-tabulous."
Madison Thomas is an independent film and television writer and director from Winnipeg, Manitoba, Canada. She is most noted for her 2022 documentary film Buffy Sainte-Marie: Carry It On.
Galen Johnson is a Canadian filmmaker from Winnipeg, Manitoba, most noted for his frequent collaborations with Guy Maddin. He was a Canadian Screen Award nominee for Best Art Direction/Production Design at the 4th Canadian Screen Awards in 2016 for his work on Maddin's The Forbidden Room.
The Three Worlds of Nick is a Canadian anthology film, comprising John Paizs's short film trilogy of Springtime in Greenland (1981), Oak, Ivy, and Other Dead Elms (1982) and The International Style (1983). The films all starred Paizs as Nick, a "quiet man" who never speaks in any of the three films, but is placed in very different scenarios which each represent a different genre of film; Paizs described the character as "a Buster Keaton-like character in the sound era", and named him after Ernest Hemingway's recurring semi-autobiographical Nick Adams character.
{{cite book}}
: CS1 maint: location missing publisher (link) CS1 maint: others (link)