Yosimar Reyes | |
---|---|
![]() Reyes in 2015 | |
Born | Guerrero, Mexico | September 22, 1988
Occupation | Poet, Performer, Activist, Public Intellectual |
Language | English, Spanish |
Alma mater | San Francisco State University |
Years active | 2004 - present |
Notable works | For Colored Boys Who Speak Softly, Prieto |
Website | |
yosimarreyes |
Yosimar Reyes (born September 22, 1988) is a Mexican-born poet and activist. He is a queer [1] undocumented immigrant who was born in Guerrero, Mexico, and raised in East San Jose, California. Reyes has been described as "a voice that shines light on the issues affecting queer immigrants in the U.S. and throughout the world." [2]
Reyes centers queer, working class, and immigrant themes in his work. He has been a guest speaker at numerous universities, community organizations, and cultural institutions including Stanford University, UCLA, [3] Princeton University, [4] the San Francisco Public Library, [5] the Park Avenue Armory, [6] the Aspen Institute, [7] the University of Pennsylvania, [8] Harvard University, [9] and the North American Literary and Cultural Studies department at Saarland University in Germany. [10]
As of 2024, Reyes is the inaugural Performing Artist in Residence at Movimiento de Arte y Cultura Latino Americana (MACLA), where he curates "performing arts programs [that uplift] the work of contemporary Chicanx/Latinx artists," [11] Border Futures Artist at the Center for Cultural Power, [12] Creative Ambassador for the City of San José, [13] and 2024-25 Santa Clara County Poet Laureate. [14] [15] From 2016 to 2018, he served as Arts Fellow at Define American, [16] a media and culture organization founded by Pulitzer Prize-winning journalist Jose Antonio Vargas which "uses the power of stories to [...] shift the conversation around immigrants, identity and citizenship in a changing America." He also previously served as Public Programs Coordinator at La Galería de la Raza [17] in San Francisco.
Reyes was born on September 22, 1988, in Atoyac de Álvarez, Guerrero, Mexico. [18] At age 3, he migrated to the United States with his family. [19] Raised in East San Jose, [20] he came out to his family and community at the age of 16. [21]
Reyes attended Latino College Preparatory Academy, where he was awarded his high school diploma in 2006. [22] After briefly attending Evergreen Valley College, he received a Bachelor of Arts in Creative Writing from San Francisco State University in 2015. [23]
Reyes began performing his poetry at 16 years old [24] upon realizing the power of language after being called “joto,” a derogatory Spanish term used to refer to gay men.
Reyes' first publication was the result of his winning first place in a writing competition in San Jose. [21] At age 17, he won the title for the 2005 South Bay Teen Grand SLAM Champion, repeating his win in 2006. [21] In 2007, he was featured in a Youth Speaks documentary titled 2nd Verse: the Rebirth of Poetry. [25]
In 2009, he self-published his first chapbook, For Colored Boys Who Speak Softly, which garnered national and international acclaim. [2] Musicians Carlos Santana and Harry Belafonte were early champions of Reyes' work. [26]
He has been anthologized in the collections Mariposas: A Modern Anthology of Queer Latino Poetry (Floricanto Press); Queer in Aztlán: Chicano Male Recollections of Consciousness and Coming Out [27] (Cognella Press); and Joto: An Anthology of Queer Xicano & Chicano Poetry (Kórima Press), and Somewhere We Are Human: Authentic Voices on Migration, Survival, and New Beginnings (HarperCollins). [28] [29] He and his work have also been featured in The Atlantic, [30] the Huffington Post, [31] Medium, [32] Remezcla, [33] VICE, [34] and Teen Vogue. [35] [36]
In June 2016, Reyes premiered a solo staged reading of Prieto, his first autobiographical play, in collaboration with Guerrilla Rep Theater, Galería de la Raza, and Define American. [37] In Prieto, Reyes recounts his younger self's understanding of his dual queer and undocumented identity. [38] Prieto premiered at the Brava Theater in San Francisco in September 2022 [39] and later toured to Movimiento de Arte y Cultura Latino Americana (MACLA) [40] and the Chicago Shakespeare Theater. [41]
Reyes was awarded an Undocupoets fellowship by Sibling Rivalry Press in 2017 [42] and an Emerging Writers' fellowship in playwriting by Lambda Literary in 2018. [43] Reyes' poem "Paisa" was featured in the eponymous short film directed by Dorian Wood and Graham Kolbeins in 2019. [44]
During the 2020 COVID-19 pandemic, Reyes launched his virtual #YosiBookClub and IG Live Writers' Series wherein he interviews prominent Latino authors in an effort to demystify the creative process. Among interviewees have been celebrated Mexican-American journalist Maria Hinojosa, playwright and USC professor Luis Alfaro, Vida TV series creator Tanya Saracho, National Book Award finalist Kali Fajardo-Anstine, BuzzFeed contributor Curly Velasquez, former Goldman Sachs executive Julissa Arce, and noted poets Yesika Salgado, Karla Cornejo Villavicencio, Walter Thompson-Hernández, and Javier Zamora. [45] [46]
In addition to his literary practice, Reyes has curated or participated in multidisciplinary art exhibitions, including Homegirrlz: Demos and Remixes,Migrating Sexualities: Unspoken Stories of Land, Body and Sex, [47] We Never Needed Papers to Thrive, [48] #UndocuJoy, [49] In Plain Sight [50] and Creatives in Place. [51] [52] In 2020, Reyes was awarded a $25,000 Catalyst for Change grant from the National Association of Latino Arts and Cultures (NALAC) to undertake Writing Home, a collaboration with 15 undocumented artists and advocacy organizations that "seek[s] to shift the public, citizen imagination around undocumented individuals." [53] In 2021, he was the recipient of a $10,000 MACLA Cultura Power Fellowship, which supports "Latinx artists who are actively working to advance a more just and equitable society through their art making practices." [54] In 2022, the San José Museum of Art acquired Yosi con Abuela, a portrait of Reyes and his grandmother by artist Rafa Esparza, for its permanent collection. [55]
In summer 2024, Reyes traveled to México for the second time under the auspices of the U.S. Department of Homeland Security’s Advance Parole program for DACA recipients. There, he was recognized by the LXI Legislature of the Congress of the Free and Sovereign State of Puebla “for his contribution and commitment to the challenges faced by women [and] the promotion of cultural identity, global governance, migration, and international affairs.”
As a co-founder of La Maricolectiva, [56] [57] a grassroots performance community, Reyes created a platform for queer, undocumented poets and creatives. He is also associated with DreamersAdrift. [58]
In solidarity with the 2020 Black Lives Matter protests, Reyes educated the US Latino and undocumented communities on anti-blackness and systematic racism in Spanish via Univision and radio programs. [59]
Reyes has been recognized as one of "13 LGBT Latinos Changing the World" by The Advocate [60] as well as a member of the OUT100 [61] by Out Magazine.
Chicano or Chicana is an ethnic identity for Mexican Americans who have a non-Anglo self-image, embracing their Mexican Native ancestry. Chicano was originally a classist and racist slur used toward low-income Mexicans that was reclaimed in the 1940s among youth who belonged to the Pachuco and Pachuca subculture. In the 1960s, Chicano was widely reclaimed in the building of a movement toward political empowerment, ethnic solidarity, and pride in being of indigenous descent. Chicano developed its own meaning separate from Mexican American identity. Youth in barrios rejected cultural assimilation into the mainstream American culture and embraced their own identity and worldview as a form of empowerment and resistance. The community forged an independent political and cultural movement, sometimes working alongside the Black power movement.
M.E.Ch.A. is a US-based organization that seeks to promote Chicano unity and empowerment through political action. The acronym of the organization's name is the Chicano word mecha, which is the Chicano pronunciation of the English word match and therefore symbolic of a fire or spark; mecha in Spanish means fuse or wick. The motto of MEChA is 'La Union Hace La Fuerza'.
The Royal Chicano Air Force (RCAF) is a Sacramento, California-based art collective, founded in 1970 by Ricardo Favela, José Montoya and Esteban Villa. It was one of the "most important collective artist groups" in the Chicano art movement in California during the 1970s and the 1980s and continues to be influential into the 21st century.
The Chicano Movement, also referred to as El Movimiento, was a social and political movement in the United States that worked to embrace a Chicano/a identity and worldview that combated structural racism, encouraged cultural revitalization, and achieved community empowerment by rejecting assimilation. Chicanos also expressed solidarity and defined their culture through the development of Chicano art during El Movimiento, and stood firm in preserving their religion.
José Antonio "Tony" Burciaga was an American Chicano artist, poet, and writer who explored issues of Chicano identity and American society.
The Centro Cultural de la Raza is a non-profit organization with the specific mission to create, preserve, promote and educate about Chicano, Mexicano, Native American and Latino art and culture. It is located in Balboa Park in San Diego, California. The cultural center supports and encourages the creative expression “of the indigenous cultures of the Americas.” It is currently a member of the American Alliance of Museums.
Latino poetry is a branch of American poetry written by poets born or living in the United States who are of Latin American origin or descent and whose roots are tied to the Americas and their languages, cultures, and geography.
Alberto Baltazar Urista Heredia, better known by his nom de plume Alurista, is an American poet and activist. His work was influential in the Chicano Movement and is important to the field of Chicano poetry.
Galería de la Raza (GDLR) is a non-profit art gallery and artist collective founded in 1970, that serves the largely Chicano and Latino population of San Francisco's Mission District. GDLR mounts exhibitions, hosts poetry readings, workshops, and celebrations, sells works of art, and sponsors youth and artist-in-residence programs. Exhibitions at the Galería tend to feature the work of minority and developing country artists and concern issues of ethnic history, identity, and social justice.
Chicano poetry is a subgenre of Chicano literature that stems from the cultural consciousness developed in the Chicano Movement. Chicano poetry has its roots in the reclamation of Chicana/o as an identity of empowerment rather than denigration. As a literary field, Chicano poetry emerged in the 1960s and formed its own independent literary current and voice.
The Chicano Art Movement represents groundbreaking movements by Mexican-American artists to establish a unique artistic identity in the United States. Much of the art and the artists creating Chicano Art were heavily influenced by Chicano Movement which began in the 1960s.
Gil Cuadros was an American gay poet, essayist, and ceramist known for his writing on the impact of AIDS.
Julián Delgado Lopera is a queer Colombian writer and performer. They are the author of ¡Cuéntamelo! an illustrated collection of queer immigrant histories in the United States during the 1980s. They use creative expressions, such as writing, queer literary performance, and bilingual poetry to advance LGBT activism projects across the Bay Area. Delgado Lopera serves as the Executive/Artistic director for the nonprofit organization Radar Productions since 2015.
Xicanx is an English-language gender-neutral neologism and identity referring to people of Mexican descent in the United States. The ⟨-x⟩ suffix replaces the ⟨-o/-a⟩ ending of Chicano and Chicana that are typical of grammatical gender in Spanish. The term references a connection to Indigeneity, decolonial consciousness, inclusion of genders outside the Western gender binary imposed through colonialism, and transnationality. In contrast, most Latinos tend to define themselves in nationalist terms, such as by a Latin American country of origin.
Geri Montano, otherwise known as Geralyn Marie Montano, is a contemporary American artist who incorporates themes of Native American heritage, feminism, and societal issues into her work.
ChismeArte was an avant-garde Chicano magazine published by the LA Latino Writers Association (LALWA) and produced by the Concilio de Arte Popular, a California statewide arts advocacy group of Chicano arts organizations headed by Manazar Gamboa. The magazine began publication in 1976. It was produced by Guillermo Bejarano in the early 1980s. Manazar Gamboa served as Director of LALWA and Editor of ChismeArte from 1981-1983. Organizational members of the People's Art Council included The Teatro Campesino in San Juan Bautista, The Royal Chicano Air Force in Sacramento, Mechicano Art Center in Los Angeles, and The Galeria de la Raza and The Mexican Museum in San Francisco, and The Centro Cultural de la Raza in San Diego.
Movimiento de Arte y Cultura Latino Americana (MACLA) is a contemporary arts space focused on the Chicano and Latino experience and history, located in the SoFA district at 510 South First Street in San Jose, California. The museum was founded in 1989, in order to encourage civic dialog and social equity. The current programming includes visual art, performing and literary arts, youth arts education, and a community art program. The space has two performing arts spaces, a gallery and the MACLA Castellano Playhouse and they frequently host poetry readings and film screenings.
The term Chicanafuturism was originated by scholar Catherine S. Ramírez which she introduced in Aztlán: A Journal of Chicano Studies in 2004. The term is a portmanteau of 'chicana' and 'futurism'. The word 'chicana' refers to a woman or girl of Mexican origin or descent. However, 'Chicana' itself serves as a chosen identity for many female Mexican Americans in the United States, to express self-determination and solidarity in a shared cultural, ethnic, and communal identity while openly rejecting assimilation. Ramírez created the concept of Chicanafuturism as a response to white androcentrism that she felt permeated science-fiction and American society. Chicanafuturism can be understood as part of a larger genre of Latino futurisms.
Graciela Carrillo is a Chicana artist and muralist in San Francisco and member of the all-female Chicana/Latina artist group Mujeres Muralistas. She is a co-founder of Galería de la Raza, a gallery utilized to showcase the everyday lives of the Chicano community through art during the Chicano Civil Rights movement through the Chicano muralist movement.
Elizabeth Blancas is a first generation queer Xicana artist based in the Bay Area. She specializes in muralism and screen printing and exploring themes around sexuality, culture, identity, and womanhood.