"Rush" is a song by English band Big Audio Dynamite II from their fifth album, The Globe (1991). A longer version of "Rush", entitled "Change of Atmosphere", had previously appeared on the group's 1990 album Kool-Aid.
"Strange Currencies" is a song by American rock band R.E.M. It was included on their ninth studio album, Monster (1994), and was released as the album's fourth single on April 18, 1995, by Warner Bros. Records. The song reached number nine on the UK Singles Chart and peaked at number 47 in the United States. Like "Everybody Hurts" on R.E.M.'s previous album, it has a time signature of 6
8. The song's music video was directed by Mark Romanek.
"I Want That Man" is a song by American singer Deborah Harry. The song was released as the lead single from her third solo album, Def, Dumb & Blonde, and was the first record Harry released in which she reverted to using Deborah as her name instead of Debbie. "I Want That Man" became a hit in several territories, reaching number two in Australia and on the US Billboard Modern Rock Tracks chart. It also became a top-20 hit in Ireland, New Zealand, and the United Kingdom.
"Walking in My Shoes" is a song by English electronic music band Depeche Mode. It was released on 26 April 1993 by Mute and Sire as the second single from their eighth studio album, Songs of Faith and Devotion (1993). The song reached number 14 on the UK Singles Chart and matched the success of the previous single "I Feel You" on the US Billboard Modern Rock Tracks chart, where it reached one. The B-side is "My Joy", the only exclusive B-side from the Songs of Faith and Devotion album, and is a rock track in the vein of "I Feel You".
"Breakfast in Bed" is a soul–R&B song written by Muscle Shoals songwriters Eddie Hinton and Donnie Fritts for Dusty Springfield. It takes a knowing spin on the line "You Don't Have to Say You Love Me", the title of a song that had previously been a number one hit for her in the UK. After being released on her 1969 album Dusty in Memphis, it was recorded and popularized the same year by Baby Washington. Harry J produced three reggae versions in 1972, by Lorna Bennett, Scotty, and Bongo Herman.
"If You Were with Me Now" is a song by Australian pop singer Kylie Minogue and American R&B singer Keith Washington. It was written by Minogue, Washington, and British songwriting team Mike Stock and Pete Waterman for Minogue's fourth studio album, Let's Get to It (1991). The song was produced by Stock and Waterman. The song was released as the second single on 21 October 1991 by Mushroom Records and PWL Records. It reached number four on the UK Singles Chart, as well as the top 10 in Ireland and the top 30 in Australia. The song is Minogue's first hit single to feature her as a co-writer.
"So Alive" is a song by British alternative rock band Love and Rockets, released in 1989 as the second single from their self-titled fourth album. The song reached No. 1 in Canada and charted within the top 30 in the United States, Australia, and New Zealand. In the US, it topped the Billboard Modern Rock Tracks chart for five weeks and was ranked No. 1 on that listing's year-end chart for 1989. The song's music video was directed by Howard Greenhalgh and produced by Pamela James.
"Roam" is a song by American new wave band the B-52's released as the fourth single from their fifth studio album, Cosmic Thing (1989). The vocals are sung by Kate Pierson and Cindy Wilson. The B-52's worked with a co-writer, Robert Waldrop, who penned the lyrics. Released as a single in 1989, "Roam" peaked at number three on the US Billboard Hot 100 and entered the top 10 in Canada, Ireland, and New Zealand.
"Rotterdam (Or Anywhere)" is a song by English pop rock music group the Beautiful South, taken from their fifth studio album, Blue Is the Colour (1996). It was written by Paul Heaton and Dave Rotheray, was produced by Jon Kelly, and features Jacqui Abbott on lead vocals. Released in September 1996 by Go! Discs, the song reached number five on the UK Singles Chart and stayed in the UK top 40 for nine weeks.
"Song for Whoever" is a song by English music group the Beautiful South, written by band members Paul Heaton and David Rotheray. The first and highest-charting single from their debut album, Welcome to the Beautiful South, it peaked at number two on the UK Singles Chart in July 1989 and was certified gold by the British Phonographic Industry (BPI) in August 2024. Considered typical of the band's gently subversive, self-reflexive signature style, it is sung from the point of view of a cynical songwriter who romances women solely to get material for love songs.
"Name and Number" is a song by English band Curiosity Killed the Cat. Released as a single on 4 September 1989, the song peaked at number 14 on the UK Singles Chart.
"No Souvenirs" is a song by American singer-songwriter Melissa Etheridge, release as the second single from her second album, Brave and Crazy, in August 1989. Despite peaking at number 95 on the US Billboard Hot 100, the song experienced more success internationally, reaching number 30 in Australia and number four in Canada, where it became Etheridge's highest-charting single until "I Want to Come Over" reached number one in 1996.
"Vision of You" is a song by American singer Belinda Carlisle, released as the fifth single from her third solo album, Runaway Horses (1989). The song was released on May 14, 1990, in the United Kingdom and reached number 41. A year later, it was remixed and re-released on 12-inch vinyl with a live version of "Heaven Is a Place on Earth", but this release charted lower, at number 71.
"Do You Sleep?" is a song by American band Lisa Loeb and Nine Stories. It was released on September 4, 1995, as the third single from their debut album, Tails. It reached number 18 on the US Billboard Hot 100 and number eight on Canada's RPM 100 Hit Tracks chart, becoming the band's last top-20 hit in both countries, although Loeb would earn another top-20 single as a solo artist with "I Do" two years later. Outside North America, "Do You Sleep?" reached the top 50 in Australia, Iceland, and the United Kingdom. The music video accompaying this song was directed by Sophie Muller.
"Hard to Handle" is a 1968 song written by American soul singer Otis Redding along with Al Bell and Allen Jones. Originally recorded by Redding, it was released in 1968 as the B-side to "Amen". The song also appears on the 1968 album The Immortal Otis Redding. Redding's version reached number 38 on the Billboard R&B chart and number 51 on the pop chart.
"Love Shack" is a song by American new wave band the B-52's from their fifth studio album, Cosmic Thing (1989). It was released on June 20, 1989, and was produced by Don Was. The song was a comeback for the band, following their decline in popularity in the mid-1980s and the death of guitarist Ricky Wilson in 1985.
"Keep Coming Back" is a song by American singer-songwriter Richard Marx. It appears on his third solo album, Rush Street, and was both written and produced by Marx. The lyrics to the song detail a man's unrequited love for a woman. Working with musicians such as Luther Vandross and keyboardist Greg Phillinganes, Marx sought to explore different musical territory with this single, stating that "I wanted to write an old-fashioned R&B song."
"Landslide of Love" was the third single to be taken from English pop rock band Transvision Vamp's second album, Velveteen (1989). It was a top-20 UK hit in 1989, spending five weeks on the UK Singles Chart and peaking at number 14.
"Let's Dance" is a 1987 single by British singer-songwriter Chris Rea. The song first appeared in an early form as a B-side to the "It's All Gone" single in 1986 and was re-recorded for his 1987 album, Dancing with Strangers, serving as its lead single. "Let's Dance" peaked at No. 12 on the UK Singles Chart and No. 81 on the US Billboard Hot 100. In New Zealand, it reached No. 2 for three non-consecutive weeks, and it also peaked within the top 10 in Australia, Ireland, and South Africa.
Peacock Suit is a song by English singer-songwriter Paul Weller that was released on 5 August 1996 as the first single from his fourth solo album Heavy Soul. It reached No. 5 on the UK Singles Chart in August 1996, making it the highest-charting single of his solo career.
