"Song for Whoever" | ||||
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Single by the Beautiful South | ||||
from the album Welcome to the Beautiful South | ||||
B-side |
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Released | 1 June 1989 [1] | |||
Length |
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Label | Go! Discs | |||
Composer(s) | ||||
Lyricist(s) | Paul Heaton | |||
Producer(s) | Mike Hedges | |||
The Beautiful South singles chronology | ||||
|
"Song for Whoever" is a song by English music group the Beautiful South, written by band members Paul Heaton and David Rotheray. The first and highest-charting single from their debut album, Welcome to the Beautiful South , it peaked at number two on the UK Singles Chart in July 1989 and was certified Silver by the British Phonographic Industry (BPI). Considered typical of the band's gently subversive, self-reflexive signature style, [2] it is sung from the point of view of a cynical songwriter who romances women solely to get material for love songs.
The music video for the song features a blancmange as the main character. Heaton said, "The blancmange is probably the best thing that's happened to the band so far. The idea is that there's this conveyor belt and all these pop stars come down it and get rejected by the record company people that then choose a blancmange. The blancmange goes on to be a big star but it all pretty much ends up in blancmange misery." [3]
Weekly charts
| Year-end charts
|
Region | Certification | Certified units/sales |
---|---|---|
United Kingdom (BPI) [1] | Silver | 200,000^ |
^ Shipments figures based on certification alone. |
0898 Beautiful South, also referred to as 0898, is the third studio album by English band the Beautiful South. After the success of their previous work over 1989–1991, the band hired prolific record producer Jon Kelly and recorded the album at AIR Studios in London. The album contains a more "muscular" yet sometimes more sombre sound than their previous albums, although still entirely retains lyricist Paul Heaton's witty and bitter lyrical style. The album "deals in fragile melodies and harmonies, soulful but low-key instrumentation, and lyrics full of subtle social commentary and humour." The album title refers to the 0898 premium rate dialling code associated with sex hotlines in the UK at the time.
"A Little Time" is a song by English pop rock group the Beautiful South, the first single to be released from their second album, Choke. It consists of a duet featuring vocalists Dave Hemingway and Briana Corrigan. Produced by Mike Hedges, "A Little Time" is the band's only single to reach number one on the UK Singles Chart, and it peaked inside the top 20 in Austria, Belgium, Ireland, and the Netherlands.
"How Long's a Tear Take to Dry?" is a single by British pop rock group the Beautiful South from their sixth album, Quench (1998). It was written by Paul Heaton and Dave Rotheray. The lyrics, which take the form of a conversation between two reconciling lovers, are noted for a reference to the TARDIS from Doctor Who. According to the book Last Orders at the Liars Bar: the Official Story of the Beautiful South, "How Long's a Tear Take to Dry?" was originally to be called "She Bangs the Buns" due to its chord structure reminiscent of Manchester's the Stone Roses. The song reached number 12 on the UK Singles Chart, becoming the band's 12th and final top-20 hit.
"Perfect 10" is a song by English pop rock band the Beautiful South, released on 21 September 1998 as the first single from their sixth studio album, Quench (1998). It debuted at number two on the UK Singles Chart, selling 89,000 copies during its first week of release, and is the band's last UK top-10 single to date. It received a platinum certification from the British Phonographic Industry in 2021 for sales and streams exceeding 600,000 units.
"Breakfast in Bed" is a soul–R&B song written by Muscle Shoals songwriters Eddie Hinton and Donnie Fritts for Dusty Springfield. It takes a knowing spin on the line "You Don't Have to Say You Love Me", the title of a song that had previously been a number one hit for her in the UK. After being released on her 1969 album Dusty in Memphis, it was recorded and popularized the same year by Baby Washington. Harry J produced three reggae versions in 1972, by Lorna Bennett, Scotty, and Bongo Herman.
"Circle in the Sand" is a song recorded by American singer Belinda Carlisle for her second studio album, Heaven on Earth (1987). It was written by Rick Nowels, who also produced it, and Ellen Shipley. "Circle in the Sand" was the third single released from Heaven on Earth in May 1988. It reached number seven, becoming Carlisle's fourth and last top-10 hit in the United States. It also charted at number five in Canada, ending the year as the country's 69th-most-successful single.
"Real Love" is a song by American singer Jody Watley from her second studio album, Larger Than Life (1989). The single reached the number-one spot on the US Billboard Hot Black Singles and Dance Club Play charts. On the US Billboard Hot 100, "Real Love" peaked at number two for two weeks in May 1989. The song was also nominated for a Soul Train Music Award for Best Female Single.
"So Alive" is a song by British alternative rock band Love and Rockets, released in 1989 as the second single from their self-titled fourth album. The song reached No. 1 in Canada and charted within the top 30 in the United States, Australia, and New Zealand. In the US, it topped the Billboard Modern Rock Tracks chart for five weeks and was ranked No. 1 on that listing's year-end chart for 1989. The song's music video was directed by Howard Greenhalgh and produced by Pamela James.
"Sacrifice" is a song by English musician Elton John, written by John and Bernie Taupin, from John's 22nd studio album, Sleeping with the Past (1989). It was first released in October 1989 as the second single from the album. It achieved success in 1990, particularly in France and the United Kingdom, becoming John's first solo chart-topper in both nations. The song describes how hard it is to stay faithful and devoted in a marriage, challenging the mantra that a successful union requires sacrifice. Due to the song's success, John has played this song in various locations in the years since it was released.
"I Owe You Nothing" is a song by British boy band Bros. Written by Nicky Graham and Tom Watkins and produced by Graham, the song was originally released as their debut single in 1987 but failed to chart. In 1988, it was remixed and re-released by CBS following the success of their breakthrough single "When Will I Be Famous?". The original version of the song can be found on the band's 1988 debut album, Push.
"I Want Your Love" is the third single from the English rock group Transvision Vamp, released in 1988 from their debut album, Pop Art (1988). It was the band's first UK top-40 hit, reaching number five in July 1988. It also peaked atop the Norwegian Singles Chart the same year and reached number one in South Africa the following year.
"Domino Dancing" is a song by English synth-pop duo Pet Shop Boys, released in September 1988 by Parlophone as the lead single from their third studio album, Introspective (1988). The song reached number seven on the UK Singles Chart and topped the charts in Finland and Spain. Its music video was directed by Eric Watson and filmed in Puerto Rico.
"Rotterdam (Or Anywhere)" is a song by English pop rock music group the Beautiful South, taken from their fifth studio album, Blue Is the Colour (1996). It features Jacqui Abbott on lead vocals. Released in September 1996, the song reached number five on the UK Singles Chart and stayed in the UK top 40 for nine weeks.
"You Keep It All In" is the second single released from English pop rock group the Beautiful South's debut album, Welcome to the Beautiful South (1989). It reached number eight on the UK Singles Chart in October 1989 and number three in Ireland. "You Keep It All In" was also a hit on American alternative rock radio, peaking at number 19 on the Billboard Modern Rock Tracks chart in early 1990.
"Kingston Town" is a 1970 song by Lord Creator about Kingston, Jamaica, released as a single on producer Clancy Eccles' Clandisc label. It was also recorded in 1989 by reggae group UB40 and was released as the second single from their album Labour of Love II, reaching number four on the UK Singles Chart and number one in France and the Netherlands.
"The Politics of Dancing" is the debut single by the English new wave band Re-Flex, released in 1983. It is the title track to their debut studio album. The song was written by keyboardist, backing vocalist, and band co-founder Paul Fishman.
"Dreams" is the debut single of Irish rock band the Cranberries. It was originally released in September 1992 by Island Records and later appeared on the band's debut album, Everybody Else Is Doing It, So Why Can't We? (1993). The song reached the top 50 of the US Hot 100 and the top 30 of the UK Singles Chart in early 1994. A 1990 demo version was released in Ireland only in the summer of that year under their initial band name, the Cranberry Saw Us. At the end of the song, the backing vocals are sung by Mike Mahoney, ex-boyfriend of Cranberries lead singer Dolores O'Riordan.
"It's Alright" is a song by English synth-pop duo Pet Shop Boys, released on 26 June 1989 as the third and final single from their third studio album, Introspective (1988). It reached number five on the UK Singles Chart. Originally performed by Sterling Void and Paris Brightledge, the song came to the attention of Pet Shop Boys on a house compilation issued by DJ International Records in 1987.
"The Lover in Me" is a song by Scottish singer Sheena Easton for her ninth studio album of the same name (1988). Released as the album's lead single on 11 October 1988, the song became Easton's first top-20 hit in the United Kingdom after a seven-year hiatus. The song was also Easton's final top-10 single on the US Billboard Hot 100.
"Love Train" is a song by English singer Holly Johnson, released in 1989 as the lead single from his debut solo album, Blast (1989). It was written by Johnson and produced by Andy Richards and Steve Lovell with additional production by Stephen Hague. The song reached No. 4 in the United Kingdom, spending 11 weeks on the chart, and was certified silver by British Phonographic Industry (BPI) in February 1989. In the United States, the song reached No. 65 on the Billboard Hot 100.
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