(I'm) Stranded | ||||
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Studio album by | ||||
Released | 21 February 1977 | |||
Recorded | June, December 1976 | |||
Studio | Window Studios, Brisbane | |||
Genre | Punk rock | |||
Length | 34:33 | |||
Label | EMI (Australia) Harvest (original UK release) Sire (original US release) Captain Oi! (1999 UK CD release) 4 Men with Beards (2003 US LP reissue) | |||
Producer | Mark Moffatt, Rod Coe | |||
The Saints chronology | ||||
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Singles from (I'm) Stranded | ||||
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(I'm) Stranded is the debut album by Australian punk rock group The Saints which was released by EMI on 21 February 1977. Their debut single, "(I'm) Stranded", was issued ahead of the album in September 1976, which Sounds magazine's reviewer, Jonh Ingham, declared was the "Single of this and every week". "Erotic Neurotic" was the second single, which was released in May 1977 and the group relocated to the United Kingdom.
In May 2001, Australasian Performing Right Association (APRA) celebrated its 75th anniversary and named "(I'm) Stranded" in its Top 30 Australian songs of all time. In 2007, 'I'm Stranded' was one of the first 20 songs added to the National Film and Sound Archive's Sounds of Australia registry. Their debut album was listed at No. 20 in the book, 100 Best Australian Albums , in October 2010.
The Saints formed in Brisbane in 1973 with original members Chris Bailey (singer-songwriter, later guitarist), Ed Kuepper (guitarist-songwriter), and Ivor Hay (drummer). [1] [2] In 1975, Kym Bradshaw joined on bass guitar. [1] Contemporaneous with Ramones, the group were employing the fast tempos, raucous vocals and "buzz saw" guitar that characterised early punk rock. Kuepper explained that they played faster and faster as they were nervous in front of audiences. [3] According to Australian rock historian, Ian McFarlane, they had developed their "own distinctive sound as defined by Kuepper's frenetic, whirlwind guitar style and Bailey's arrogant snarl". [1]
In June 1976, The Saints recorded two tracks, "(I'm) Stranded" and "No Time" with Mark Moffatt producing. [2] [4] Unable to find an interested label, they formed Fatal Records and independently released the two tracks as their debut single in September 1976. [4] Their self-owned Eternal Promotions sent discs to radio stations and magazines both in Australia – with little local interest – and the United Kingdom. [1] In the UK, a small label, Power Exchange, issued the single. [4] Sounds magazine's reviewer Jonh Ingham declared it, "Single of this and every week". [5] [6] EMI head office in London contacted the Sydney branch and directed that they be signed to a three-album contract. [6]
Over two days in December, the group recorded their first LP album, (I'm) Stranded (21 February 1977), with Rod Coe producing. [1] [2] Kuepper said later that the album was "basically our live set and were also the oldest songs. And in particularly with 'Nights In Venice' and 'Messin' With The Kid', they were the first two songs we ever did." [7] It included a cover version of The Missing Links' track "Wild About You". [8] On the single tracks "(I'm) Stranded" and "No Time", Kuepper's guitar was tuned up a semitone, to emulate Bo Diddley. The other eight tracks were recorded over a weekend in December 1976. Kuepper used Mark Moffatt's 1960 Fender Super amp with no effect pedals on (I'm) Stranded and No Time. On the remainder of the album he used a vocal PA as his guitar amp, after his live amp had "blown up", and an MXR Distortion Plus pedal. The band recorded the tracks live, though with the guitar amp in the corridor to avoid spill. [7]
The band supported AC/DC in late December 1976 and, early in 1977, relocated to Sydney. [1] EMI re-issued the single "(I'm) Stranded" in February 1977 and it reached the Kent Music Report Top 100 Singles Chart. [9] In May 1977, the band released their second single, "Erotic Neurotic" and then moved to the UK, where they differed with their label over how they should be marketed. [1] [3] EMI planned to promote them as a typical punk band, complete with ripped clothes and spiky hair – The Saints insisted on maintaining a more downbeat image. [1] [10]
In 2007, (I'm) Stranded was reissued as a CD with bonus tracks including the EP One Two Three Four and the single version of "This Perfect Day". In August of that year band members Bailey and Kuepper described their work for SBS-TV's documentary Great Australian Albums . [11]
Review scores | |
---|---|
Source | Rating |
AllMusic | [12] |
Christgau's Record Guide | B+ [13] |
Encyclopedia of Popular Music | [14] |
The Great Alternative & Indie Discography | 6/10 [15] |
MusicHound Rock | [16] |
Q | [17] |
Record Mirror | [18] |
Uncut | [19] |
Kris Needs in ZigZag May 1977 called it a "rip-snorter of an album" and "one hell of an album, although it's a bit patchy." [20]
Robot A. Hull in Creem December 1977, reviewing the US edition released on Sire, said the Saints "easily match the savage revolt of bands like the Clash and the Jam" and called (I'm Stranded) "a pistol shot of an album worth getting stewed over." [21]
The Village Voice's Robert Christgau wrote, "intermittent hooks, droning feedback, shouted vocals, and oldie about incest, this album from Australia achieves the great mean of punk style". [22]
In his review of (I'm) Stranded, Jack Rabid of AllMusic declared that "[T]he Saints sparked the Far East punk rock movement with a blasting, blistering, scorching sound no one had heard before". Although eight of the tracks showed a "heavy, buzzing racket ... borders on unintelligible, they're so cheaply recorded". [12]
McFarlane described it as "full of rough, exhilarating rock'n'roll noise, and it remains one of the greatest debut albums of the era". [1]
John Ballon of MustHear writes the album is "a devastating listen, loaded with the same irresistible power ... [and] has all the intense purity of a band hell bent on making a racket, regardless of its commercial viability". [23]
In May 2001, Australasian Performing Right Association (APRA) celebrated its 75th anniversary and named "(I'm) Stranded" in its Top 30 Australian songs of all time. [24] In 2007, "I'm Stranded" was one of the first 20 songs stored on the National Film and Sound Archive's Sounds of Australia registry. [25] The album was listed at No. 20 in the book 100 Best Australian Albums in October 2010. [26] Fact ranked it the 20th best album of the 1970s in 2014, calling it "easily one of the best – and probably the noisiest – albums to emerge from punk's first wave." [27]
The State Library of Queensland named its copy of "(I'm) Stranded" as one of the treasures from its John Oxley Library collection, citing the 7” vinyl single represented a piece of Australian and Queensland music history, influencing generations of bands around the world. [28]
All tracks are written by Chris Bailey and Ed Kuepper except where shown [nb 1]
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "(I'm) Stranded" | 3:33 | |
2. | "One Way Street" | 2:56 | |
3. | "Wild About You" | Andy James | 2:36 |
4. | "Messin' with the Kid" | 5:55 | |
5. | "Erotic Neurotic" | 4:07 |
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "No Time" | 2:48 | |
2. | "Kissin' Cousins" | Fred Wise, Randy Starr | 2:00 |
3. | "Story of Love" | Kuepper | 3:12 |
4. | "Demolition Girl" | Kuepper | 1:42 |
5. | "Nights in Venice" | 5:41 | |
Total length: | 34:33 |
No. | Title | Writer(s) | Length |
---|---|---|---|
11. | "Lipstick on Your Collar" | George Goehring, Edna Lewis | 2:37 |
12. | "River Deep – Mountain High" | Phil Spector, Jeff Barry, Ellie Greenwich | 3:55 |
Total length: | 41:04 |
No. | Title | Writer(s) | Length |
---|---|---|---|
11. | "Untitled" (out-take) | 2:56 | |
12. | "This Perfect Day" (single version) | 2:12 | |
13. | "Lies" | 2:05 | |
14. | "Do the Robot" | Kuepper | 2:44 |
15. | "Lipstick on Your Collar" | Goehring, Lewis | 2:35 |
16. | "One Way Street" | 2:52 | |
17. | "Demolition Girl" | Kuepper | 1:59 |
18. | "River Deep – Mountain High" | Spector, Barry, Greenwich | 3:53 |
Total length: | 55:51 |
The Saints members [nb 2]
| Additional musicians
Production
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The Saints were an Australian rock band formed in Brisbane, Queensland in 1973. Founded by singer-songwriter Chris Bailey, drummer Ivor Hay, and guitarist-songwriter Ed Kuepper, they originally employed fast tempos, raucous vocals and a "buzzsaw" guitar sound that helped initiate punk rock in Australia and identified them with the greater international movement.
Christopher Robert Lionel Abrahams is a New Zealand-born, Australian-based musician. He is a founding mainstay member of experimental, jazz trio the Necks (1987–present), collaborated with Melanie Oxley as a soul pop duo (1989–2003), and has issued ten solo albums.
Edmund "Ed" Kuepper is a German-born Australian guitarist, vocalist and songwriter. He co-founded the punk band The Saints in 1973, the experimental post-punk group Laughing Clowns and the grunge-like The Aints!. He has also recorded over a dozen albums as a solo artist using a variety of backing bands. His highest charting solo album, Honey Steel's Gold, appeared in November 1991 and reached No. 28 on the ARIA Albums Chart. His other top 50 albums are Black Ticket Day, Serene Machine and Character Assassination. At the ARIA Music Awards of 1993 he won Best Independent Release for Black Ticket Day and won the same category in 1994 for Serene Machine.
Alasdair Mackie "Algy" Ward was an English punk rock and heavy metal bass guitarist and singer. He began his career in 1977, as a bassist for the Australian proto punk band the Saints. Afterwards, he joined The Damned, before founding Tank in 1980. Tank were part of the new wave of British heavy metal movement.
Laughing Clowns, sometimes written as The Laughing Clowns, were a post-punk band formed in Sydney in 1979. In five years, the band released three LPs, three EPs, and various singles and compilations. Laughing Clowns' sound is free jazz, bluegrass and krautrock influenced. The band formed to accommodate Ed Kuepper's growing interest in expanding brass-driven elements he had brought to The Saints' third album, Prehistoric Sounds, and by adopting flattened fifth notes in a rock and roll setting while using a modern jazz styled band line-up.
The Victims were an Australian punk band from Perth, Western Australia, active from 1977 to 1979. The founding mainstay members were James Baker on drums, Dave Flick on guitar and vocals, and Rudolph V on bass guitar. Their debut single, "Television Addict", was issued in April 1978 and was followed by a five-track extended play, The Victims, in August of that year. The group disbanded early in the next year. In 1989 Timberyard Records released a compilation album, All Loud on the Western Front, of their material. In late 2014 and early 2015 Baker and Faulkner were joined by Ray Ahn as the Television Addicts to perform the Victims material. The 2014 and 2015 shows were so well received that the trio assumed the band name The Victims and played sold-out shows at Rosemount Hotel and Mojo's Bar.
Tracy Franklin Pew was an Australian musician, and bassist for The Birthday Party. He was later a member of The Saints, and worked with Nick Cave and the Bad Seeds.
Grant William McLennan was an Australian alternative rock singer-songwriter-guitarist. He co-founded the Go-Betweens with Robert Forster in Brisbane in 1977 and issued four solo albums: Watershed (1991), Fireboy (1992), Horsebreaker Star (1994) and In Your Bright Ray (1997). He collaborated with other artists on side projects. In May 2001, the Australasian Performing Right Association called his "Cattle and Cane" (1983) one of its top 30 Australian songs of all time.
Robert Derwent Garth Forster is an Australian singer-songwriter, guitarist and music critic. In December 1977 he co-founded an indie rock group, The Go-Betweens, with fellow musician Grant McLennan. In 1980, Lindy Morrison joined the group on drums and backing vocals, and by 1981 Forster and Morrison were also lovers. In 1988, "Streets of Your Town", co-written by McLennan and Forster, became the band's highest-charting hit in both Australia and the United Kingdom. The follow-up single, "Was There Anything I Could Do?", was a number-16 hit on the Billboard Modern Rock Tracks chart in the United States. In December 1989, after recording six albums, The Go-Betweens disbanded. Forster and Morrison had separated as a couple earlier, and Forster began his solo music career from 1990.
Eternally Yours is the second album by Australian punk rock band the Saints, released in 1978. Produced by band members Chris Bailey and Ed Kuepper, the album saw the band pursue a bigger, more R&B-driven sound, augmented by a horn section. The album also saw the introduction of bass guitarist Algy Ward, who replaced the band's previous bass player, Kym Bradshaw in mid-1977.
Prehistoric Sounds is the third album by the Australian punk rock group The Saints, released in 1978 via Harvest. This was the final album to feature founding lead guitarist, Ed Kuepper, who left the band shortly after its release. In October 2010, the album was listed in the top 50 in the book, 100 Best Australian Albums with their debut, (I'm) Stranded, at No. 20.
One Two Three Four is the first 7" extended play by Australian rock band the Saints. The EP contained two cover versions of other artists' work and two re-recorded tracks which originally appeared on their debut album (I'm) Stranded. It was originally released in the UK as both a single disc EP and a double 7" with a gatefold shelve. An Australian edition of the EP appeared in the following month. Australian musicologist, Ian McFarlane, felt their versions of "Lipstick on Your Collar" and "River Deep – Mountain High" were "ragged but inspired".
Paralytic Tonight, Dublin Tomorrow is a 7" extended play released in March 1980 by Australian Punk band The Saints. It was produced by the group's singer-guitarist, Chris Bailey using the pseudonym L. Lambert. It is their first release after founding guitarist, Ed Kuepper, had left the band. The Saints line-up for the EP was Chris Bailey on lead vocals and guitar; C. Barrington on guitar; Cub Calloway on guitar; Ivor Hay on drums; and Janine Hall on bass guitar. A 12" version with an additional track, "Miss Wonderful", was issued on the French label, New Rose.
Australian musicians played and recorded some of the earliest punk rock, led by The Saints who released their first single in 1976. Subgenres or offshoots of punk music, such as local hardcore acts, still have a strong cult following throughout Australia.
"(I'm) Stranded" is the debut single released by Australian punk rock band the Saints. Issued in September 1976, it has been cited as "one of the iconic singles of the era", and pre-dated vinyl debuts by contemporary punk acts such as the Sex Pistols, Buzzcocks, The Damned and The Clash. In 2001, it was voted among the Top 30 Australian Songs of all time by APRA.
Christopher James Mannix Bailey was an Australian singer, songwriter, musician and producer. He was the co-founder and singer of rock band the Saints.
"Know Your Product" is a song written by Ed Kuepper and Chris Bailey of Australian rock band The Saints. Released in February 1978, it was the second single from the group's second album, Eternally Yours. Noted for its unusual mix of prominent brass with a punk rock guitar sound, the track has been described as a "pile-driving surge of raw soul power and one of the greatest singles from the punk rock period."
Brisbane punk rock had its main impact between 1975 and 1984 as part of the overall punk rock scene in Australia. According to rock music historian, Ian McFarlane, the Queensland capital provided "some of the most anarchistic bands" of that era whilst it was "arguably the most conservative city" in the country. The development of the local punk movement differed from other cities because of its relative geographic isolation from other similar trends. The Brisbane scene also received a greater scrutiny by local police where early punk bands formed as "an obvious backlash to an oppressed society". This generated antagonistic and individualistic groups or "snot" driven punk bands.
The discography of Australian rock group The Saints consists of thirteen studio albums, seventeen singles, six EPs, two live albums and ten compilation albums. The Saints began in 1974 as punk rockers and released their first single, "(I'm) Stranded", in September 1976 on their own Fatal Records label. They were signed to EMI and released their debut album in February 1977, (I'm) Stranded. Mainstay founder Chris Bailey is the principal songwriter and record producer. Their sound became more R&B and pop rock. Their highest-charting album, All Fools Day peaked in the Top 30 on the Australian Kent Music Report Albums Chart in April 1986. Their cover version of The Easybeats' hit "The Music Goes Round My Head", issued in November 1988, peaked in the Top 40 on the ARIA Singles Chart.
"Happy Anniversary" is a pop music song by Australian group Little River Band, released in territories outside of Australia in December 1977 as the fourth and final single from the group's third studio album, Diamantina Cocktail. It was co-written by Beeb Birtles and David Briggs. The song became the band's second top twenty single in the United States, peaking at number 16 in March 1978 on the Billboard Hot 100.