| ...Off the Bone | ||||
|---|---|---|---|---|
 | ||||
| Compilation album by | ||||
| Released | 1983 | |||
| Recorded | 1977–1979 | |||
| Genre | ||||
| Length | 45:20 | |||
| Label | Illegal | |||
| Producer | Alex Chilton, the Cramps | |||
| The Cramps chronology | ||||
| ||||
...Off the Bone is the first compilation album of previously released material by the American rock band the Cramps. It was released in 1983 in the United Kingdom on Illegal Records. The original release had an anaglyph on the cover and a pair of paper red and blue "3D glasses" inside the sleeve for viewing it.
| Review scores | |
|---|---|
| Source | Rating |
| AllMusic |   [3] |
The British weekly Sounds gave the album a 5-star review, calling it "...a hell-fire cocktail of gutter riffing and chattering Rockabilly voodoo strum into which is dropped an electric sugar cube of psychedelic power". [2]
All tracks are written by Lux Interior and Poison Ivy Rorschach, except where noted
| No. | Title | Writer(s) | Original release | Length |
|---|---|---|---|---|
| 1. | "Human Fly" | Human Fly 7" | ||
| 2. | "The Way I Walk" | Jack Scott | Surfin' Bird 7" | |
| 3. | "Domino" | Sam Phillips | Human Fly 7" | |
| 4. | "Surfin' Bird" | Steve Wahrer | Surfin' Bird 7" | |
| 5. | "Lonesome Town" | Baker Knight | Gravest Hits | |
| 6. | "Garbage Man" | Fever 7" | ||
| 7. | "Fever" | John Davenport, Eddie Cooley | Fever 7" |
| No. | Title | Writer(s) | Original release | Length |
|---|---|---|---|---|
| 1. | "Drug Train" | Drug Train 7" | ||
| 2. | "Love Me" | Marty Lott | Drug Train 7" | |
| 3. | "I Can't Hardly Stand It" | Charlie Feathers, Jerry Huffman, Jody Chastain | Drug Train 7" | |
| 4. | "Goo Goo Muck (Single Mix)" | Ronnie Cook | Goo Goo Muck 7" | |
| 5. | "She Said" | Hasil Adkins | Goo Goo Muck 7" | |
| 6. | "The Crusher" | Bobby Nolan | The Crusher 7" | |
| 7. | "Save It" | Hargus Robbins, Mary Biggs | The Crusher 7" | |
| 8. | "New Kind of Kick" | The Crusher 7" |
| Chart (1983–2022) | Peak position |
|---|---|
| UK Albums (OCC) [4] | 44 |
| UK Album Downloads (OCC) [5] | 95 |
The Cramps were an American rock band formed in 1976 and active until 2009. Their lineup rotated frequently during their existence, with the husband-and-wife duo of singer Lux Interior and guitarist Poison Ivy the only ever-present members. The band are credited as progenitors of the psychobilly subgenre, fusing elements of punk rock with rockabilly. The addition of guitarist Bryan Gregory and drummer Pam Balam resulted in the first complete lineup in April 1976. They released their debut album Songs the Lord Taught Us in 1980. The band split after the death of lead singer Interior in 2009.
Psychobilly is a rock music fusion genre that fuses elements of rockabilly and punk rock. It's been defined as "loud frantic rockabilly music", it has also been said that it "takes the traditional countrified rock style known as rockabilly, ramp[ing] up its speed to a sweaty pace, and combin[ing] it with punk rock and imagery lifted from horror films and late-night sci-fi schlock,... [creating a] gritty honky tonk punk rock."
"Substitute" is a song by the English rock band the Who, written by Pete Townshend. Released in March 1966, the single reached number five in the UK and was later included on the compilation album Meaty Beaty Big and Bouncy in 1971. In 2006, Pitchfork ranked "Substitute" at number 91 on the "200 Greatest Songs of the 1960s".
The Poison is the debut studio album by Welsh heavy metal band Bullet for My Valentine. The album was released on 3 October 2005 through Visible Noise Records in the UK, and on 14 February 2006 in the United States, through Trustkill Records. The album included 11 new songs and two previously heard songs, "Cries in Vain", which was previously heard from the band's self-titled UK EP and from their US EP, Hand of Blood, as well as from "4 Words " was previously included on the same US release. Different editions of the album contain the song "Hand of Blood", previously heard from these EPs, replacing "Spit You Out".
Songs the Lord Taught Us is the debut album by the American rock band the Cramps. It was released in 1980 on I.R.S. Records in America and Illegal Records in England. In 2020, Rolling Stone included Songs the Lord Taught Us in their "80 Greatest albums of 1980" list, praising the band for its "psychobilly sound that went way beyond the kitschiest moments of the Ramones or Blondie and into a whole new realm of garage-trash novelty".
Smell of Female is the first live album by the American rock band the Cramps. The mini-album was recorded at The Peppermint Lounge in New York City on February 25–26, 1983, and issued the same year on Big Beat Records in the UK, Enigma Records in the US and New Rose Records in France. It was also released by New Rose as a quadruple-7" box set, with an additional track, "Weekend on Mars". It was later expanded to album length with three bonus tracks.
Gravest Hits is the first 12" EP by the American rock band the Cramps, compiling both sides of their first two 1978 Vengeance singles, "Surfin' Bird" and "Human Fly", with an added fifth track, a cover version of "Lonesome Town". It was released in July 1979 on Illegal Records and I.R.S. Records. The tracks were all produced by Alex Chilton and recorded at Ardent Studios in Memphis in 1977. The EP's liner notes were credited to "Dr. J.H. Sasfy, Professor of Rockology, American Rock'n'Roll Institute, Washington D.C., U.S.A.". Gravest Hits is one of the first records of both the rockabilly revival and the psychobilly genres. The photograph on the back of the original sleeve, of the band in performance, was taken at the Palladium theater in New York.
Erick Lee Purkhiser, better known by the stage name Lux Interior, was an American singer and a founding member of the American rock band the Cramps from 1976 until his death in 2009 at age 62.
Kristy Marlana Wallace, known as Poison Ivy or Poison Ivy Rorschach, is an American guitarist, songwriter, arranger, producer, and occasional vocalist who co-founded the rock band The Cramps.
How To Make A Monster is the third compilation album by the American rock band the Cramps. Comprising rare, previously-unreleased tracks, the release is a 2-CD set that includes a 28-page book with extensive liner notes by members Lux Interior and Poison Ivy, as well as rare and previously unseen photos and flyers from their personal collection.
Fiends of Dope Island is the eighth and final studio album by the American rock band the Cramps. The Cramps resurrected their own record label Vengeance Records to release the album in 2003. It was recorded in Hollywood in August 2002. It was self-produced by Poison Ivy and Lux Interior. The album takes its title from the 1959 film, Fiend of Dope Island. "Fissure of Rolando" was dedicated to John Agar (1921-2002).
Big Beat from Badsville is the seventh studio album by the American rock band the Cramps. It was released in 1997 on Epitaph Records.
Flamejob is the sixth studio album by the American rock band The Cramps. It was released on October 11, 1994, by Creation Records. It was recorded and mixed at the engineer Earle Mankey's Psychedelic Shack in Thousand Oaks, California. It was self-produced by Poison Ivy and Lux Interior. A UK-only reissue in 2003 contained two versions of "Ultra Twist!"
Look Mom No Head! is the fifth studio album and the 10th album overall by the American rock band the Cramps. It was released in November 1991 by Restless/Enigma, and licensed to Ace Records under Big Beat in the UK. It was recorded and mixed by Steve McMillan at Ocean Way Studios in Hollywood between June 21 and July 14, 1991. It was self-produced by Cramps guitarist Poison Ivy. Iggy Pop guested on the track "Miniskirt Blues", which was originally recorded by the Flower Children in 1967.
Stay Sick! is the fourth studio album by the American rock band the Cramps. It was released on February 12, 1990, by Enigma Records, recorded at Music Grinder in Hollywood, self-produced by guitarist Poison Ivy and engineered by Steve McMillan. It was the last made in studio with long-time drummer Nick Knox.
RockinnReelininAucklandNewZealandXXX is the eighth album overall and the second live album by the American rock band the Cramps. It was released on the band's own Vengeance Records. It was mixed by Greg Heiter and recorded live on August 27, 1986, at the Galaxy in Auckland, New Zealand. The track list was heavily drawn from the album A Date with Elvis, released earlier that year. It was reissued in 1994 with the bonus tracks "Blue Moon Baby", "Georgia Lee Brown" and "Lonesome Town".
A Date with Elvis is the third full-length studio album by the American rock band the Cramps, released in the UK on Big Beat Records in 1986. The title was appropriated from A Date with Elvis (1959), the eighth album by Elvis Presley. The album was recorded in fall 1985 and engineered by Steve McMillan and Mark Ettel at Ocean Way Studios in Hollywood, California. The album was first released in the US in 1990 by Enigma Records, with the bonus tracks "Blue Moon Baby", "Georgia Lee Brown", "Give Me a Woman", and "Get Off the Road". The Cramps reissued the album on their own Vengeance Records in 2001. The original album was reissued in the UK by Big Beat in 2013 on orange vinyl, and subsequently reissued again by Vengeance Records in the US, UK and Canada in 2014. It was the Cramps' most commercially successful album release, charting internationally and reaching the top 40 of the UK Albums Chart.
Bad Music for Bad People is the second compilation album of previously released material by the American rock band the Cramps. It was released in 1984 on I.R.S. Records and was seen by most fans as a cynical cash-in by the record label, following the departure of the band. Sounds, the now defunct UK music paper, gave the album a 5-star review but said, "Miles Copeland's IRS label pick the carrion of their former label mates even cleaner by releasing a watered down version of the ...Off the Bone singles collection that was released in the UK...The music's still great even if the scheming behind Bad Music for Bad People stinks of decay and corruption".
Psychedelic Jungle is the second album by the American rock band the Cramps. It was released in May 1981 on I.R.S. Records. It was engineered by Paul McKenna and recorded in January 1981 at A&M Studios. It was self-produced by the Cramps. The photo on the back cover of the album was taken by the noted photographer and director Anton Corbijn.
