Related Research Articles
Leda and the Swan is a story and subject in art from Greek mythology in which the god Zeus, in the form of a swan, seduces or rapes Leda. According to later Greek mythology, Leda bore Helen and Polydeuces, children of Zeus, while at the same time bearing Castor and Clytemnestra, children of her husband Tyndareus, the King of Sparta. According to many versions of the story, Zeus took the form of a swan and had sexual intercourse with Leda on the same night she slept with her husband King Tyndareus. In some versions, she laid two eggs from which the children hatched. In other versions, Helen is a daughter of Nemesis, the goddess who personified the disaster that awaited those suffering from the pride of Hubris.
Lorenzo di Piero de' Medici was an Italian statesman, banker, de facto ruler of the Florentine Republic and the most powerful and enthusiastic patron of Renaissance culture in Italy. Also known as Lorenzo the Magnificent by contemporary Florentines, he was a magnate, diplomat, politician and patron of scholars, artists, and poets. As a patron, he is best known for his sponsorship of artists such as Botticelli and Michelangelo. He held the balance of power within the Italic League, an alliance of states that stabilized political conditions on the Italian peninsula for decades, and his life coincided with the mature phase of the Italian Renaissance and the Golden Age of Florence. On the foreign policy front, Lorenzo manifested a clear plan to stem the territorial ambitions of Pope Sixtus IV, in the name of the balance of the Italian League of 1454. For these reasons, Lorenzo was the subject of the Pazzi conspiracy (1478), in which his brother Giuliano was assassinated. The Peace of Lodi of 1454 that he supported among the various Italian states collapsed with his death. He is buried in the Medici Chapel in Florence.
Michelangelo di Lodovico Buonarroti Simoni, known as Michelangelo, was an Italian sculptor, painter, architect, and poet of the High Renaissance. Born in the Republic of Florence, his work was inspired by models from classical antiquity and had a lasting influence on Western art. Michelangelo's creative abilities and mastery in a range of artistic arenas define him as an archetypal Renaissance man, along with his rival and elder contemporary, Leonardo da Vinci. Given the sheer volume of surviving correspondence, sketches, and reminiscences, Michelangelo is one of the best-documented artists of the 16th century. He was lauded by contemporary biographers as the most accomplished artist of his era.
Pope Clement VII was head of the Catholic Church and ruler of the Papal States from 19 November 1523 to his death on 25 September 1534. Deemed "the most unfortunate of the popes", Clement VII's reign was marked by a rapid succession of political, military, and religious struggles—many long in the making—which had far-reaching consequences for Christianity and world politics.
Giorgio Vasari was an Italian Renaissance Master, who worked as a painter, architect, engineer, writer, and historian, who is best known for his work The Lives of the Most Excellent Painters, Sculptors, and Architects, considered the ideological foundation of all art-historical writing, and the basis for biographies of several Renaissance artists, including Leonardo da Vinci and Michelangelo. Vasari designed the Tomb of Michelangelo in the Basilica of Santa Croce, Florence that was completed in 1578. Based on Vasari's text in print about Giotto's new manner of painting as a rinascita (rebirth), author Jules Michelet in his Histoire de France (1835) suggested adoption of Vasari's concept, using the term Renaissance to distinguish the cultural change. The term was adopted thereafter in historiography and still is in use today.
Giambologna, also known as Jean de Boulogne (French), Jehan Boulongne (Flemish) and Giovanni da Bologna (Italian), was the last significant Italian Renaissance sculptor, with a large workshop producing large and small works in bronze and marble in a late Mannerist style.
Two different crucifixes, or strictly, wooden corpus figures for crucifixes, are attributed to the High Renaissance master Michelangelo, although neither is universally accepted as his. Both are relatively small figures which would have been produced in Michelangelo's youth.
Events from the year 1504 in art.
The siege of Florence took place from 24 October 1529 to 10 August 1530, at the end of the War of the League of Cognac. At the Congress of Bologna, the Medici Pope Clement VII and Emperor Charles V agreed to restore the Medici family in Florence. A large Imperial and Spanish army under Philibert of Châlon, Prince of Orange and Pier Maria III de' Rossi surrounded the city, and, after a siege of nearly ten months, captured it, overthrowing the Republic of Florence and installing Alessandro de' Medici as the ruler of the city.
Nationality words link to articles with information on the nation's poetry or literature.
Nanni di Baccio Bigio, a pseudonym of Giovanni Lippi, was an Italian architect who lived during the 16th century.
Michelangelo had a complicated relationship with the Medici family, who were for most of his lifetime the effective rulers of his home city of Florence. The Medici rose to prominence as Florence's preeminent bankers. They amassed a sizable fortune some of which was used for patronage of the arts. Michelangelo's first contact with the Medici family began early as a talented teenage apprentice of the Florentine painter Domenico Ghirlandaio. Following his initial work for Lorenzo de' Medici, Michelangelo's interactions with the family continued for decades including the Medici papacies of Pope Leo X and Pope Clement VII.
Nationality words link to articles with information on the nation's poetry or literature.
Andrea del Sarto was an Italian painter from Florence, whose career flourished during the High Renaissance and early Mannerism. He was known as an outstanding fresco decorator, painter of altar-pieces, portraitist, draughtsman, and colorist. Although highly regarded during his lifetime as an artist senza errori, his renown was eclipsed after his death by that of his contemporaries Leonardo da Vinci, Michelangelo, and Raphael.
Cecchino Bracci was a pupil of Michelangelo. He died at the age of sixteen and is buried in Santa Maria in Aracoeli, in a tomb designed by Michelangelo.
The Battle of Landriano took place on 21 June 1529, between the French army under Francis de Bourbon, Comte de St. Pol and the Imperial–Spanish army commanded by Don Antonio de Leyva, Duke of Terranova in the context of the War of the League of Cognac. The French army was destroyed and the battle's strategic result was that the struggle between Francis I of France and Charles V, Holy Roman Emperor for control of northern Italy was temporarily at an end.
Brutus is a marble bust of Brutus sculpted by Michelangelo around 1539–1540. It is now in the Bargello museum in Florence.
Francesco Laparelli da Cortona was an Italian architect. He was an assistant of Michelangelo, and later was sent by the Pope to supervise the construction of Valletta in Malta.
The following is a timeline of the history of the city of Florence, Tuscany, Italy.
Leda and the Swan is a lost tempera on canvas painting by Michelangelo, produced in 1530, but now only surviving in copies and variants. The work depicted the Greek myth of Leda and the Swan.
References
- ↑ Emsley, John (2001). Nature's Building Blocks: an A–Z guide to the elements. Oxford University Press. p. 146. ISBN 978-0-19-850341-5.
- 1 2 Grun, Bernard (1991). The Timetables of History (3rd ed.). New York: Simon & Schuster. p. 237. ISBN 0-671-74919-6.
- ↑ Wallace, William E. (1987). ""Dal disegno allo spazio": Michelangelo's Drawings for the Fortifications of Florence". Journal of the Society of Architectural Historians. 46 (2): 119–134. doi:10.2307/990181. JSTOR 990181.