1911 in British music

Last updated
List of years in British music

This is a summary of 1911 in music in the United Kingdom.

Contents

Events

Classical music: new works

Opera

Musical theatre

Births

Deaths

See also

Related Research Articles

<span class="mw-page-title-main">Edward Elgar</span> English composer (1857–1934)

Sir Edward William Elgar, 1st Baronet, was an English composer, many of whose works have entered the British and international classical concert repertoire. Among his best-known compositions are orchestral works including the Enigma Variations, the Pomp and Circumstance Marches, concertos for violin and cello, and two symphonies. He also composed choral works, including The Dream of Gerontius, chamber music and songs. He was appointed Master of the King's Musick in 1924.

<span class="mw-page-title-main">William Walton</span> English composer (1902–1983)

Sir William Turner Walton was an English composer. During a sixty-year career, he wrote music in several classical genres and styles, from film scores to opera. His best-known works include Façade, the cantata Belshazzar's Feast, the Viola Concerto, the First Symphony, and the British coronation marches Crown Imperial and Orb and Sceptre.

This is a list of notable events in music that took place in the year 1911.

This is a list of notable events in music that took place in the year 1901.

<span class="mw-page-title-main">Charles Villiers Stanford</span> Irish composer, music teacher, and conductor

Sir Charles Villiers Stanford was an Anglo-Irish composer, music teacher, and conductor of the late Romantic era. Born to a well-off and highly musical family in Dublin, Stanford was educated at the University of Cambridge before studying music in Leipzig and Berlin. He was instrumental in raising the status of the Cambridge University Musical Society, attracting international stars to perform with it.

Granville Bantock British composer and conductor (1868–1964)

Sir Granville Ransome Bantock was a British composer of classical music.

<span class="mw-page-title-main">Landon Ronald</span>

Sir Landon Ronald was an English conductor, composer, pianist, teacher and administrator.

Frederic Hymen Cowen English composer, conductor and pianist

Sir Frederic Hymen Cowen, was an English composer, conductor and pianist.

<i>Crown Imperial</i> (march)

Crown Imperial is an orchestral march by William Walton, commissioned for the coronation of King George VI in Westminster Abbey in 1937. It is in the Pomp and Circumstance tradition, with a brisk opening contrasting with a broad middle section, leading to a resounding conclusion. The work has been heard at subsequent state occasions in the Abbey: the coronation of Queen Elizabeth II in 1953 and the wedding of Prince William in 2011. It has been recorded in its original orchestral form and in arrangements for organ, military band and brass band.

Cyril Rootham English composer, educator and organist

Cyril Bradley Rootham was an English composer, educator and organist. His work at Cambridge University made him an influential figure in English music life. A Fellow of St John's College, where he was also organist, Rootham ran the Cambridge University Musical Society, whose innovative concert programming helped form English musical tastes of the time. One of his students was the younger composer Arthur Bliss, who valued his tuition in orchestration. Rootham's own compositions include two symphonies and several smaller orchestral pieces, an opera, chamber music, and many choral settings. Among his solo songs are some settings of verses by Siegfried Sassoon which were made in co-operation with the poet.

Anthony Bernard was an English conductor, organist, pianist and composer.

Julius Harrison English composer and conductor (1885–1963)

Julius Allan Greenway Harrison was an English composer and conductor who was particularly known for his interpretation of operatic works. Born in Lower Mitton, Stourport in Worcestershire, by the age of 16 he was already an established musician. His career included a directorship of opera at the Royal Academy of Music where he was a professor of composition, a position as répétiteur at the Royal Opera House, Covent Garden, conductor for the British National Opera Company, military service as an officer in the Royal Flying Corps, and founder member and vice-president of the Elgar Society.

This is a summary of 1934 in music in the United Kingdom.

This is a summary of 1927 in music in the United Kingdom.

William Stockleys Orchestra

William Stockley's Orchestra was a symphony orchestra based in Birmingham, England from 1856 to 1899. It was the first permanent orchestra formed of local musicians to be established in the town, in contrast to the earlier Birmingham Festival Orchestra, which consisted largely of outside musicians and only performed during the Birmingham Triennial Music Festival.

This is a summary of 1924 in music in the United Kingdom.

This is a summary of 1920 in music in the United Kingdom.

This is a summary of 1915 in music in the United Kingdom.

This is a summary of 1912 in music in the United Kingdom.

This is a summary of 1901 in music in the United Kingdom.

References

  1. "Elgar's New Symphony", The Times , 25 May 1911, p. 10
  2. Supplement, The London Gazette , no. 2769, p. 4448, 19 June 1911. Retrieved 27 October 2010.
  3. Richards, p. 104
    • Range, Matthias (2012). Music and Ceremonial at British Coronations: From James I to Elizabeth II. Cambridge University Press. ISBN   978-1-107-02344-4.
  4. John Terauds. "Introducing: The Sea, a suite for orchestra by Frank Bridge". Musical Toronto. Retrieved 17 January 2018.
  5. Sophie Fuller. "Society of Women Musicians", Grove Music Online, ed. L. Macy (accessed March 12, 2007), grovemusic.com (subscription access).
  6. Linda L. Clark (17 April 2008). Women and Achievement in Nineteenth-Century Europe. Cambridge University Press. pp. 112–. ISBN   978-0-521-65098-4.
  7. "Elgar's Second Symphony in America",The Times, 3 January 1912, p. 7.
  8. Edwin M. Bradley (1 January 2004). The First Hollywood Musicals: A Critical Filmography of 171 Features, 1927 through 1932. McFarland. pp. 11–. ISBN   978-0-7864-2029-2.
  9. Nicole V. Gagné (2012). Historical Dictionary of Modern and Contemporary Classical Music. Scarecrow Press. p. 51. ISBN   978-0-8108-6765-9.
  10. Naomi Musiker; Reuben Musiker (25 February 2014). Conductors and Composers of Popular Orchestral Music: A Biographical and Discographical Sourcebook. Routledge. p. 70. ISBN   978-1-135-91770-8.
  11. Barrie Jones (3 June 2014). The Hutchinson Concise Dictionary of Music. Routledge. p. 165. ISBN   978-1-135-95018-7.
  12. British Library. Department of Manuscripts (1993). Descriptions: Additional manuscripts 68,892-70,637 ; Egerton manuscripts 3,813-3,867 ; Additional charters and rolls 76,609-76,772, 76,792-76,836 ; Egerton charters and rolls 8,853-8,858 ; Detached seals and casts CCVI.1-9. British Library. ISBN   978-0-7123-0325-5.
  13. "The King and Queen at Daly's Theatre", The Count of Luxembourg, The Times , 22 May 1911, p. 10
  14. Culme, John. "Footlight Notes, no. 277" Archived 2011-09-28 at the Wayback Machine . 4 January 2002, accessed 11 August 2010
  15. D. Brook, Singers of Today (Revised Edition - Rockliff, London 1958), pages 140-144.
  16. O'Brien, Jason (26 Apr 2011). "Singing praises of 'forgotten patriot' who wrote anthem". independent.ie. Dublin. Retrieved 3 Oct 2021.
  17. Rutledge, Martha (1988). "Rickards, Harry (1843–1911)". Australian Dictionary of Biography . Melbourne University Press. ISSN   1833-7538 . Retrieved 28 August 2014 via National Centre of Biography, Australian National University.