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Sir Edward William Elgar, 1st Baronet, was an English composer, many of whose works have entered the British and international classical concert repertoire. Among his best-known compositions are orchestral works including the Enigma Variations, the Pomp and Circumstance Marches, concertos for violin and cello, and two symphonies. He also composed choral works, including The Dream of Gerontius, chamber music and songs. He was appointed Master of the King's Musick in 1924.
Sir Charles Hubert Hastings Parry, 1st Baronet, was an English composer, teacher and historian of music. Born in Richmond Hill, Bournemouth, Parry's first major works appeared in 1880. As a composer he is best known for the choral song "Jerusalem", his 1902 setting for the coronation anthem "I was glad", the choral and orchestral ode Blest Pair of Sirens, and the hymn tune "Repton", which sets the words "Dear Lord and Father of Mankind". His orchestral works include five symphonies and a set of Symphonic Variations. He also composed the music for Ode to Newfoundland, the Newfoundland and Labrador provincial anthem.
This is a list of notable events in music that took place in the year 1911.
Sir Charles Villiers Stanford was an Anglo-Irish composer, music teacher, and conductor of the late Romantic era. Born to a well-off and highly musical family in Dublin, Stanford was educated at the University of Cambridge before studying music in Leipzig and Berlin. He was instrumental in raising the status of the Cambridge University Musical Society, attracting international stars to perform with it.
Sir Granville Ransome Bantock was a British composer of classical music.
Sir Harold Malcolm Watts Sargent was an English conductor, organist and composer widely regarded as Britain's leading conductor of choral works. The musical ensembles with which he was associated included the Ballets Russes, the Huddersfield Choral Society, the Royal Choral Society, the D'Oyly Carte Opera Company, and the London Philharmonic, Hallé, Liverpool Philharmonic, BBC Symphony and Royal Philharmonic orchestras. Sargent was held in high esteem by choirs and instrumental soloists, but because of his high standards and a statement that he made in a 1936 interview disputing musicians' rights to tenure, his relationship with orchestral players was often uneasy. Despite this, he was co-founder of the London Philharmonic, was the first conductor of the Liverpool Philharmonic as a full-time ensemble, and played an important part in saving the Royal Philharmonic Orchestra from disbandment in the 1960s.
Crown Imperial is an orchestral march by William Walton, commissioned for the coronation of King George VI in Westminster Abbey in 1937. It is in the Pomp and Circumstance tradition, with a brisk opening contrasting with a broad middle section, leading to a resounding conclusion. The work has been heard at subsequent state occasions in the Abbey: the coronation of Queen Elizabeth II in 1953, the wedding of Prince William in 2011 and the coronation of King Charles III in 2023. It has been recorded in its original orchestral form and in arrangements for organ, military band and brass band.
Cyril Bradley Rootham was an English composer, educator and organist. His work at Cambridge University made him an influential figure in English music life. A Fellow of St John's College, where he was also organist, Rootham ran the Cambridge University Musical Society, whose innovative concert programming helped form English musical tastes of the time. One of his students was the younger composer Arthur Bliss, who valued his tuition in orchestration. Rootham's own compositions include two symphonies and several smaller orchestral pieces, an opera, chamber music, and many choral settings. Among his solo songs are some settings of verses by Siegfried Sassoon which were made in co-operation with the poet.
Julius Allan Greenway Harrison was an English composer and conductor who was particularly known for his interpretation of operatic works. Born in Lower Mitton, Stourport in Worcestershire, by the age of 16 he was already an established musician. His career included a directorship of opera at the Royal Academy of Music where he was a professor of composition, a position as répétiteur at the Royal Opera House, Covent Garden, conductor for the British National Opera Company, military service as an officer in the Royal Flying Corps, and founder member and vice-president of the Elgar Society.
This is a summary of 1934 in music in the United Kingdom.
This is a summary of 1927 in music in the United Kingdom.
William Stockley's Orchestra was a symphony orchestra based in Birmingham, England from 1856 to 1899. It was the first permanent orchestra formed of local musicians to be established in the town, in contrast to the earlier Birmingham Festival Orchestra, which consisted largely of outside musicians and only performed during the Birmingham Triennial Music Festival.
This is a summary of 1924 in music in the United Kingdom.
This is a summary of 1915 in music in the United Kingdom.
This is a summary of 1912 in music in the United Kingdom.
This is a summary of 1906 in music in the United Kingdom.
This is a summary of 1905 in music in the United Kingdom.
This is a summary of 1904 in music in the United Kingdom.
This is a summary of 1901 in music in the United Kingdom.
This is a summary of 1900 in music in the United Kingdom.
References
- ↑ "Elgar's New Symphony", The Times , 25 May 1911, p. 10
- ↑ Supplement, The London Gazette , no. 2769, p. 4448, 19 June 1911. Retrieved 27 October 2010.
- ↑ Richards, p. 104
- ↑
- Range, Matthias (2012). Music and Ceremonial at British Coronations: From James I to Elizabeth II. Cambridge University Press. ISBN 978-1-107-02344-4.
- ↑ John Terauds. "Introducing: The Sea, a suite for orchestra by Frank Bridge". Musical Toronto. Retrieved 17 January 2018.
- ↑ Sophie Fuller. "Society of Women Musicians", Grove Music Online, ed. L. Macy (accessed March 12, 2007), grovemusic.com (subscription access).
- ↑ Linda L. Clark (17 April 2008). Women and Achievement in Nineteenth-Century Europe. Cambridge University Press. pp. 112–. ISBN 978-0-521-65098-4.
- ↑ "Elgar's Second Symphony in America",The Times, 3 January 1912, p. 7.
- ↑ Edwin M. Bradley (1 January 2004). The First Hollywood Musicals: A Critical Filmography of 171 Features, 1927 through 1932. McFarland. pp. 11–. ISBN 978-0-7864-2029-2.
- ↑ Nicole V. Gagné (2012). Historical Dictionary of Modern and Contemporary Classical Music. Scarecrow Press. p. 51. ISBN 978-0-8108-6765-9.
- ↑ Naomi Musiker; Reuben Musiker (25 February 2014). Conductors and Composers of Popular Orchestral Music: A Biographical and Discographical Sourcebook. Routledge. p. 70. ISBN 978-1-135-91770-8.
- ↑ Barrie Jones (3 June 2014). The Hutchinson Concise Dictionary of Music. Routledge. p. 165. ISBN 978-1-135-95018-7.
- ↑ British Library. Department of Manuscripts (1993). Descriptions: Additional manuscripts 68,892-70,637; Egerton manuscripts 3,813-3,867; Additional charters and rolls 76,609-76,772, 76,792-76,836; Egerton charters and rolls 8,853-8,858; Detached seals and casts CCVI.1-9. British Library. ISBN 978-0-7123-0325-5.
- ↑ "The King and Queen at Daly's Theatre", The Count of Luxembourg, The Times , 22 May 1911, p. 10
- ↑ Culme, John. "Footlight Notes, no. 277" Archived 2011-09-28 at the Wayback Machine . 4 January 2002, accessed 11 August 2010
- ↑ D. Brook, Singers of Today (Revised Edition - Rockliff, London 1958), pages 140-144.
- ↑ O'Brien, Jason (26 Apr 2011). "Singing praises of 'forgotten patriot' who wrote anthem". independent.ie. Dublin. Retrieved 3 Oct 2021.
- ↑ Rutledge, Martha (1988). "Rickards, Harry (1843–1911)". Australian Dictionary of Biography . Canberra: National Centre of Biography, Australian National University. ISBN 978-0-522-84459-7. ISSN 1833-7538. OCLC 70677943 . Retrieved 28 August 2014.