| 9mm Grudge | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | March 1994 [1] | |||
| Studio | 1X Studios
| |||
| Genre | Industrial | |||
| Length | 56:10 | |||
| Label | Re-Constriction | |||
| Producer |
| |||
| Non-Aggression Pact chronology | ||||
| ||||
9mm Grudge is the second studio album by Non-Aggression Pact, released in March 1994 by Re-Constriction Records. [2] The album peaked at #21 on the CMJ RPM Charts. [3]
Aiding & Abetting gave 9mm Grudge a positive review, calling it "a pleasant industrial-dance outing, with lyrics more biting than the background noise." [4] Option said "the thing that distinguishes Non-Aggression Pact from every other industrial dance project is the overload of vague, anti-racism voice samples that are littered throughout this disc." [5]
All tracks are written by Jeff Hillard, except "Flask" and "Bleeding Messiah" co-written with Jason Whitcomb.
| No. | Title | Length |
|---|---|---|
| 1. | "Join Hands" | 3:01 |
| 2. | "Blind Facts" | 4:23 |
| 3. | "Bleeding Messiah" | 3:54 |
| 4. | "Wicked Prelude" | 1:03 |
| 5. | "Wicked Painted Sun" | 2:51 |
| 6. | "Flask" | 7:21 |
| 7. | "Powder Keg" | 3:51 |
| 8. | "Der Angriff" (Battered Again Remix) | 3:40 |
| 9. | "Choking" | 5:17 |
| 10. | "Guided by Lust" | 4:23 |
| 11. | "1 KHZ" | 4:21 |
| 12. | "Illusion of Freedom" | 5:42 |
| 13. | "Data Rape" | 4:03 |
| 14. | "Gages Theme" | 2:20 |
Adapted from the 9mm Grudge liner notes. [6]
Non-Aggression Pact
Additional performers
Production and design
| Region | Date | Label | Format | Catalog |
|---|---|---|---|---|
| United States | 1994 | Re-Constriction | CD | REC-010 |
Burn Out at the Hydrogen Bar is the debut studio album of industrial rock band Chemlab, released on March 22, 1993 by Fifth Colvmn and Metal Blade Records. It represents the band's only studio release via the label Metal Blade and was reissued by Invisible Records on November 30, 1999. Each "suture" is an instrumental piece splitting the main tracks apart. The track "Suicide Jag" was featured in the game Saints Row: The Third. The album was produced by Jeff "Critter" Newell and has been considered by critics to be a defining moment within the coldwave genre. In 2018 Chemlab embarked on a tour featuring Dead on TV and GoFight members Daniel Evans, Vince McAley, and Mike Love backing Louche to celebrate the twenty fifth anniversary of the Burn Out at the Hydrogen Bar. On June 18th, 2021 a remaster of the album was released.
East Side Militia is the second studio album by Chemlab, released on October 8, 1996 by Fifth Colvmn and Metal Blade Records. Its original title was supposed to be "Jesus Christ Porno Star". It was re-released on November 30, 1999 by Martin Atkins' label Invisible Records with two additional tracks, "Vera Blue" remixed by PIG and "Exile on Mainline" remixed by haloblack.
Non-aggression Pact was an urban-electro-industrial music group from Tampa, Florida formed by Jeff Hillard and Jason Whitcomb.
Re-Constriction Records was a division of Cargo Music based in California. The label was founded in 1992 and headed by Chase, who was previously the Music Director at KCR, a student radio station on the campus of San Diego State University. They specialized in releasing bands belonging to the industrial, grindcore, electroclash, aggrotech and EBM genres.
Wisdom is the debut studio album of 16volt, released on May 25, 1993, by Re-Constriction Records. It was produced with the aide of Skinny Puppy composer and musician Dave Ogilvie.
LetDownCrush is the third studio album by 16volt, released on August 7, 1996 by Cargo and Re-Constriction Records.
Skin is the second studio album of 16volt, released on January 13, 1994 by Re-Constriction Records.
The Iron Icon is the second EP by The Clay People, released in August 1995 by record label Re-Constriction Records.
Firetribe is the debut studio album of The Clay People, released in May 1993 by Re-Constriction Records.
Stalemate is the debut studio album of SMP, released in May 1995 by Re-Constriction Records.
Gesticulate is the debut studio album by Non-Aggression Pact, released in 1992 by GPC Productions.
meat.your.maker is the debut studio album by Hate Dept., released in October 1994 by 21st Circuitry.
In Radiant Decay is the second studio album by Christ Analogue, released on April 8, 1997, by Cargo Music and Re-Constriction Records. Compared to the band's punk-styled live performances, the album displays more of the band's talent for combining industrial, techno and indie rock into an electronic music format.
Unit:187 is the debut studio album of Unit:187, released on February 6, 1996, by 21st Circuitry.
Disrepair is the second studio album by LUXT, released on March 18, 1997 by 21st Circuitry.
Razing Eden is the third studio album by LUXT, released on March 3, 1998 by 21st Circuitry.
Collateral Damage is the debut studio album of Spahn Ranch, released on September 20, 1993 by Cleopatra Records. The album marked the debut of Athan Maroulis, who continued to serve as the band's main vocalist and lyricist for the remainder of their existence. Maroulis began writing for the album three weeks after joining Spahn Ranch and has said that he was primarily listening to drum and bass producer Klute during its recording sessions. Spahn Ranch toured the United States for the first time in promotion of Collateral Damage
The Blackmail Starters Kit is the second EP by Spahn Ranch, released on April 1, 1994 by Cleopatra Records. It contain remixes from the band's 1993 debut studio album Collateral Damage.
In Parts Assembled Solely is the fourth EP by Spahn Ranch, released on May 21, 1996 by Cleopatra Records. It comprises six remixes and four live versions of tracks from the band's 1995 album The Coiled One.
Architecture is the third studio album by Spahn Ranch, released on April 8, 1997 by Cleopatra Records. After original member Rob Marton departed from the band, Christian Death drummer David Glass and drummer Harry Lewis joined the Spahn Ranch to further experiment with the band's fusion dark wave and industrial music. Critics have called it one of Spahn Ranch's most influential and experimental albums for its incorporation of drum and bass, dub and live guitar.
{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)