"A Girl Called Johnny" | ||||
---|---|---|---|---|
Single by The Waterboys | ||||
from the album The Waterboys | ||||
B-side | "The Late Train to Heaven" | |||
Released | March 1983 [1] | |||
Length | 3:41 | |||
Label | Chicken Jazz | |||
Songwriter(s) | Mike Scott | |||
Producer(s) | Rupert Hine | |||
The Waterboys singles chronology | ||||
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"A Girl Called Johnny" is a song by British band the Waterboys, released in 1983 as the lead single from their debut studio album The Waterboys . The song was written by Mike Scott and produced by Rupert Hine. It reached No. 80 in the UK Singles Chart and remained in the Top 100 for three weeks. [2]
"A Girl Called Johnny" was inspired by American singer-songwriter Patti Smith. [3] Scott discovered Smith's musical work and poetry in 1976 and became a big fan, which led to him forming his own fanzine, Jungleland. In 1978, Scott was aware Smith was due to perform with her band at the Rainbow Theatre in London. He knew she always stayed at the Portobello Hotel and was successful in speaking to her over the phone after ringing the hotel. Smith suggested Scott come down from Scotland to see the show and write about it in his fanzine. He traveled down to London by train, with Smith providing him with a concert ticket, covering the expense of his hotel room and placing him under the care of her guitarist Lenny Kaye. [4]
Speaking of the influence of Smith on the song, Scott told Colin Irwin of Melody Maker in 1983, "There's a line about a girl called Johnny in one of her songs, called 'Redondo Beach'. And I heard a tape she'd done and noticed that Johnny is a hero or heroine on lots of her early songs. So I thought I'd make her Johnny!" [5]
"A Girl Called Johnny" was recorded at Farmyard Studios in May 1982. Although most of the early Waterboys' material was produced by Scott, the song was produced by Rupert Hine. [6] Hine gave the song its Motown-inspired backbeat and saxophonist Anthony Thistlethwaite wrote his own sax lines. [7]
On its release, Mike Gardner of Record Mirror commented, "This sounds like Madness taken seriously. There's the rolling piano and the wailing sax. It works until leadened lyrics shoot it down in flames. But it has a certain charm." [8] Jim Whiteford of the Kilmarnock Standard described "A Girl Called Johnny" as "a good debut record worth attention". He noted the "same old rasping saxophone sound", but added that the song is made "distinctive" by its "tinkling honky-tonk piano" and Scott's voice. [9]
In a review of The Waterboys, Ken Tucker of The Philadelphia Inquirer described "A Girl Called Johnny" as "a beautiful song, full of a romantic excessiveness that is endearing." [10] Rick Shefchik of Knight-Ridder Newspapers noted the song's "jazz-blues piano figure that instantly sticks in the brain". [11]
In a 1991 feature for the Sunday Independent , Barry Egan commented, "1982's 'A Girl Called Johnny', replete with Thistlewaite's heaven-storming saxophone break, was the first sign we received that a new star, a weird star, was soon to blaze in the firmament: Michael Scott." [12] In a 2017 retrospective on the "best of Mike Scott", Tom Doyle of Q included "A Girl Called Johnny" as one of ten tracks on the list and described it as a "brilliant debut single with loping piano riff and lyric inspired by the attitude of Patti Smith". [13]
No. | Title | Length |
---|---|---|
1. | "A Girl Called Johnny" | 3:41 |
2. | "The Late Train to Heaven" | 3:34 |
No. | Title | Length |
---|---|---|
1. | "A Girl Called Johnny" | 3:41 |
2. | "Ready for the Monkey House" | 4:02 |
3. | "Somebody Might Wave Back" | 2:51 |
4. | "Out of Control (*)" | 4:02 |
(*) "Out of Control" was recorded by Another Pretty Face for a John Peel Radio One session
Production
Other
Chart (1983) | Peak position |
---|---|
Dutch Singles Chart [15] | 44 |
UK Singles Chart [2] | 80 |
The Waterboys are a British-Irish folk rock band formed in London in 1983 by Scottish musician and songwriter Mike Scott. The band's membership, past and present, has been composed mainly of musicians from Scotland, Ireland, Wales and England. Mike Scott has remained the only constant member throughout the band's career. They have explored a number of different styles, but their music is mainly a mix of folk music with rock and roll. They dissolved in 1993 when Scott departed to pursue a solo career. The group reformed in 2000, and continue to release albums and to tour worldwide. Scott emphasises a continuity between the Waterboys and his solo work, saying that "To me there's no difference between Mike Scott and the Waterboys; they both mean the same thing. They mean myself and whoever are my current travelling musical companions."
The Waterboys is the debut studio album by the Waterboys, released by Ensign Records in July 1983. The album was recorded in several studio sessions between December 1981 and November 1982. Allmusic describes the sound of the album as "part Van Morrison, part U2".
Dream Harder is the sixth studio album by the Waterboys, released by Geffen Records on 24 May 1993. Led by Scottish singer-songwriter-instrumentalist Mike Scott, the album features none of the earlier UK-based band members and instead finds Scott backed by American session musicians. It was the last Waterboys album before Scott spent seven years pursuing a formal solo career, with Bring 'Em All In (1995) and Still Burning (1997). The album reached position 171 on the Billboard Top 200 charts, surpassing the previous Waterboys album Room to Roam, in spite of a less-than-enthusiastic response from critics to the album's sound.
A Pagan Place is the second studio album by the Waterboys, released by Ensign Records in June 1984. It was the first Waterboys record with Karl Wallinger as part of the band and also includes Roddy Lorimer's first trumpet solo for the band on the track "A Pagan Place".
This Is the Sea is the third studio album by the Waterboys, released on 16 September 1985 by Ensign Records. The last of their "Big Music" albums, it is considered by critics to be the finest album of the Waterboys' early rock-oriented sound, described as "epic" and "a defining moment". It peaked at number 37 in the UK Albums Chart. Steve Wickham makes his Waterboys recording debut playing violin on "The Pan Within" and subsequently joined the band. This Is the Sea is the last Waterboys album with contributions from Karl Wallinger, who left the group to form his own band, World Party.
Fisherman's Blues is the fourth studio album by the Waterboys, released by Ensign Records in October 1988. The album marked a change in the band's sound, with them abandoning their earlier grandiose rock sound for a mixture of traditional Irish music, traditional Scottish music, country music, and rock and roll. Critics were divided on its release with some disappointed at the change of direction and others ranking it among the Waterboys' best work. The album was the Waterboys' best selling album, reaching a number 13 placing on the U.K. charts on release, and 76 on the Billboard 200.
Michael Scott is a Scottish singer, songwriter, and musician. He is the founding member, lead singer, guitarist and songwriter of rock band The Waterboys. He has also produced two solo albums, Bring 'Em All In and Still Burning. Scott is a vocalist, guitarist and pianist, and has played a large range of other instruments, including the bouzouki, drums, and Hammond organ on his albums. Scott is also a published writer, having released his autobiography, Adventures of a Waterboy, in 2012.
Anthony "Anto" Thistlethwaite is a British multi-instrumentalist best known as a founding member of the folk rock group, The Waterboys and later as a long-standing member of Irish rock band The Saw Doctors.
Room to Roam is the fifth studio album by the Waterboys, released by Ensign Records on 2 October 1990. It continued the folk rock sound of 1988's Fisherman's Blues, but was less of a commercial success, reaching #180 on the Billboard Top 200 after its release in September 1990. Critical response continues to be mixed. Allmusic describes it both as "not quite as [musically] successful" as Fisherman's Blues, but also as a "Celtic rock classic". The front and back covers were designed by Simon Fowler based upon photography by Stefano Giovannini and Sean Jackson.
Too Close to Heaven is a collection of outtakes, alternative versions, and unreleased tracks from The Waterboys' Fisherman's Blues period, released September 2001. The album was released as Fisherman's Blues, Part 2 in the United States with five additional tracks in July of that year.
The Live Adventures of the Waterboys is a concert recording, released by The Waterboys in 1998. Mike Scott refers to this album as an "unofficial release" or bootleg recording, but praises the recording period as a "classic" period for the Waterboys. Most of the live songs on The Live Adventures... had already appeared on the bootlegs A Golden Day (1991) and Born To Be Together (1992). It is the only Waterboys album on which member Guy Chambers appears.
Steve Wickham is an Irish musician. Originally from Marino, Dublin, but calling Sligo home, Wickham was a founding member of In Tua Nua and played violin on the classic U2 song "Sunday Bloody Sunday", as well as recordings by Elvis Costello, the Hothouse Flowers, Sinéad O'Connor, and World Party. He is a long-standing member of The Waterboys. Wickham plays both rock and roll and traditional Irish music, and has developed a rock music technique for violin he calls the "fuzz fiddle".
"The Big Music" is a song by British band the Waterboys, released in 1984 as the lead single from their second studio album A Pagan Place. The song was written and produced by Mike Scott.
"And a Bang on the Ear" is a song from Scottish-Irish folk rock band the Waterboys, released as the second single from their fourth studio album Fisherman's Blues. It was written by Mike Scott, and produced by John Dunford and Scott. The song reached No. 1 in Ireland and No. 51 in the United Kingdom.
Book of Lightning is the ninth studio album by the Waterboys, released on 2 April 2007 through W14/Universal Records. The album contains ten tracks, produced by Mike Scott and Philip Tennant, with musical contributions from Steve Wickham (fiddle), Richard Naiff (keyboards), Brady Blade (drums), Mark Smith (bass), Leo Abrahams, Jeremy Stacey (drums) plus long-time Waterboys alumni Roddy Lorimer (trumpet), Chris Bruce and Thighpaulsandra (keyboards). Book of Lightning was recorded in London with the exceptions of one song recorded in Vancouver with members of Canadian art-pop band Great Aunt Ida, and another in Scott's home studio.
"The Whole of the Moon" is a song by Scottish band the Waterboys, released as a single from their album This Is the Sea in October 1985. It is a classic of the band's repertoire and has been consistently played at live shows ever since its release. Written and produced by Mike Scott, the subject of the song has inspired some speculation.
"A Life of Sundays" is a song by the Scottish-Irish folk rock band The Waterboys, which was released in 1990 as a track on their fifth studio album Room to Roam. It was written by Mike Scott and produced by Barry Beckett and Scott. In the United States, the song reached No. 15 on Billboard Modern Rock Tracks chart and remained on the chart for nine weeks.
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