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"Ode: Intimations of Immortality from Recollections of Early Childhood" is a poem by William Wordsworth, completed in 1804 and published in Poems, in Two Volumes (1807). The poem was completed in two parts, with the first four stanzas written among a series of poems composed in 1802 about childhood. The first part of the poem was completed on 27 March 1802 and a copy was provided to Wordsworth's friend and fellow poet, Samuel Taylor Coleridge, who responded with his own poem, "Dejection: An Ode", in April. The fourth stanza of the ode ends with a question, and Wordsworth was finally able to answer it with seven additional stanzas completed in early 1804. It was first printed as "Ode" in 1807, and it was not until 1815 that it was edited and reworked to the version that is currently known, "Ode: Intimations of Immortality".
- The poem is an irregular Pindaric ode in 11 stanzas that combines aspects of Coleridge's Conversation poems, the religious sentiments of the Bible and the works of Saint Augustine, and aspects of the elegiac and apocalyptic traditions. It is split into three movements: the first four stanzas discuss death, and the loss of youth and innocence; the second four stanzas describes how age causes man to lose sight of the divine, and the final three stanzas express hope that the memory of the divine allow us to sympathise with our fellow man. The poem relies on the concept of pre-existence, the idea that the soul existed before the body, to connect children with the ability to witness the divine within nature. As children mature, they become more worldly and lose this divine vision, and the ode reveals Wordsworth's understanding of psychological development that is also found in his poems The Prelude and Tintern Abbey. Wordsworth's praise of the child as the "best philosopher" was criticised by Coleridge and became the source of later critical discussion.
"The Good-Morrow" is a poem by John Donne, published in his 1633 collection Songs and Sonnets.
The people of Laos have a rich literary tradition dating back at least six hundred years, with the oral and storytelling traditions of its peoples dating back much earlier. Lao literature refers to the written productions of Laotian peoples, its émigrés, and to Lao-language works. In Laos today there are over forty-seven recognized ethnic groups, with the Lao Loum comprising the majority group. Lao is officially recognized as the national language, but owing to the ethnic diversity of the country the literature of Laos can generally be grouped according to four ethnolinguistic families: Lao-Tai (Tai-Kadai); Mon-Khmer (Austroasiatic); Hmong-Mien (Miao-Yao), and Sino-Tibetan. As an inland crossroads of Southeast Asia the political history of Laos has been complicated by frequent warfare and colonial conquests by European and regional rivals. As a result, Laos today has cultural influence from France, Thailand, China, Vietnam, Burma, and Cambodia.
The Tirukkural, shortly known as the Kural, is a classic Tamil sangam treatise on the art of living. Consisting of 133 chapters with 1330 couplets or kurals, it deals with the everyday virtues of an individual. Authored by Valluvar between the third and first centuries BCE, it is considered one of the greatest works ever written on ethics and morality and is praised for its universality and non-denominational nature.
References
- Bates, Milton J. Wallace Stevens: a mythology of self. 1985: University of California Press.