On the Manner of Addressing Clouds

Last updated

"Of the Manner of Addressing Clouds" is a poem from Wallace Stevens's first book of poetry, Harmonium (1923). It was first published in 1921 according to Librivox [1] and is therefore in the public domain. [2]

Of the Manner of Addressing Clouds

 Gloomy grammarians in golden gowns,
 Meekly you keep the mortal rendezvous,
 Eliciting the still sustaining pomps
 Of speech which are like music so profound
 They seem an exaltation without sound.
 Funest philosophers and ponderers,
 Their evocations are the speech of clouds.
 So speech of your processionals returns
 In the casual evocations of your tread
 Across the stale, mysterious seasons. These
 Are the music of meet resignation; these
 The responsive, still sustaining pomps for you
 To magnify, if in that drifting waste
 You are to be accompanied by more
 Than mute bare splendors of the sun and moon.

One reading is that the poem expresses Stevens's distrust of the reason of doleful philosophers [3] and "gloomy grammarians", which creates a layer of obfuscation or "clouds" that occludes the illumination of imagination, "the sun and moon". The clouds may be those of Aristophanes' play, The Clouds, which ridiculed Socrates and the intellectual fashions of the time. The speech of clouds would contrast with "the simplest of speech" that would be enough for those who know "the ultimate plato", as Stevens writes in Homunculus et la Belle Étoile. The poem is consistent with what Stevens called his "pagan" skepticism about religion in Sunday Morning (poem), and his distrust of rationalist philosophy ("rationalists, wearing square hats").

Notes

  1. Poetry, October 1921
  2. "LibriVox Forum • View topic - COMPLETE: Public Domain Poems of W Stevens, Vol. 1 - PO/ez". librivox.org.
  3. The 1913 Webster defines "funest" as "lamentable, doleful" and refers to Coleridge: "Funest and direful deaths."

Related Research Articles

Charles Bernstein American writer

Charles Bernstein is an American poet, essayist, editor, and literary scholar. Bernstein is the Donald T. Regan Professor, Emeritus, Department of English at the University of Pennsylvania. He is one of the most prominent members of the L=A=N=G=U=A=G=E or Language poets. In 2006 he was elected a Fellow of the American Academy of Arts and Sciences. and in 2019 he was awarded the Bollingen Prize from Yale University, the premiere American prize for lifetime achievement, given on the occasion of the publication of Near/Miss. Bernstein was David Gray Professor of Poetry and Poetics at SUNY-Buffalo from 1990–2003, where he co-founded the Poetics Program. A volume of Bernstein's selected poetry from the past thirty years, All the Whiskey in Heaven, was published in 2010 by Farrar, Straus, and Giroux. The Salt Companion to Charles Bernstein was published in 2012 by Salt Publishing.

<i>Harmonium</i> (poetry collection) Book by Wallace Stevens

Harmonium is a book of poetry by American poet Wallace Stevens. His first book at the age of forty-four, it was published in 1923 by Knopf in an edition of 1500 copies. This collection comprises 85 poems, ranging in length from just a few lines to several hundred. Harmonium was reissued in 1931 with three poems omitted and fourteen new poems added.

"Gubbinal" is a poem from Wallace Stevens's first book of poetry, Harmonium (1923). It is in the public domain according to Librivox.

"Ploughing on Sunday" is a poem from Wallace Stevens's first book of poetry, Harmonium (1923). First published in 1919, it is now in the public domain.

"Homunculus et la Belle Etoile" is a poem from Wallace Stevens's first book of poetry, Harmonium. It was first published in 1919.

"Invective Against Swans" is a poem by Wallace Stevens from his first book of poetry, Harmonium (1923).

"Anecdote of Men by the Thousand" is a poem from Wallace Stevens's first book of poetry, Harmonium (1923). It was first published prior to 1923 and is therefore in the public domain, according to Librivox.

"The Apostrophe to Vincentine" is a poem from Wallace Stevens's first book of poetry, Harmonium (1923). It was first published before 1923 and is therefore in the public domain according to Librivox.

"The Place of the Solitaires" is a poem from Wallace Stevens's first book of poetry, Harmonium. It was first published in the journal Poetry in October, 1919, so it is in the public domain.

"The Cuban Doctor" is a poem from Wallace Stevens's first book of poetry, Harmonium. It was first published in the journal Poetry in October 1921, so it is in the public domain.

"Tea at the Palaz of Hoon" is a poem from Wallace Stevens's first book of poetry, Harmonium. It was first published in 1921, so it is in the public domain.

"Stars at Tallapoosa" is a poem from Wallace Stevens's first book of poetry, Harmonium. It was first published in 1922, so it is in the public domain.

"Six Significant Landscapes" is a poem from Wallace Stevens's first book of poetry, Harmonium. It was first published in 1916, so it is in the public domain.

"Bantams in Pine-Woods" is a poem from Wallace Stevens's first book of poetry, Harmonium. It was first published in 1922 in the poetry journal Dial, along with five other poems, all under the title "Revue". It is in the public domain.

"Tattoo" is a poem from Wallace Stevens's first book of poetry, Harmonium. It was originally published in 1916, so it is in the public domain. Librivox has made the poem available in voice recording in its The Complete Public Domain Poems of Wallace Stevens.

The Bird With The Coppery, Keen Claws is a poem from Wallace Stevens's first book of poetry, Harmonium. It was originally published in 1921, so it is in the public domain. Librivox has made the poem available in voice recording in its The Complete Public Domain Poems of Wallace Stevens.

"To the One of Fictive Music" is a poem from Wallace Stevens's first book of poetry, Harmonium. First published in 1922, it is in the public domain.

"Hymn From A Watermelon Pavilion" is a poem from Wallace Stevens's first book of poetry, Harmonium. It was first published in 1917, so it is in the public domain.

"On Quitting School" is a sonnet written by Samuel Taylor Coleridge in 1791. It describes Coleridge's feelings of leaving school for Cambridge in an optimistic manner quite contrary to the views he expressed later in life.

Welcome and Farewell

"Welcome and Farewell" is a poem by Johann Wolfgang von Goethe from the collection Sesenheimer Lieder. It was published for the first time in 1775 in the women's magazine Iris. Franz Schubert set it to music as a lied (D.767).