Doctor of Geneva

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"The Doctor of Geneva" is a poem from Wallace Stevens's first book of poetry, Harmonium (1923). The poem was first published in 1921, [1] so it is free of copyright.

Contents

The Doctor of Geneva

 The doctor of Geneva stamped the sand
 That lay impounding the Pacific swell,
 Patted his stove-pipe hat and tugged his shawl.

 Lacustrine man had never been assailed
 By such long-rolling opulent cataracts,
 Unless Racine or Bossuet held the like.

 He did not quail. A man who used to plumb
 The multifarious heavens felt no awe
 Before these visible, voluble delugings,

 Which yet found means to set his simmering mind
 Spinning and hissing with oracular
 Notations of the wild, the ruinous waste,

 Until the steeples of his city clanked and sprang
 In an unburgherly apocalypse.
 The doctor used his handkerchief and sighed.

Interpretation

The doctor of Geneva, perhaps a doctor like John Calvin used to exploring the depths of religious doctrine, is shaken by his encounter with the raw power of the Pacific Ocean. A native of Geneva used to its landlocked lakes, he is also more familiar with Racine's tragedies or Bossuet's rhetoric than the high-rolling waves that pound the shore where he stands. Though professing no awe, he finds that his old European mind suffers an "unburgherly apocalypse" by his encounter with the art of the New World. Stevens is self-consciously contributing experiments towards a burgeoning American art that may cause traditionalists to use their handkerchiefs and sigh. Vendler sees this as one of Stevens's major themes. [2]

On this reading the poem bears special comparison to The Paltry Nude Starts on a Spring Voyage and Ploughing on Sunday.

A letter from Stevens to an Austrian visitor to America returning to his home in Vienna, may be compared to the poem.

I was tempted to improvise a reply to the question regarding food for the imagination in this country. It is what it is in any country: reality. It is true that reality over here is different from the reality to which you are accustomed. It is also true that it not only changes from place to place, but from time to time and that in every place and at every time the imagination makes its way by reason of it. This is a simple and unrhetorical answer to your question. A man is not bothered by the reality to which he is accustomed, that is to say, in the midst of which he has been born. He may be very much disturbed by reality elsewhere, but even as to that it would be only a question of time. You are just as likely as not when you return to Vienna to be horrified by what you may consider to be extraordinary change or series of changes. [3]

Notes

  1. ↑ Buttel, p. 162
  2. ↑ Vendler, p. 3
  3. ↑ Stevens, pp. 576-7. letter to Victor Hammer, 1948.

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Wallace Stevens American poet

Wallace Stevens was an American modernist poet. He was born in Reading, Pennsylvania, educated at Harvard and then New York Law School, and he spent most of his life working as an executive for an insurance company in Hartford, Connecticut. He won the Pulitzer Prize for Poetry for his Collected Poems in 1955.

<i>Harmonium</i> (poetry collection) Book by Wallace Stevens

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"Anecdote of the Prince of Peacocks" is a poem from Wallace Stevens's first book of poetry, Harmonium (1923). It was one of the few Harmonium poems first published in that volume, so it is still under copyright. However, it is quoted here as justified by Fair use to facilitate scholarly commentary.

"Sunday Morning" is a poem from Wallace Stevens' first book of poetry, Harmonium. Published in part in the November 1915 issue of Poetry, then in full in 1923 in Harmonium, it is now in the public domain. The first published version can be read at the Poetry web site: The literary critic Yvor Winters considered "Sunday Morning" "the greatest American poem of the twentieth century and... certainly one of the greatest contemplative poems in English".

"The Curtains in the House of the Metaphysician" is a poem from Wallace Stevens's first book of poetry, Harmonium. It was originally published in 1919, so it is in the public domain.

"The Cuban Doctor" is a poem from Wallace Stevens's first book of poetry, Harmonium. It was first published in the journal Poetry in October 1921, so it is in the public domain.

"Bantams in Pine-Woods" is a poem from Wallace Stevens's first book of poetry, Harmonium. It was first published in 1922 in the poetry journal Dial, along with five other poems, all under the title "Revue". It is in the public domain.

"Anecdote of the Jar" is a poem from Wallace Stevens's first book of poetry, Harmonium. First published in 1919, it is in the public domain.

"Life is Motion" is a poem from Wallace Stevens's first book of poetry, Harmonium. It was first published in 1919, so it is in the public domain.

"Colloquy with a Polish Aunt," a poem from Wallace Stevens's first book of poetry, Harmonium, was first published in 1919 and is included in The Collected Poems of Wallace Stevens (1954).

"The Man Whose Pharynx Was Bad" is a poem from Wallace Stevens's first book of poetry, Harmonium. First published in 1921, it is in the public domain in the United States.

"The Death of a Soldier" is a poem from Wallace Stevens's first book of poetry, Harmonium. The poem uses free verse to describe the death of a soldier.

"Sea Surface full of Clouds" is a poem from the second, 1931, edition of Wallace Stevens's first book of poetry, Harmonium. It was first published in 1924, so it is restricted by copyright. However, brief parts of it are quoted here as fair use, and the whole poem is available elsewhere on the Internet.

References

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