Anecdote of Canna

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"Anecdote of Canna" is a poem from Wallace Stevens's first book of poetry, Harmonium (1923). [1]

Contents

Anecdote of Canna

 Huge are the canna in the dreams of
 X, the mighty thought, the mighty man.
 They fill the terrace of his capitol.

 His thought sleeps not. Yet thought that wakes
 In sleep may never meet another thought
 Or thing....Now day-break comes...

 X promenades the dewy stones,
 Observes the canna with a clinging eye,
 Observes and then continues to observe.

Interpretation

Canna is a genus of 10 species of flowering plants. In the poem's legerdemain the cryptic middle stanza conceals the sleight of hand. Poor X wakes in his sleep ("Now day-break comes") and consequently his eye clings to the canna forever. [2] The cleverness of the poem links it to "The Worms at Heaven's Gate". The poetic conceit here may be contrasted with Descartes' philosophical proposition that a person must always be thinking when asleep, on pain of ceasing to exist. Day-dreaming, sleep-walking, catatonic X is fixated upon the showy canna that fill the terrace of his capitol, his consciousness.

Buttel forgoes this interpretation in favor of the idea that the poem celebrates the poetic counterpart of a painter's "primitive eye". Such poets would achieve what Monet and the Impressionists desired, recovering from blindness and seeing the world "with utmost clarity, without preconceptions". [3] "They would be like X in Stevens' 'Anecdote of Canna'", Buttel writes, "who at daybreak 'Observes the Canna with a clinging eye,' as though for the first time". [3]

Neither interpretation, however, identifies who X is, the starting point of a reading of the poem which does more than merely scratch the surface. In the poem, "X" is identified merely as a 'mighty man' with a 'mighty thought'.

Notes

  1. It was first published prior to 1923 and is therefore in the public domain according to Librivox. Archived 2010-10-13 at the Wayback Machine
  2. Canna, according to the 1913 Webster: A genus of tropical plants, with large leaves and often with showy flowers. The Indian shot (Canna Indica) is found in gardens of the northern United States.
  3. 1 2 Buttel, p. 155

Related Research Articles

Wallace Stevens American poet

Wallace Stevens was an American modernist poet. He was born in Reading, Pennsylvania, educated at Harvard and then New York Law School, and he spent most of his life working as an executive for an insurance company in Hartford, Connecticut. He won the Pulitzer Prize for Poetry for his Collected Poems in 1955.

<i>Harmonium</i> (poetry collection) Book by Wallace Stevens

Harmonium is a book of poetry by American poet Wallace Stevens. His first book at the age of forty-four, it was published in 1923 by Knopf in an edition of 1500 copies. This collection comprises 85 poems, ranging in length from just a few lines to several hundred. Harmonium was reissued in 1931 with three poems omitted and fourteen new poems added.

"The Worms at Heaven's Gate" is a poem from Wallace Stevens' first book of poetry, Harmonium (1923). It was first published in 1916 and is therefore in the public domain.

"Ploughing on Sunday" is a poem from Wallace Stevens's first book of poetry, Harmonium (1923). First published in 1919, it is now in the public domain.

"Homunculus et la Belle Etoile" is a poem from Wallace Stevens's first book of poetry, Harmonium. It was first published in 1919.

"The Comedian as the Letter C" is a poem from Wallace Stevens's first book of poetry, Harmonium (1923). It was one of the few poems first published in that collection and the last written for it. John Gould Fletcher frames the poem as expressing Stevens's view "that the artist can do nothing else but select out of life the elements to form a 'fictive' or fictitious reality."

"Of the Surface of Things" is a poem from Wallace Stevens's first book of poetry, Harmonium (1923). It was first published in 1919, so it is in the public domain.

"Anecdote of the Prince of Peacocks" is a poem from Wallace Stevens's first book of poetry, Harmonium (1923). It was one of the few Harmonium poems first published in that volume, so it is still under copyright. However, it is quoted here as justified by Fair use to facilitate scholarly commentary.

"Banal Sojourn" is a poem from Wallace Stevens's first book of poetry, Harmonium. It was originally published in 1919, therefore it is in the public domain.

"Depression Before Spring" is a poem from Wallace Stevens's first book of poetry, Harmonium (1923). It was first published in 1918 and is therefore in the public domain.

"The Cuban Doctor" is a poem from Wallace Stevens's first book of poetry, Harmonium. It was first published in the journal Poetry in October 1921, so it is in the public domain.

"Stars at Tallapoosa" is a poem from Wallace Stevens's first book of poetry, Harmonium. It was first published in 1922, so it is in the public domain.

"Six Significant Landscapes" is a poem from Wallace Stevens's first book of poetry, Harmonium. It was first published in 1916, so it is in the public domain.

"Anecdote of the Jar" is a poem from Wallace Stevens's first book of poetry, Harmonium. First published in 1919, it is in the public domain.

"Palace of the Babies" is a poem from Wallace Stevens's first book of poetry, Harmonium. It was first published in 1916 and is therefore in the public domain.

"Life is Motion" is a poem from Wallace Stevens's first book of poetry, Harmonium. It was first published in 1919, so it is in the public domain.

"Theory" is a poem from Wallace Stevens's first book of poetry, Harmonium. It was first published in 1917, so it is in the public domain.

"Hymn From A Watermelon Pavilion" is a poem from Wallace Stevens's first book of poetry, Harmonium. It was first published in 1917, so it is in the public domain.

"The Man Whose Pharynx Was Bad" is a poem from Wallace Stevens's first book of poetry, Harmonium. First published in 1921, it is in the public domain in the United States.

"The Public Square" is a poem from the second edition (1931) of Wallace Stevens's first book of poetry, Harmonium. It was first published in 1923, so it is one of the few poems in the collection that is not free of copyright, but it is quoted here in full as justified by fair use for scholarly commentary.

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