"Of the Surface of Things" is a poem from Wallace Stevens's first book of poetry, Harmonium (1923). It was first published in 1919, [1] so it is in the public domain.
I
In my room, the world is beyond my understanding;
But when I walk I see that it consists of three or four
hills and a cloud.
II
From my balcony, I survey the yellow air,
Reading where I have written,
"The spring is like a belle undressing."
III
The gold tree is blue.
The singer has pulled his cloak over his head.
The moon is in the folds of the cloak.
Buttel understands the poem as implementing Stevens's "anti-poetic" strategy of moving into a poem in an offhand way. He finds that the prose rhythms of the first stanza contrast strikingly with the metrical regularity of the quoted line about the belle undressing. That line is so delicately honest that it almost had to be quoted in order to give the speaker some distance from it. The sturdy epistemic modesty of the first stanza contrasts with the intense opacity of the final stanza. Is it saying that the real tree basks in the illumination of imagination? Is the singer a poet like Walt Whitman, who pushes through what is prosaic ("three or four hills and a cloud") or beyond his understanding, in order to give full vent to his imagination in, for instance, "Song of Myself"? [2]
Milton Bates speculates that the "cloak" is probably the cloud and the "singer" one of the hills. [3]
The poem can also be read as one of Stevens's many commentaries on the relation of imagination to reality: the poet's previously written line about the belle undressing (the imagination's formulation) contrasts with the actual scene portrayed in the first part of the poem. To the imagination the color of a tree is easily transformed. The "singer" in the penultimate line is, by such a reading, the poet who obscures the real world by pulling the cloak of his imagination over his head, enabling him to see the Moon in its folds.
Harmonium is a book of poetry by American poet Wallace Stevens. His first book at the age of forty-four, it was published in 1923 by Knopf in an edition of 1500 copies. This collection comprises 85 poems, ranging in length from just a few lines to several hundred. Harmonium was reissued in 1931 with three poems omitted and fourteen new poems added.
"Peter Quince at the Clavier" is a poem from Wallace Stevens's first book of poetry, Harmonium. The poem was first published in 1915 in the "little magazine" Others: A Magazine of the New Verse, edited by Alfred Kreymborg.
"The Ordinary Women" is a poem from Wallace Stevens's first book of poetry, Harmonium.
"Ploughing on Sunday" is a poem from Wallace Stevens's first book of poetry, Harmonium (1923). First published in 1919, it is now in the public domain.
"Homunculus et la Belle Etoile" is a poem from Wallace Stevens's first book of poetry, Harmonium. It was first published in 1919.
"The Comedian as the Letter C" is a poem from Wallace Stevens's first book of poetry, Harmonium (1923). It was one of the few poems first published in that collection and the last written for it. John Gould Fletcher frames the poem as expressing Stevens's view "that the artist can do nothing else but select out of life the elements to form a 'fictive' or fictitious reality."
"O Florida, Venereal Soil" is a poem from Wallace Stevens's first book of poetry, Harmonium. It was first published in the journal Dial, volume 73, July 1922, and is therefore in the public domain.
"Last Looks at the Lilacs" is a poem from Wallace Stevens's first book of poetry, Harmonium. It was first published in 1923.
"The Jack-Rabbit" is a poem from Wallace Stevens's first book of poetry, Harmonium (1923).
"Anecdote of the Prince of Peacocks" is a poem from Wallace Stevens's first book of poetry, Harmonium (1923). It was one of the few Harmonium poems first published in that volume, so it is still under copyright. However, it is quoted here as justified by Fair use to facilitate scholarly commentary.
"Depression Before Spring" is a poem from Wallace Stevens's first book of poetry, Harmonium (1923). It was first published in 1918 and is therefore in the public domain.
"The Cuban Doctor" is a poem from Wallace Stevens's first book of poetry, Harmonium. It was first published in the journal Poetry in October 1921, so it is in the public domain.
"Tea at the Palaz of Hoon" is a poem from Wallace Stevens's first book of poetry, Harmonium. It was first published in 1921, so it is in the public domain.
"Six Significant Landscapes" is a poem from Wallace Stevens's first book of poetry, Harmonium. It was first published in 1916, so it is in the public domain.
"Palace of the Babies" is a poem from Wallace Stevens's first book of poetry, Harmonium. It was first published in 1916 and is therefore in the public domain.
"Life is Motion" is a poem from Wallace Stevens's first book of poetry, Harmonium. It was first published in 1919, so it is in the public domain.
"Theory" is a poem from Wallace Stevens's first book of poetry, Harmonium. It was first published in 1917, and is in the public domain.
"The Man Whose Pharynx Was Bad" is a poem from Wallace Stevens's first book of poetry, Harmonium. First published in 1921, it is in the public domain in the United States.
"The Death of a Soldier" is a poem from Wallace Stevens's first book of poetry, Harmonium. The poem uses free verse to describe the death of a soldier.
"The Public Square" is a poem from the second edition (1931) of Wallace Stevens's first book of poetry, Harmonium. It was first published in 1923, so it is one of the few poems in the collection that is not free of copyright, but it is quoted here in full as justified by fair use for scholarly commentary.