"Le Monocle de Mon Oncle" is a poem from Wallace Stevens's first book of poetry, Harmonium. It was first published in 1918. [1]
Like a dull scholar, I behold, in love,
An ancient aspect touching a new mind.
It comes, it
blooms, it bears its fruit and dies.
This trivial trope
reveals a way of truth.
Our bloom is gone. We are the fruits
thereof.
Two golden gourds distended on our vines,
Into the autumn weather, splashed with frost,
Distorted by hale fatness, turned grotesque.
We hang like warty squashes, streaked and rayed,
The laughing sky will see the two of us
Washed into rinds by rotting winter rains.
Quoted at the right is the eighth canto. (The whole poem can be found elsewhere. [2] ) Canto I includes the line "I wish that I might be a thinking stone."
Harold Bloom regaled his students with an off-beat interpretation of Canto II's line, "Shall I uncrumple this much-crumpled thing?", as alluding to an inactive sexual relationship to Elsie ("you", the Other).
Canto IV includes the verse,
This luscious and impeccable fruit of life
Falls, it appears, of its own weight to earth.
When you were Eve, its acrid juice was sweet,
Untasted, in its heavenly, orchard
air.
Canto XI includes the verse,
If sex were all, then every trembling hand
Could make us squeak, like dolls, the wished-for words.
And in canto XII the poem concludes with the verse,
Like a rose rabbi, later, I pursued,
And still pursue, the origin and course
Of love, but until now I never knew
That fluttering things have so distinct a shade.
Holly Stevens quotes a letter of her father in which he writes, "I had in mind simply a man fairly well along in life, looking back and talking in a more or less personal way about life." [3] This is widely regarded as reticence about the poem's commentary on his domestic life, or, as Helen Vendler phrases it, the poem is "about Stevens' failed marriage", [4] "about [his] middle age and romantic disillusion". [5] She defends herself against the accusation of biographical reduction, which elsewhere she directs against Joan Richardson's psychobiography of
Stevens, [6] as follows.
It has been objected that a criticism
suggesting that poems spring from life is reductive, that is to say that "Le Monocle de Mon Oncle" is about Stevens' failed marriage is somehow injurious to the poem. It seems to me normal to begin with the life-occasion as we deduce it from the poem; it is only an error when one ends there. To tether Stevens' poems to human feeling is at least to remove him from the "world of ghosts" where he is so often located, and to insist that he is a poet of more than epistemological questions
alone. [4]
Vendler and Richardson disagree about how to understand Stevens' distinction between the "true subject" of a poem and "the poetry of the subject". For Richardson it corresponds to the difference between the infantile kernel of a Stevens poem and the surface of his words' appearance. For Vendler the true subject is an experience and the poetry of the subject is a rendering of it. Richardson is led from her conception of the subject—"the fears and uncertainties of the boy who still crouched inside him"—to diagnose the surface of the poem as reflecting "the American dissociation of sensibility that began with the first Puritans giving the rhetorical lie to the truth of their experience." Vendler thinks this is even worse than simply "ending there" in biography, for it leads away from the poetry of the subject, which in her view requires understanding the special role of syntax that allows Stevens to achieve his poetic effects. ("Stevens's words are almost always deflected from their common denotation, and his syntax serves to delay and to disarticulate....What an image was to Pound, a syllable was to Stevens.") [7]
See also "Two Figures in Dense Violet Night".
Wallace Stevens was an American modernist poet. He was born in Reading, Pennsylvania, educated at Harvard and then New York Law School, and spent most of his life working as an executive for an insurance company in Hartford, Connecticut. He won the Pulitzer Prize for Poetry for his Collected Poems in 1955.
Harmonium is a book of poetry by American poet Wallace Stevens. His first book at the age of forty-four, it was published in 1923 by Knopf in an edition of 1500 copies. This collection comprises 85 poems, ranging in length from just a few lines to several hundred. Harmonium was reissued in 1931 with three poems omitted and fourteen new poems added.
Helen Hennessy Vendler is an American literary critic and is Porter University Professor Emerita at Harvard University.
"The Emperor of Ice-Cream" is a poem from Wallace Stevens's first collection of poetry, Harmonium. It was first published in 1922, and is in the public domain. Stevens' biographer, Paul Mariani, identifies the poem as one of Stevens' personal favorites from the Harmonium collection. The poem "wears a deliberately commonplace costume", he wrote in a letter, "and yet seems to me to contain something of the essential gaudiness of poetry; that is the reason why I like it".
"Ploughing on Sunday" is a poem from Wallace Stevens's first book of poetry, Harmonium (1923). First published in 1919, it is now in the public domain.
"Cy est Pourtraicte, Madame Ste Ursule, et les Unze Mille Vierges" is a poem in Wallace Stevens's first book of poetry, Harmonium. It was first published in 1915 in the magazine Rogue, so it is in the public domain. Butell characterizes it as one of the first two poems to "successfully combine wit and elegance". They are the earliest poems to be collected later in Harmonium.
"The Doctor of Geneva" is a poem from Wallace Stevens's first book of poetry, Harmonium (1923). The poem was first published in 1921, so it is free of copyright.
"From the Misery of Don Joost" is a poem from Wallace Stevens's first book of poetry, Harmonium. It is in the public domain, having been published in the journal Poetry in 1921.
"The Apostrophe to Vincentine" is a poem from Wallace Stevens's first book of poetry, Harmonium (1923). It was first published before 1923 and is therefore in the public domain according to Librivox.
"Anecdote of the Prince of Peacocks" is a poem from Wallace Stevens's first book of poetry, Harmonium (1923). It was one of the few Harmonium poems first published in that volume, so it is still under copyright. However, it is quoted here as justified by Fair use to facilitate scholarly commentary.
"Sunday Morning" is a poem from Wallace Stevens' first book of poetry, Harmonium. Published in part in the November 1915 issue of Poetry, then in full in 1923 in Harmonium, it is now in the public domain. The first published version can be read at the Poetry web site: The literary critic Yvor Winters considered "Sunday Morning" "the greatest American poem of the twentieth century and... certainly one of the greatest contemplative poems in English".
"The Place of the Solitaires" is a poem from Wallace Stevens's first book of poetry, Harmonium. It was first published in the journal Poetry in October, 1919, so it is in the public domain.
"Banal Sojourn" is a poem from Wallace Stevens's first book of poetry, Harmonium. It was originally published in 1919, therefore it is in the public domain.
"Anecdote of the Jar" is a poem from Wallace Stevens's first book of poetry, Harmonium. First published in 1919, it is in the public domain.
"Jasmine's Beautiful Thoughts Underneath The Willow" is a poem from Wallace Stevens's first book of poetry, Harmonium. It was first published in 1923 and is therefore still under copyright. However, fair use in scholarly commentary justifies its being quoted here.
"Two Figures in Dense Violet Light" is a poem from Wallace Stevens's first book of poetry, Harmonium. It was first published in 1923, so it is still under copyright. Only its first stanza is quoted here.
"Colloquy with a Polish Aunt" is a poem from Wallace Stevens's first book of poetry, Harmonium. It was first published in 1919 and is included in The Collected Poems of Wallace Stevens (1954).
"The Man Whose Pharynx Was Bad" is a poem from Wallace Stevens's first book of poetry, Harmonium. First published in 1921, it is in the public domain in the United States.
"The Death of a Soldier" is a poem from Wallace Stevens's first book of poetry, Harmonium. The poem uses free verse to describe the death of a soldier.
"Sea Surface full of Clouds" is a poem from the second, 1931, edition of Wallace Stevens's first book of poetry, Harmonium. It was first published in 1924, so it is restricted by copyright. However, brief parts of it are quoted here as fair use, and the whole poem is available elsewhere on the Internet.