"Lunar Paraphrase" is a poem from the second (1931) edition of Wallace Stevens's first book of poetry, Harmonium. One of Stevens's "war poems" from "Lettres d'un Soldat" (1918), it is in the public domain. [1]
The moon is the mother of pathos and pity.
When, at the wearier end of November,
Her old light moves along the branches,
Feebly, slowly, depending upon them;
When the body of Jesus hangs in a pallor,
Humanly near, and the figure of Mary,
Touched on by hoar-frost, shrinks in a shelter
Made by the leaves, that have rotted and fallen;
When over the houses, a golden illusion
Brings back an earlier season of quiet
And quieting dreams in the sleepers in darkness—
The moon is the mother of pathos and pity.
The poem makes use of a late autumn night to express a mood. It appropriates Christian images in a manner that is consistent with a naturalism that disclaims religious belief. (See Sunday Morning for another expression of that outlook.) Stevens's post-Christian sensibility channels emotions into nature rather than God and associated religious figures like Jesus and Mary. In this case, pathos and pity are channeled into autumn and the moon. Vendler has proposed that the weather is the only phenomenon to which Stevens was passionately attached, [2] and a poem like "Lunar Paraphrase" shows how that might be true, when the weather is understood as representing nature as a focus for emotions that otherwise might have been given religious expression. Stevens's poetic naturalism was a significant achievement, from which he may or may not have retreated at the end of his life, depending on what one makes of the evidence of a deathbed conversion to Catholicism.
The movement of the moon's old light may be compared to the light in Tattoo, which crawls over the water like a spider.
"Lettres d'un Soldat," Poetry, XII (May 1918), 59–65. According to the Wallace Stevens Checklist, by Samuel French Morse, Jackson R. Bryer, and Joseph N. Riddel (Denver: Alan Swallow; 1963), p. 54: "None of these poems was reprinted in the first edition of Harmonium." The 1931 edition of Harmonium contains the following poems from the group as separate entities: "The Surprises of the Superhuman" (C.P., 98); "Negation" (C.P., 97–98); "The Death of a Soldier," which was in Poetry as "Life contracts and death is expected" (C.P., 97); and "Lunar Paraphrase" (C.P., 107), which Miss Monroe did not include [in the Poetry printing]. Other poems from the group may be found in O.P., 10–16. (See also O.P., xix, for a comment by Samuel French Morse.)
Wallace Stevens was an American modernist poet. He was born in Reading, Pennsylvania, educated at Harvard and then New York Law School, and spent most of his life working as an executive for an insurance company in Hartford, Connecticut. He won the Pulitzer Prize for Poetry for his Collected Poems in 1955.
Harmonium is a book of poetry by American poet Wallace Stevens. His first book at the age of forty-four, it was published in 1923 by Knopf in an edition of 1500 copies. This collection comprises 85 poems, ranging in length from just a few lines to several hundred. Harmonium was reissued in 1931 with three poems omitted and fourteen new poems added.
"Le Monocle de Mon Oncle" is a poem from Wallace Stevens's first book of poetry, Harmonium. It was first published in 1918.
"Ploughing on Sunday" is a poem from Wallace Stevens's first book of poetry, Harmonium (1923). First published in 1919, it is now in the public domain.
"Cy est Pourtraicte, Madame Ste Ursule, et les Unze Mille Vierges" is a poem in Wallace Stevens's first book of poetry, Harmonium. It was first published in 1915 in the magazine Rogue, so it is in the public domain. Butell characterizes it as one of the first two poems to "successfully combine wit and elegance". They are the earliest poems to be collected later in Harmonium.
"Hibiscus on the Sleeping Shores" is a poem from Wallace Stevens's first book of poetry, Harmonium. It was first published in 1921 and is therefore in the public domain.
"Sunday Morning" is a poem from Wallace Stevens' first book of poetry, Harmonium. Published in part in the November 1915 issue of Poetry, then in full in 1923 in Harmonium, it is now in the public domain. The first published version can be read at the Poetry web site: The literary critic Yvor Winters considered "Sunday Morning" "the greatest American poem of the twentieth century and... certainly one of the greatest contemplative poems in English".
"The Cuban Doctor" is a poem from Wallace Stevens's first book of poetry, Harmonium. It was first published in the journal Poetry in October 1921, so it is in the public domain.
"The Virgin Carrying a Lantern" is a poem from Wallace Stevens's first book of poetry, Harmonium (1923). It was one of the few Harmonium poems first published in that volume.
"Cortege for Rosenbloom" is a poem from Wallace Stevens's first book, Harmonium. First published in 1921, it is in the public domain in the United States and similar jurisdictions.
The Bird With The Coppery, Keen Claws is a poem from Wallace Stevens's first book of poetry, Harmonium. It was originally published in 1921, so it is in the public domain. Librivox has made the poem available in voice recording in its The Complete Public Domain Poems of Wallace Stevens.
"Life is Motion" is a poem from Wallace Stevens's first book of poetry, Harmonium. It was first published in 1919, so it is in the public domain.
"To the One of Fictive Music" is a poem from Wallace Stevens's first book of poetry, Harmonium. First published in 1922, it is in the public domain.
"The Death of a Soldier" is a poem from Wallace Stevens's first book of poetry, Harmonium. The poem uses free verse to describe the death of a soldier.
"Negation" is a poem from Wallace Stevens's first book of poetry, Harmonium. It was first published in 1918, so it is in the public domain.
"The Surprises of the Superhuman" is a poem from Wallace Stevens's first book of poetry, Harmonium. It was first published in 1918, so it is in the public domain.
"The Revolutionists Stop for Orangeade" is a poem from the second edition (1931) of Wallace Stevens's first book of poetry, Harmonium.
"Anatomy of Monotony" is a poem from the second edition (1931) of Wallace Stevens's first book of poetry, Harmonium. Unlike most of the poems in this collection, it was first published in 1931, so it is restricted by copyright until 2025 in America and similar jurisdictions, because of legislation like the Sonny Bono Copyright Term Extension Act. However, it is quoted here in full, as justified by fair use for the purpose of scholarly commentary.
"Tea" is a poem from Wallace Stevens's first book of poetry, Harmonium. It was first published in 1915 in the journal Rogue.
"The Public Square" is a poem from the second edition (1931) of Wallace Stevens's first book of poetry, Harmonium. It was first published in 1923, so it is one of the few poems in the collection that is not free of copyright, but it is quoted here in full as justified by fair use for scholarly commentary.