Abrahadabra | ||||
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Studio album by | ||||
Released | 22 September 2010 | |||
Studio | Dug Out Studios, Uppsala, Sweden; Living Room Studios, Oslo, Norway; Pimp Plaza Recordings, Oslo, Norway; NRK Studios, Oslo, Norway | |||
Genre | Symphonic black metal | |||
Length | 48:56 | |||
Label | Nuclear Blast | |||
Producer | Dimmu Borgir | |||
Dimmu Borgir chronology | ||||
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Singles from Abrahadabra | ||||
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Review scores | |
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Source | Rating |
Absurd History | [1] |
Allmusic | [2] |
Metal Hammer | (de) [3] |
Lords of Metal | (8.7/10) [4] |
Fury Rocks | (8.2/10) [5] |
Blabbermouth.net | [6] |
BW&BK | [7] |
Abrahadabra is the eighth studio album by Norwegian symphonic black metal band Dimmu Borgir, released in 2010. The first single from the album, "Gateways", was released on 20 August in Europe and 24 August in North America. [8] On 14 September a video for "Gateways" was released featuring Djerv front-woman, Agnete Kjølsrud. [9] On 17 September the song "Born Treacherous" was released on Dimmu Borgir's official Myspace for streaming. [10] On 24 September the band announced they would stream Abrahadabra in its entirety, until 7 p.m. EST that evening. This would mark the first official release of all the tracks on the album. [11] The album features drummer Daray and additional keyboards by Gerlioz.
All lyrics written by Silenoz. All music composed by Shagrath, Silenoz and Galder. [12]
No. | Title | Length |
---|---|---|
1. | "Xibir" (Instrumental) | 2:50 |
2. | "Born Treacherous" | 5:02 |
3. | "Gateways" | 5:10 |
4. | "Chess with the Abyss" | 4:08 |
5. | "Dimmu Borgir" | 5:35 |
6. | "Ritualist" | 5:13 |
7. | "The Demiurge Molecule" | 5:29 |
8. | "A Jewel Traced Through Coal" | 5:16 |
9. | "Renewal" | 4:11 |
10. | "Endings and Continuations" | 5:58 |
No. | Title | Length |
---|---|---|
11. | "Gateways" (Orchestral version) | 5:44 |
No. | Title | Length |
---|---|---|
11. | "DMDR (Dead Men Don't Rape) [13] " (GGFH cover) | 4:24 |
12. | "Perfect Strangers [13] " (Deep Purple cover) | 5:01 |
13. | "Gateways [14] " (Orchestral version) | 5:44 |
14. | "Dimmu Borgir [14] " (Orchestral version) | 5:35 |
15. | "Gateways" (Music video) |
No. | Title | Length |
---|---|---|
11. | "Dimmu Borgir" (Orchestral version) | 5:35 |
No. | Title | Length |
---|---|---|
11. | "Gateways" (Orchestral version) | 5:44 |
12. | "Perfect Strangers" (Deep Purple cover) | 5:01 |
No. | Title | Length |
---|---|---|
11. | "Gateways" (Orchestral version) | 5:44 |
12. | "The Demiurge Molecule" (Orchestral version) | 5:23 |
13. | "Gateways" (Music video) |
No. | Title | Length |
---|---|---|
11. | "DMDR (Dead Men Don't Rape) [13] " (GGFH cover) | 4:24 |
12. | "Perfect Strangers [13] " (Deep Purple cover) | 5:03 |
13. | "Gateways" (Music video) |
Abrahadabra was in production for eleven months. [15] Silenoz explained that the growing periods of time between albums was because the band had stopped writing music while touring, which was affecting the quality of the music. He described the new album as having an "eerie and haunting feel to it," adding that the material is "epic," "primal," atmospheric and ambient. A promotional image released with the statement showed Shagrath returning to the keyboards. [16] The album features an ensemble orchestra, the Kringkastingsorkestret (the Norwegian Radio Orchestra), as well as the Schola Cantorum choir, totaling more than 100 musicians and singers. [17]
Gaute Storaas, composer of the orchestral arrangements, released a statement on his role in working on the album. "Their music is epic, thematic and symphonic already from the creation; they are clearly having an orchestral approach to composing. My role in this is sometimes just to transcribe their themes, sometimes to take their ideas, tear them apart and build them back up in ways that are true to the band's intentions. The music must also be both interesting and playable for the musicians, and hopefully, meet the quality standards of the orchestral world.". [17]
"Abrahadabra", loosely translated as "I will create as I speak", was created by author Aleister Crowley in his work Liber AL vel Legis , or The Book of the Law. This album is the second in the band's repertoire to deviate from the traditional three-word title. Silenoz explained: "[It made] a lot of sense for us to move on from that. It has served its purpose. We are a band that's all about change and moving forward. An album title consisting of one word goes hand-in-hand with the new material". In addition, Silenoz referenced the changes in the band's "musical and lyrical content", as well as changes in the band's line-up playing a role. [15]
The album cover artwork was designed by Joachim Luetke, who described the artwork's setting as "icy, bleak, wintery, [and] post-industrial". Luetke added that the central figure's mask on the cover is representative of H. P. Lovecraft's Elder Gods. "The mask/face personifies dominion of powers far beyond mankind. The nameless gods witnessed the birth of our universe and they'll watch it implode. To them, the age of mankind is but a blink of an eye". [15]
After the release of the album, the band announced that all future pressings would carry a different album cover. [18]
As stated by guitarists, Silenoz and Galder, in an interview with Outune.net, the album presents musical influences reminiscent of Puritanical Euphoric Misanthropia and Death Cult Armageddon , with more emphasis on orchestral arrangements. [19]
The album's lyrics are a notable departure from the usual style that Dimmu Borgir implements. Songs contain subjects that deal with redemption, power, rebirth and astral planes, among other, more vague concepts. Rather than focus on ideas that are often panned as Satanic and offensive, the band has instead opted to use more worldly and open matters. The start of track six contains a backward message: "In Nomine dei Nostri Satanas Luciferi" (English translation: In the name of our God, Satan the Morning Star).
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Country | Date |
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Japan | 22 September 2010 |
Germany | 24 September 2010 |
Europe | 27 September 2010 |
Australia | 1 October 2010 |
United States | 12 October 2010 |
India | 15 October 2010 |
Chart (2010) | Peak position |
---|---|
Australian Albums (ARIA Charts) [20] | 87 |
Austrian Albums Chart [21] | 20 |
Belgian Albums Chart [22] | 41 |
Croatian Albums Chart [23] | 25 |
Dutch Albums Chart [24] | 100 |
European Top 100 Albums [25] | 33 |
Finnish Albums Chart [26] | 8 |
French Albums Chart [27] | 43 |
German Albums Chart [28] | 15 |
Japanese Albums Chart [29] | 282 |
Norwegian Albums Chart [30] | 2 |
Polish Albums Chart [31] | 50 |
Swedish Albums Chart [32] | 17 |
Swiss Albums Chart [33] | 24 |
UK Albums Chart [34] | 117 |
US Billboard 200 | 42 |
Dimmu Borgir is a Norwegian symphonic black metal band from Jessheim, formed in 1993. The name is derived from Dimmuborgir, a volcanic formation in Iceland, the name of which means "dark cities" or "dark castles/fortresses" in Icelandic, Faroese and Old Norse. The band has been through numerous lineup changes over the years; vocalist Shagrath and rhythm guitarist Silenoz are the only original members who still remain, with lead guitarist Galder being a longstanding member.
Death Cult Armageddon is the sixth studio album by Norwegian symphonic black metal band Dimmu Borgir, released on 9 September 2003. It has since sold over 100,000 copies in the United States; the first album under Nuclear Blast to do so; and debuted on the Billboard 200 chart at number 169. The song "Progenies of the Great Apocalypse" was released as a single with an accompanying music video. This would also be the last album to have Nicholas Barker on drums.
Stian Tomt Thoresen, known professionally as Shagrath, is a Norwegian musician who is the vocalist, founding member and multi-instrumentalist of the symphonic black metal band Dimmu Borgir.
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