Accelerationen

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Accelerationen (Accelerations), op. 234, is a waltz composed by Johann Strauss II in 1860 for the Engineering Students' Ball at the Sofienbad-Saal in Vienna. [1] It is one of his best-known waltzes, famous especially for its rapidly accelerating opening waltz theme.

Accelerations is featured in Erich Wolfgang Korngold's The Tales of Strauss, Op. 21 as well as many of Strauss's other well-known waltzes.

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<span class="mw-page-title-main">Kuss-Walzer</span>

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"Die Publicisten" is a waltz by Johann Strauss II composed in 1868. It was written for the sixth Concordia Ball held in the Sofienbad-Saal on the 4 February of the same year. The waltz's title was an allusion to Vienna's press, with whom he maintained a fruitful partnership that his family had enjoyed since the days of his father Johann Strauss I. The more or less symbiotic association was needed as the musical business of composers would inevitably flourish under favorable press reviews and the establishment of the Vienna Journalists' and Authors' Association in 1859 would signify an even more closer relationship between both composer and the press. The Concordia Ball named after the Roman God of civic concord had its first ball in 1863.

<i>Rathausball-Tänze</i>

Rathausball-Tänze op. 438 is a waltz by composer Johann Strauss II written in 1890 in honour of the inauguration of the new city hall of Vienna. At the opening of the new banqueting hall (Festsaal) on 12 February 1890 two rival orchestras were commissioned to provide dance music for the occasion; the Strauss Orchestra under the direction of Eduard Strauss, and that of rival Kapellmeister Karl Michael Ziehrer who was head of the Vienna House Regiment 'Hoch und Deutschmeister No. 4'.

Liebeslieder op. 114 is a waltz by Johann Strauss II written in 1852. At the time it was conceived, the waltz was titled 'Liebesgedichte' or "Love Poems" and during its first performance, it was even announced as 'Liebesständchen' or "Love Serenade". The first performance was at the famed Vienna Volksgarten on 18 June 1852 under the composer's direction.

Cagliostro-Walzer op.370 is a waltz by Johann Strauss II composed in 1875 based on themes from his operetta, Cagliostro in Wien which premiered on 27 February 1875 at the famous Theater an der Wien.

Gross-Wien Op. 440 is a waltz by Johann Strauss II written in 1891 and was a choral waltz for the Wiener Männergesang-Verein during the Vienna Fasching (Carnival) of the same year. The text for the choral version of the waltz was by Franz von Gernerth.

Künstlerleben, Op. 316 is a waltz written by Johann Strauss II in 1867, following closely on the success of the popular "The Blue Danube". Austria was severely shaken the previous year 1866 by the crushing defeat that the Austrian army suffered in the Battle of Königgrätz and many of the year's festivities and balls were cancelled as the prevalent depressing mood affected most of Vienna's populace.

Bürgersinn op. 295 is a waltz by Johann Strauss II composed in 1865 for the Citizen's Ball held during the Vienna Carnival Fasching of the year. His prestigious post of the 'KK Hofballmusikdirektor', which he attained in 1863, meant that his responsibilities included composing dance music for these functions.

<span class="mw-page-title-main">Nordseebilder</span>

Nordseebilder op. 390 is a waltz by Johann Strauss II composed in 1879.

Neu Wien , opus 342, is a waltz written by Johann Strauss II in 1870 and dedicated to Nicolaus Dumba (1830-1900), who was a fervent patron of Arts and was the Chairman of the Wiener Männergesang-Verein and Vice-President of the Gesellschaft der Musikfreunde in Wien.

Illustration (Illustrations) op. 331 is a waltz by Johann Strauss II composed in 1869. It was appropriately titled for the annual ball of the Vienna Journalists' and Authors' Association ('Concordia') that was held in the Sofienbad Saal on 26 January the same year.

Abschieds-Rufe, op, 179, is a waltz composed by Johann Strauss II. It premiered in January 1856 at a ball attended by some two thousand guests in the Sofienbad-Saal in Vienna. The waltz was very well received, and was repeated four times.

Farewell to America is the name of a waltz composed by Johann Strauss II. In the immediate wake of the composer's visit to the United States in the summer of 1872, when he conducted several times in Boston and New York, no less than seven publishers issued waltzes supposedly composed by Strauss. Only two from the total of nine compositions that were published are known to have been performed by Strauss during his tour of the United States: the Jubilee Waltz and the Manhattan Waltzes. It is unknown whether or not the other compositions that were published were written by Strauss while he was in America, completed by him after his return to Vienna and sent through the mail, or that some of the publications had nothing to do with Strauss himself, but were compiled by publishers anxious to benefit from Strauss' American tour and the clamour for new Strauss music.

References

  1. "STRAUSS II, J.: Waltzes, Polkas, Marches and Overtures". NaxosDirect. Archived from the original on 2011-07-14. Retrieved 2008-10-05.