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Johann Baptist Strauss II, also known as Johann Strauss Jr., the Younger or the Son, was an Austrian composer of light music, particularly dance music and operettas as well as a violinist. He composed over 500 waltzes, polkas, quadrilles, and other types of dance music, as well as several operettas and a ballet. In his lifetime, he was known as "The Waltz King", and was largely responsible for the popularity of the waltz in Vienna during the 19th century. Some of Johann Strauss's most famous works include "The Blue Danube", "Kaiser-Walzer", "Tales from the Vienna Woods", "Frühlingsstimmen", and the "Tritsch-Tratsch-Polka". Among his operettas, Die Fledermaus and Der Zigeunerbaron are the best known.
Johann Baptist Strauss I, also known as Johann Strauss Sr., the Elder or the Father, was an Austrian composer of the Romantic Period. He was famous for his light music, namely waltzes, polkas, and galops, which he popularized alongside Joseph Lanner, thereby setting the foundations for his sons—Johann, Josef and Eduard—to carry on his musical dynasty. He is best known for his composition of the Radetzky March.
Josef Strauss was an Austrian composer.
Wein, Weib und Gesang, Op. 333, is a Viennese waltz by Johann Strauss II. It is a choral waltz in its original form, although it is seldom heard in this version today. It was commissioned for the Vienna Men's Choral Association's so-called Fools' Evening on 2 February 1869 with a dedication to the Association's honorary chorus-master Johann Herbeck. Its fanciful title was drawn from an old adage: "Who loves not wine, women and song remains a fool his whole life long."
Wiener Bonbons, Op. 307, is a waltz by Johann Strauss II written in 1866. It was first performed on 28 January 1866 at the ball of the Association of Industrial Societies held in the ball rooms of the Vienna Hofburg and was dedicated to the influential Princess Pauline Metternich-Winneburg, the wife of then Austrian ambassador to Paris.
Johann Maria Eduard Strauss III was an Austrian composer whose father was Eduard Strauss, whose uncles were Johann Strauss II and Josef Strauss, and whose grandfather was Johann Strauss I. Born in Vienna, he was unofficially entrusted with the task of upholding his family's tradition after the dissolution of the Strauss Orchestra by his father in 1901. His talents were not fully realized during his lifetime as musical tastes had changed in the Silver Age with more popular composers such as Franz Lehár and Oscar Straus dominating the Viennese musical scene with their operettas, although his uncle, Johann Strauss II, supervised his development as a musician, a fact disputed by Eduard Strauss.
The Kuss-Walzer, Op. 400 is a waltz by Johann Strauss II composed in 1881. The waltz was originally dedicated to his second wife, Angelika Dittrich (1850–1919), but Strauss withdrew that dedication after their divorce in 1882. The waltz comprises melodies from Strauss' popular operetta Der lustige Krieg and is an orchestral treatment of the act 2 aria "Nur für Natur" which was a hit when first performed. Eduard Strauss, the composer's brother, first conducted the orchestral piece at the Court Ball in Vienna in 1882.
Rathausball-Tänze op. 438 is a waltz by composer Johann Strauss II written in 1890 in honour of the inauguration of the new city hall of Vienna. At the opening of the new banqueting hall (Festsaal) on 12 February 1890 two rival orchestras were commissioned to provide dance music for the occasion; the Strauss Orchestra under the direction of Eduard Strauss, and that of rival Kapellmeister Karl Michael Ziehrer who was head of the Vienna House Regiment 'Hoch und Deutschmeister No. 4'.
Liebeslieder op. 114 is a waltz by Johann Strauss II written in 1852. At the time it was conceived, the waltz was titled 'Liebesgedichte' or "Love Poems" and during its first performance, it was even announced as 'Liebesständchen' or "Love Serenade". The first performance was at the famed Vienna Volksgarten on 18 June 1852 under the composer's direction.
Künstlerleben, Op. 316 is a waltz written by Johann Strauss II in 1867, following closely on the success of the popular "The Blue Danube". Austria was severely shaken the previous year 1866 by the crushing defeat that the Austrian army suffered in the Battle of Königgrätz and many of the year's festivities and balls were cancelled as the prevalent depressing mood affected most of Vienna's populace.
Schatz-Walzer, Op. 418, is a Viennese waltz by Johann Strauss II composed in 1885. The melodies in this waltz were drawn from Strauss' operetta Der Zigeunerbaron, which premiered to critical acclaim on 24 October 1885. Der Zigeunerbaron, a Hungarian-influenced work, remained Strauss' best-remembered operetta after Die Fledermaus. The waltz version was first performed on 22 November that year in the concert hall of the Vienna Musikverein, with Eduard Strauss conducting.
Illustration (Illustrations) op. 331 is a waltz by Johann Strauss II composed in 1869. It was appropriately titled for the annual ball of the Vienna Journalists' and Authors' Association ('Concordia') that was held in the Sofienbad Saal on 26 January the same year.
Vienna Waltzes is a ballet choreographed by George Balanchine to music by Johann Strauss II, Franz Lehár and Richard Strauss, made as a tribute to Austria. It premiered on June 23, 1977 at the New York State Theater, performed by the New York City Ballet, and was an immediate success among the public.
Gunstwerber, Op. 4, is a waltz by Johann Strauss II.
Sinngedichte, Op. 1, is a waltz composed by Johann Strauss II in 1844 for his debut as a composer at Dommayer's Casino in Vienna. The waltz was played along with several other compositions that Strauss had written for the occasion, such as the waltz Gunstwerber and the polka Herzenslust. The waltz was an unprecedented success when first performed, and had to be repeated a record nineteen times.
Lava-Ströme, opus 74, is the name of a waltz composed by Johann Strauss II. It was written to commemorate the volcanic activity within Vesuvius in 1850. The waltz was first performed at a benefit ball going under the title of a "Ball in Vesuvius" at the Sofienbad-Saal in Vienna on January 29, 1850.
Abschied von St. Petersburg, opus 210, is the name of a waltz composed by Johann Strauss II. The work was first performed at a benefit concert in Pavlovsk on September 5, 1858, as part of a tour of Russia that Strauss was conducting. In keeping with the vogue then current in Russia for the French language, the work was entitled as Mes adieux à St. Pétersbourg. Less than a week after his return to his home city of Vienna, Strauss conducted the first Viennese performance of the work at the Vienna Volksgarten.
Novellen, opus 146, is a waltz composed by Johann Strauss II. The composition was dedicated to the law students of the Vienna University on the occasion of their ball held at the Sofienbad-Saal in Vienna on January 31, 1854. The work reflects Strauss's fascination for the 'revolutionary' orchestrations of Wagner and Meyerbeer. Due to this, the music critic Eduard Hanslick was highly critical of the waltz, saying that "with their lengthy eight-bar motifs, their groaning diminished seventh and ninth chords, [and] the thundering noise of their trombones and timpani, [they] are no longer appropriate for dancing.
Ritter Pázmán is a three-act opera composed by Johann Strauss II, with the libretto by Ludwig Dóczi. It premiered at the Hofoper in Vienna on New Year's Day in 1892. It is based on a Hungarian narrative poem, Pázmán lovag, by the Hungarian poet János Arany. A performance takes about three hours.
A Waltz by Strauss or As Long as Strauss Waltzes are Heard is a 1931 German historical musical film directed by Conrad Wiene and starring Hans Junkermann, Gustav Fröhlich and Julia Serda. It was shot at the Johannisthal Studios in Berlin. The film's sets were designed by the art director Willy Schiller.In the United Kingdom it was released as Johann Strauss.
References
- 1 2 "STRAUSS II, J.: Edition — Vol. 11 CD". Naxosdirect. Archived from the original on 2011-07-14. Retrieved 2008-10-25.
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