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Leitartikel (Leading Article) op. 273 is a waltz composed by Johann Strauss II in 1863 and first performed at the Vienna's Artists and Journalists' Association ball called 'Concordia', which glorifies the Roman goddess of civic harmony, on 19 January 1863. Theoretically, this work would have been Strauss' only contribution towards the festivity of Vienna's Fasching of that year as his health did not permit laborious hours of conducting nor of composing.
This work, which is the first of his many dance pieces to bear his august title of KK Hofballmusikdirektor, brims with enthusiasm which was rarely heard in many of his later waltzes which are more plaintive and reflective in nature. A tense Introduction slowly gives way to a more light-hearted opening 1st waltz section. The 2nd waltz section is less joyful although the cheekiness is not absent. A more robust 3rd section is punctuated by loud chords whereas the graceful 4th section contains some of Strauss' more lyrical melodies. The effervescent 5th waltz section carries on the irresistible genial character of the waltz while the coda recalls earlier material. A loud passage brings in the familiar 1st waltz theme again before the waltz rushes headlong into its brilliant and exciting close.
Johann Strauss II, also known as Johann Strauss Jr., the Younger, the Son, son of Johann Strauss I, was an Austrian composer of light music, particularly dance music and operettas. He composed over 500 waltzes, polkas, quadrilles, and other types of dance music, as well as several operettas and a ballet. In his lifetime, he was known as "The Waltz King", and was largely responsible for the popularity of the waltz in Vienna during the 19th century.
Josef Strauss was an Austrian composer.
"The Blue Danube" is the common English title of "An der schönen, blauen Donau", Op. 314, a waltz by the Austrian composer Johann Strauss II, composed in 1866. Originally performed on 15 February 1867 at a concert of the Wiener Männergesangsverein, it has been one of the most consistently popular pieces of music in the classical repertoire. Its initial performance was considered only a mild success, however, and Strauss is reputed to have said, "The devil take the waltz, my only regret is for the coda—I wish that had been a success!"
Joseph Lanner was an Austrian dance music composer and dance orchestra conductor. He is best remembered as one of the earliest Viennese composers to reform the waltz from a simple peasant dance to something that even the highest society could enjoy, either as an accompaniment to the dance, or for the music's own sake. He was just as famous as his friend and musical rival Johann Strauss I, who was better known outside of Austria in their day because of his concert tours abroad, in particular, to France and England.
"Die Publicisten" is a waltz by Johann Strauss II composed in 1868. It was written for the sixth Concordia Ball held in the Sofienbad-Saal on the 4 February of the same year. The waltz's title was an allusion to Vienna's press, with whom he maintained a fruitful partnership that his family had enjoyed since the days of his father Johann Strauss I. The more or less symbiotic association was needed as the musical business of composers would inevitably flourish under favorable press reviews and the establishment of the Vienna Journalists' and Authors' Association in 1859 would signify an even more closer relationship between both composer and the press. The Concordia Ball named after the Roman God of civic concord had its first ball in 1863.
Rathausball-Tänze op. 438 is a waltz by composer Johann Strauss II written in 1890 in honour of the inauguration of the new city hall of Vienna(the 'Rathaus'). At the opening of the new banqueting hall (Festsaal) on 12 February 1890 two rival orchestras were commissioned to provide dance music for the occasion; the Strauss Orchestra under the direction of Eduard Strauss, and that of rival Kapellmeister Karl Michael Ziehrer who was head of the Vienna House Regiment 'Hoch und Deutschmeister No. 4'.
Carl Michael Ziehrer was an Austrian composer. In his lifetime, he was one of the fiercest rivals of the Strauss family; most notably Johann Strauss II and Eduard Strauss.
Cagliostro-Walzer op.370 is a waltz by Johann Strauss II composed in 1875 based on themes from his operetta, Cagliostro in Wien which premiered on 27 February 1875 at the famous Theater an der Wien.
Künstlerleben, Op. 316 is a waltz written by Johann Strauss II in 1867, following closely on the success of the popular "The Blue Danube". Austria was severely shaken the previous year 1866 by the crushing defeat that the Austrian army suffered in the Battle of Königgrätz and many of the year's festivities and balls were cancelled as the prevalent depressing mood affected most of Vienna's populace.
Feenmärchen (Fairy-tales) waltz op. 312 is composed by Johann Strauss II in 1866. The same year had witnessed the glaring military weakness of the ailing Habsburg dynasty after a bitter defeat to the hands of the Prussian army at the fateful Battle of Königgrätz. Almost immediately, various Vienna's establishments usually packed with music-lovers dancing the night away took the news with foreboding and many of the year's festivities were cancelled or with-held.
Bürgersinn op. 295 is a waltz by Johann Strauss II composed in 1865 for the Citizen's Ball held during the Vienna Carnival Fasching of the year. His prestigious post of the 'KK Hofballmusikdirektor', which he attained in 1863, meant that his responsibilities included composing dance music for these functions.
Morgenblätter op. 279 is a Viennese Waltz composed by Johann Strauss II in 1863. The work's genesis was attributed to the composition of another waltz by Jacques Offenbach later titled 'Abendblätter' when the French opera composer dedicated his work to the influential Vienna Authors' and Journalists' Association ('Concordia'). The Association had earlier intended the 'Abendblätter' waltz to be played at their 'Concordia Ball' on 12 January 1864.
Wiener Blut Op. 354 is a waltz by Johann Strauss II first performed by the composer on 22 April 1873. The new dedication waltz was to celebrate the wedding of the Emperor Franz Joseph I's daughter Archduchess Gisela Louise Maria and Prince Leopold of Bavaria. However, the waltz was also chiefly noted by Strauss' biographers as the début of Strauss with the Vienna Philharmonic Orchestra where for many years, the Philharmonic had dismissed any association with the 'Waltz King' as it had not wished to be associated with mere 'light' or 'pops' music. The festival ball celebrating the event was held at the Musikverein Hall which is the venue for the present day Neujahrskonzert.
Karnevalsbotschafter op. 270 is a waltz composed by Johann Strauss II in the autumn of 1862. Incidentally, it was also written during Strauss' honeymoon with his first wife Henrietta Treffz in Venice. It was first performed at the 50th anniversary celebration of the Vienna's Gesellschaft der Musikfreunde at the 'Sperl' dance hall on 11 November 1862 and also at a soirée there on 22 November. The title may be alluded to Strauss himself, as a 'carnival ambassador' to Venice having accomplished the year's Fasching festivity commitments in Vienna. Unsurprisingly for him in Venice, although his wife had intended the honeymoon as a complete rest for him, he found himself duly inspired to pen this lovely waltz in a period of great personal happiness.
"Frühlingsstimmen", Op. 410 is an orchestral waltz, with optional solo soprano voice, written in 1882 by Johann Strauss II.
Schatz-Walzer op. 418 is a Viennese Waltz by Johann Strauss II composed in 1885. The melodies from this waltz were drawn from Strauss' operetta Der Zigeunerbaron which premiered to critical acclaim on 24 October 1885.
"Wo die Zitronen blühen", Op. 364, is a Waltz by Johann Strauss II written in 1874. The waltz was composed during a tour of the composer in Italy where he travelled with the Langenbach Orchestra of Germany and performed the work at the Teatro Regio in Turin on 9 May 1874.
Illustrationen (Illustrations) op. 331 is a waltz by Johann Strauss II composed in 1869. It was appropriately titled for the annual ball of the Vienna Journalists' and Authors' Association ('Concordia') that was held in the Sofienbad Saal on 26 January the same year.
Waltzes from Vienna is a 1934 British film directed by Alfred Hitchcock, sometimes known as Strauss' Great Waltz. It was part of the cycle of operetta films made in Britain during the 1930s.
"Tales from the Vienna Woods" is a waltz by Johann Strauss II.
Based on original text by Peter Kemp, The Johann Strauss Society of Great Britain. Used with permission.