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Johann Baptist Strauss II, also known as Johann Strauss Jr., the Younger or the Son, was an Austrian composer of light music, particularly dance music and operettas as well as a violinist. He composed over 500 waltzes, polkas, quadrilles, and other types of dance music, as well as several operettas and a ballet. In his lifetime, he was known as "The Waltz King", and was largely responsible for the popularity of the waltz in Vienna during the 19th century. Some of Johann Strauss's most famous works include "The Blue Danube", "Kaiser-Walzer", "Tales from the Vienna Woods", "Frühlingsstimmen", and the "Tritsch-Tratsch-Polka". Among his operettas, Die Fledermaus and Der Zigeunerbaron are the best known.
Johann Maria Eduard Strauss III was an Austrian composer whose father was Eduard Strauss, whose uncles were Johann Strauss II and Josef Strauss, and whose grandfather was Johann Strauss I. Born in Vienna, he was unofficially entrusted with the task of upholding his family's tradition after the dissolution of the Strauss Orchestra by his father in 1901. His talents were not fully realized during his lifetime as musical tastes had changed in the Silver Age with more popular composers such as Franz Lehár and Oscar Straus dominating the Viennese musical scene with their operettas, although his uncle, Johann Strauss II, supervised his development as a musician, a fact disputed by Eduard Strauss.
The Kuss-Walzer, Op. 400 is a waltz by Johann Strauss II composed in 1881. The waltz was originally dedicated to his second wife, Angelika Dittrich (1850–1919), but Strauss withdrew that dedication after their divorce in 1882. The waltz comprises melodies from Strauss' popular operetta Der lustige Krieg and is an orchestral treatment of the act 2 aria "Nur für Natur" which was a hit when first performed. Eduard Strauss, the composer's brother, first conducted the orchestral piece at the Court Ball in Vienna in 1882.
Carl Michael Ziehrer was an Austrian composer. In his lifetime, he was one of the fiercest rivals of the Strauss family; most notably Johann Strauss II and Eduard Strauss.
Cagliostro-Walzer op.370 is a waltz by Johann Strauss II composed in 1875 based on themes from his operetta, Cagliostro in Wien which premiered on 27 February 1875 at the famous Theater an der Wien.
"Rosen aus dem Süden", Op. 388, is a waltz medley composed by Johann Strauss II in 1880 with its themes drawn from the operetta Das Spitzentuch der Königin. Strauss dedicated the waltz to King Umberto I of Italy.
Tausend und eine Nacht, Op. 346, is a waltz composed by Johann Strauss II in 1871. The waltz's melodies were drawn from his first operetta, Indigo und die vierzig Räuber. It was his first attempt at ensuring that the more memorable melodies from the stage works would survive obscurity by finding new life as a new orchestral work, a practice which he would retain in future stage works. Such a move would also benefit sheet music publishers who can sell the piano editions of the new works to the public who can readily identify individual music pieces.
Wiener Blut Op. 354 is a waltz by Johann Strauss II first performed by the composer on 22 April 1873. The new dedication waltz was to celebrate the wedding of the Emperor Franz Joseph I's daughter Archduchess Gisela Louise Maria and Prince Leopold of Bavaria. However, the waltz was also chiefly noted by Strauss' biographers as the début of Strauss with the Vienna Philharmonic Orchestra where for many years, the Philharmonic had dismissed any association with the 'Waltz King' as it had not wished to be associated with mere 'light' or 'pops' music. The festival ball celebrating the event was held at the Musikverein Hall which is the venue for the present day Neujahrskonzert.
Neu Wien , opus 342, is a waltz written by Johann Strauss II in 1870 and dedicated to Nicolaus Dumba (1830-1900), who was a fervent patron of Arts and was the Chairman of the Wiener Männergesang-Verein and Vice-President of the Gesellschaft der Musikfreunde in Wien.
"Frühlingsstimmen", Op. 410 is an orchestral waltz, with optional solo soprano voice, written in 1882 by Johann Strauss II.
Schatz-Walzer, Op. 418, is a Viennese waltz by Johann Strauss II composed in 1885. The melodies in this waltz were drawn from Strauss' operetta Der Zigeunerbaron, which premiered to critical acclaim on 24 October 1885. Der Zigeunerbaron, a Hungarian-influenced work, remained Strauss' best-remembered operetta after Die Fledermaus. The waltz version was first performed on 22 November that year in the concert hall of the Vienna Musikverein, with Eduard Strauss conducting.
"Wo die Zitronen blühen", Op. 364, is a waltz by Johann Strauss II written in 1874. The waltz was composed during a tour of the composer in Italy where he travelled with the Langenbach Orchestra of Germany and performed the work at the Teatro Regio in Turin on 9 May 1874.
The Great Waltz is a 1938 American biographical film based very loosely on the life of Johann Strauss II. It starred Luise Rainer, Fernand Gravet (Gravey), and Miliza Korjus. Rainer received top billing at the producer's insistence, but her role is comparatively minor as Strauss' wife, Poldi Vogelhuber. It was the only starring role for Korjus, who was a famous opera soprano and played one in the film.
Wiener Blut is an 1899 operetta named after Johann Strauss II's eponymous 1873 waltz. It was made with Strauss' approval, but without his participation. Its score reuses music he wrote for other works along with some music by his brother Josef Strauss; the job of compilation went to Adolf Müller. Its libretto is by Victor Léon and Leo Stein. The setting is the Congress of Vienna. Strauss may have seen a draft of the work, but he died a few months before its 26 October premiere at Vienna's Carltheater.
Robert Elisabeth Stolz was an Austrian songwriter and conductor as well as a composer of operettas and film music.
Franz Friedrich Richard Genée was a Prussian-born Austrian librettist, playwright, and composer.
Cagliostro in Wien is an operetta in three acts by Johann Strauss II to a libretto by F. Zell and Richard Genée. It premiered on 27 February 1875 at the Theater an der Wien, featuring Marie Geistinger and Alexander Girardi.
Vienna Waltzes is a ballet choreographed by George Balanchine to music by Johann Strauss II, Franz Lehár and Richard Strauss, made as a tribute to Austria. It premiered on June 23, 1977 at the New York State Theater, performed by the New York City Ballet, and was an immediate success among the public.
Johann Strauss II's Neue Pizzicato-Polka, Op. 449, was composed in early 1892 for concerts in Hamburg under Eduard Strauss. It was titled in contradistinction to the old 1869 Pizzicato-Polka jointly composed by Johann Strauss and his brother Josef and in reference to its scoring for string orchestra marked pizzicato throughout. It is in ternary form with an ad libitum glockenspiel solo in the trio. Strauss later used this music for the ballet between the second and third acts of his operetta Fürstin Ninetta.
Ritter Pázmán is a three-act comic opera composed by Johann Strauss II, with the libretto by Ludwig Dóczi. It premiered at the prestigious Hofoper in Vienna on New Year's Day, 1892. It is based on a Hungarian narrative poem, Pázmán lovag, by the Hungarian poet János Arany. A performance takes about three hours.
References
- ↑ "Strauss II, J.: Edition – Vol. 9 CD". Naxos Records. Retrieved 9 November 2024. liner notes
