"Die Bajadere" is one of Johann Strauss II's polkas, Op. 351. A bajadere was a temple dancer in the European vision of legendary India being popularized by the first translations of Indian classic literature into European languages. The European view melded all the world east of Suez into an exotic locale. The themes of "Die Bajadere" were drawn from the score of Strauss's first operetta, Indigo und die vierzig Räuber ("Indigo and the Forty Thieves"), loosely based on the Arabian Nights , which premiered in 1871 at the Theater an der Wien in Vienna.
'Die Bajadere' begins in the key of A major and has two complete sections in the same key before a brief Intrada heralds the Trio section of the work. The Trio section, in D major is heavily accented in the 1st part but is more lyrical in the second. After a general repeat of the same A major 1st part and its successive 2nd one, the polka proceeds into a frenzy, heavily-chorded phrase with an abrupt conclusion, all in the home key.
The work has been performed at the Neujahrskonzert of the Vienna Philharmonic Orchestra as recently as for the 2005 edition conducted by Lorin Maazel.
Marius Petipa's ballet La Bayadère premiered at the Mariinsky Theatre, Saint Petersburg, February 4, 1877. [1]
The polka is originally a Czech dance and genre of dance music familiar throughout all of Europe and the Americas. It originated in the middle of the 1800s century in Bohemia, now part of the Czech Republic. The polka remains a popular folk music genre in many European and American countries, and is performed by many folk artists.
The Vienna New Year's Concert is an annual concert of classical music performed by the Vienna Philharmonic on the morning of New Year's Day in Vienna, Austria. The concert occurs at the Musikverein at 11:15. The orchestra performs the same concert programme on 30 December, 31 December, and 1 January but only the last concert is regularly broadcast on radio and television.
Maximilian Steiner was an Austrian actor and theater director and manager. He is known particularly for his leadership of Vienna's Theater an der Wien from 1869 to 1880, a period during which the theater reduced the importance of folk plays and was prominent in developing and promoting the fashion of a Viennese style of operetta.
The polka-mazurka is a dance, musically similar to the mazurka, but danced much like the polka. Many polka-mazurkas were composed by Johann Strauss II and his family. Johann Strauss I did not compose any of this type of music; the first polka-mazurka example written by the Strauss family was in the year 1854 by Johann Strauss II, entitled La Viennoise op. 144.The polka-mazurka was not credited to the Strauss family alone, as many Viennese composers in the 1850s era also wrote many examples. This variant of the polka was seen as cross-cultural, as many of its influences can be seen in the French-polka with its feminine and deliberate steps as well as the exciting schnell-polka, where Eduard Strauss composed many famous pieces of this type.
Josef Strauss was an Austrian composer.
"The Blue Danube" is the common English title of "An der schönen, blauen Donau", Op. 314, a waltz by the Austrian composer Johann Strauss II, composed in 1866. Originally performed on 15 February 1867 at a concert of the Wiener Männergesangsverein, it has been one of the most consistently popular pieces of music in the classical repertoire. Its initial performance was considered only a mild success, however, and Strauss is reputed to have said, "The devil take the waltz, my only regret is for the coda—I wish that had been a success!"
Johann Strauss III was an Austrian composer whose father was Eduard Strauss, whose uncles were Johann Strauss II and Josef Strauss, and whose grandfather was Johann Strauss I. He was unofficially entrusted with the task of upholding his family's tradition after the dissolution of the Strauss Orchestra by his father in 1901. His talents were not fully realized during his lifetime as musical tastes had changed in the Silver Age with more popular composers such as Franz Lehár and Oscar Straus dominating the Viennese musical scene with their operettas, although his uncle, Johann Strauss II, supervised his development as a musician, a fact disputed by Eduard Strauss.
Joseph Lanner was an Austrian dance music composer and dance orchestra conductor. He is best remembered as one of the earliest Viennese composers to reform the waltz from a simple peasant dance to something that even the highest society could enjoy, either as an accompaniment to the dance, or for the music's own sake. He was just as famous as his friend and musical rival Johann Strauss I, who was better known outside of Austria in their day because of his concert tours abroad, in particular, to France and England.
Aschenbrödel (Cinderella) is a ballet written by Johann Strauss II. He had written all the principal parts of the ballet, and was intending to fill in the orchestration as time permitted. However, Strauss died in 1899, and it was finished by composer Josef Bayer in 1900.
Wiener Blut Op. 354 is a waltz by Johann Strauss II first performed by the composer on 22 April 1873. The new dedication waltz was to celebrate the wedding of the Emperor Franz Joseph I's daughter Archduchess Gisela Louise Maria and Prince Leopold of Bavaria. However, the waltz was also chiefly noted by Strauss' biographers as the début of Strauss with the Vienna Philharmonic Orchestra where for many years, the Philharmonic had dismissed any association with the 'Waltz King' as it had not wished to be associated with mere 'light' or 'pops' music. The festival ball celebrating the event was held at the Musikverein Hall which is the venue for the present day Neujahrskonzert.
Vergnügungszug op. 281 is a polka composed by Johann Strauss II in 1864. It was written for the Association of Industrial Societies' Ball held in the Redoutensaal on 19 January 1864 and was inspired by the opening of the Austrian Southern Railway – the Südbahn – which operated many 'pleasure trains' offering trips from Vienna to the countryside.
Schatz-Walzer op. 418 is a Viennese Waltz by Johann Strauss II composed in 1885. The melodies from this waltz were drawn from Strauss' operetta Der Zigeunerbaron which premiered to critical acclaim on 24 October 1885.
Die Bajadere is an operetta in 3 acts composed by Hungarian composer Emmerich Kálmán. The libretto was written by Julius Brammer and Alfred Grünwald. The work premiered in Vienna at the Carltheater on 23 December 1921. With the English-language title of The Yankee Princess, the work received its first New York City performances in October 1922.
Indigo und die vierzig Räuber is an operetta composed by Johann Strauss II to a German libretto by Maximilian Steiner based on the tale "Ali Baba and the Forty Thieves" from The Book of One Thousand and One Nights.
Bayadere may refer to:
La Bayadère is a ballet, originally staged in four acts and seven tableaux by French choreographer Marius Petipa to the music of Ludwig Minkus. The ballet was staged especially for the benefit performance of the Russian Prima ballerina Ekaterina Vazem, who created the principal role of Nikiya. La Bayadère was first presented by the Imperial Ballet at the Imperial Bolshoi Kamenny Theatre in St. Petersburg, Russia, on 4 February [O.S. 23 January] 1877. From the first performance the ballet was universally hailed by contemporary critics as one of the choreographer Petipa's supreme masterpieces, particularly the scene from the ballet known as The Kingdom of the Shades, which became one of the most celebrated pieces in all of classical ballet. By the turn-of-the 20th century, The Kingdom of the Shades scene was regularly extracted from the full-length work as an independent showpiece, and it has remained so to the present day.
Ludwig Minkus, also known as Léon Fyodorovich Minkus, was a Jewish-Austrian composer of ballet music, a violin virtuoso and teacher.
Cagliostro in Wien is an operetta in three acts by Johann Strauss II to a libretto by F. Zell and Richard Genée. It premiered on 27 February 1875 at the Theater an der Wien, featuring Marie Geistinger and Alexander Girardi.
Schlagobers, Op. 70, is a ballet in two acts with a libretto and score by Richard Strauss. Composed in 1921–22, it was given its première at the Vienna State Opera on 9 May 1924.
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