"Auf der Jagd" ("On the Hunt"), op. 373, is a polka composed by Johann Strauss II. The composition is based on melodies in Strauss' operetta Cagliostro in Wien (Cagliostro in Vienna). [1]
It was first performed in the late autumn of 1875, probably with the composer's brother Eduard conducting the Strauss Orchestra. Fritz Racek suggests the première may have occurred at the Vienna Volksgarten on 5 October 1875. [2]
A pistol shot is specified in the piano and orchestral score. [3]
Johann Baptist Strauss II, also known as Johann Strauss Jr., the Younger or the Son, was an Austrian composer of light music, particularly dance music and operettas as well as a violinist. He composed over 500 waltzes, polkas, quadrilles, and other types of dance music, as well as several operettas and a ballet. In his lifetime, he was known as "The Waltz King", and was largely responsible for the popularity of the waltz in Vienna during the 19th century. Some of Johann Strauss's most famous works include "The Blue Danube", "Kaiser-Walzer", "Tales from the Vienna Woods", "Frühlingsstimmen", and the "Tritsch-Tratsch-Polka". Among his operettas, Die Fledermaus and Der Zigeunerbaron are the best known.
Ariadne auf Naxos, Op. 60, is a 1912 opera by Richard Strauss with a German libretto by Hugo von Hofmannsthal. The opera's unusual combination of elements of low commedia dell'arte with those of high opera seria points up one of the work's principal themes: the competition between high and low art for the public's attention.
Cagliostro-Walzer op.370 is a waltz by Johann Strauss II composed in 1875 based on themes from his operetta, Cagliostro in Wien which premiered on 27 February 1875 at the famous Theater an der Wien.
Leopoldine Rysanek was an Austrian dramatic soprano.
Explosions-Polka, Op. 43, is a polka written by Johann Strauss II in 1847. The title was inspired by a discovery of guncotton or nitrocellulose by German scientist Christian Friedrich Schönbein in 1840. The Viennese press eagerly reported this discovery many years later in 1846, describing many products that can then be made 'explosive'.
Diana Damrau is a German soprano who achieved international fame for her performances, primarily in opera, but also in concert and lieder. She has been successful in coloratura soprano roles since her early career, and gradually proceeded into heavier roles of the 19th-century Italian bel canto repertoire. Her signature roles include the Queen of the Night in The Magic Flute, Zerbinetta in Ariadne auf Naxos, Lucia in Lucia di Lammermoor, and Violetta in La traviata.
Franz Friedrich Richard Genée was a Prussian born Austrian librettist, playwright, and composer.
Cagliostro in Wien is an operetta in three acts by Johann Strauss II to a libretto by F. Zell and Richard Genée. It premiered on 27 February 1875 at the Theater an der Wien, featuring Marie Geistinger and Alexander Girardi.
Sträußchen (Bouquets), op. 15, is a waltz composed by Johann Strauss II in July 1845. It was first performed at the first ball held in the newly renovated 'Zum goldenen Strauss' ballroom in the buildings of the Theater in der Josefstadt in Vienna.
Trau, schau, wem!, Op. 463, is a waltz composed by Johann Strauss II. The composition was dedicated to the portrait painter Franz von Lenbach. It was based on melodies from Strauss's operetta Waldmeister – the work is therefore also known as "Waldmeister Walzer". It premiered on 15 December 1895 in the Golden Hall of the Vienna Musikverein, conducted by Eduard Strauss.
Lob der Frauen, Op. 315, is a polka-mazurka composed by Johann Strauss II. The composition was first performed at the Vienna Volksgarten at the 1867 Carnival in Vienna. The work was performed alongside other compositions that Strauss had written around that period, including the famous waltzes Blue Danube and Artist's Life.
Bitte schön!, opus 372, is a polka composed by Johann Strauss II. The first two themes of the composition incorporate Strauss' operetta Cagliostro in Wien. The composition was first performed in the summer of 1872.
Herzenslust, Op. 3, is a polka composed by Johann Strauss II in the fall of 1844 for his debut as a composer at the Dommayer's Casino establishment in Vienna. It was performed along with several of Strauss' other early compositions, such as the waltzes Sinngedichte and Gunstwerber, and the Debut-Quadrille. Reviewing Strauss' debut, the journal Der Wanderer noted that both the Debut-Quadrille and the Herzenslust Polka "are so piquant in their inspiration, and handled with such glittering effect in the instrumentation that we […] have to recognise and commend the bold and exuberant talent of Strauss Son."
Carnevalsbilder, opus 357, is a waltz composed by Johann Strauss II. The waltz is based on melodies from Strauss' operetta Der Karneval in Rom. Strauss conducted its first performance in Vienna on July 9, 1873. Oscar Straus later arranged the second waltz theme of Carnevalsbilder for his operetta Drei Walzer as the soprano aria Ich liebe das Leben.
Der lustige Krieg is a three-act operetta composed by Johann Strauss II. The work was first performed on 25 November 1881 at the Theater an der Wien. Its libretto was by F. Zell and Richard Genée. The operetta was well received at its premiere, and was performed 69 times during its first run.
Anny Felbermayer was an Austrian soprano in opera and concert. The lyric soprano was a long-term member of the Vienna State Opera. She appeared in many operas by Richard Strauss, including the premiere of his Die Liebe der Danae at the Salzburg Festival in 1952.
Sophie Koch is a French operatic mezzo-soprano who made an international career, performing Rosina in Rossini's Il barbiere di Siviglia at the Royal Opera House, the Composer in Ariadne auf Naxos by Richard Strauss at the Semperoper in Dresden, and Charlotte in Massenet's Werther at the Paris Opera, among others. Octavian in Der Rosenkavalier by Richard Strauss became her signature role. She has also performed in concert and recital, and made recordings.
Gottfried Hornik is an Austrian operatic baritone and voice teacher. He was a member of the Vienna State Opera for 25 years and appeared worldwide in leading roles. His signature role was Beckmesser in Wagner's Die Meistersinger von Nürnberg. He was awarded the title of an Austrian Kammersänger.
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