Under the Sun is the second album by Australian rock group Paul Kelly & The Coloured Girls and was originally released in December 1987 by Mushroom Records. In the North American and European markets, it was released by A&M Records in 1988 with the band credited as Paul Kelly & The Messengers, with a different track order and listing.
Frente! is an Australian folk-pop and indie pop group which originally formed in 1989. The original line-up consisted of Simon Austin on guitar and backing vocals, Angie Hart on lead vocals, Tim O'Connor on bass guitar, and Mark Picton on drums.
Deadstar were an Australian alternative rock band formed in August 1995 by Peter Jones on drums and percussion; Caroline Kennedy on lead vocals and guitar; and Barry Palmer on guitar and bass guitar. They released three studio albums, deadstar, Milk and Somewhere Over the Radio. Two singles reached the top 100 on the ARIA Singles Chart, "Run Baby Run" and "Deeper Water", both in 1999. The group were nominated for three ARIA Music Awards. The group disbanded in 2001.
"Put Yourself in My Place" is a song recorded by Australian singer Kylie Minogue, taken from her fifth and eponymous studio album (1994). It was released as the record's second single on 14 November 1994, and was distributed by Deconstruction and Mushroom as a CD single, cassette tape and 12-inch vinyl. The track was written, arranged, and produced by Jimmy Harry, and was recorded in New York City with the parent album's engineer Doug Deangelis. A ballad that discusses themes of ending a relationship and moving on, the song's sound incorporates musical elements of trip hop and pop music.
Marvin the Album is the Australian folk-pop and alternative rock group Frente!'s debut album, released 24 November 1992, and recorded in 1992 at Platinum Studios in Melbourne, Australia. Music videos were made for the tracks "Accidently Kelly Street" [sic], "Ordinary Angels" and "No Time", each of which were also released as singles. Additional videos were made for "Lonely" and "Bizarre Love Triangle" when these tracks were appended to the international release.
Indecent Obsession were an Australian pop rock band formed early in 1987 in Brisbane with founding mainstays Daryl Sims on drums and Michael Szumowski on keyboards. By 1988 the line-up also included Andrew Coyne on lead guitar and David Dixon on lead vocals. They released three studio albums, Spoken Words and Indio, both reached the top 50 on the ARIA Albums Chart. In 1990 Spoken Words was repackaged for United States market as Indecent Obsession, which reached the Billboard 200. In May 1989 they issued their debut single, "Say Goodbye", which peaked at No. 6 on the ARIA Singles Chart – their highest position in Australia. Their second single, "Tell Me Something" (September), reached No. 17 nationally. When issued in the US it peaked at No. 31 on the Billboard Hot 100. It reached No. 1 in Indonesia and Hong Kong, and Top 10 in Japan and South Africa. For the Asian market the band used the shortened name, Obsession. In 1992 they were the first Western act to tour South Africa after the lifting of the cultural isolation during the apartheid era. They were "greeted by screaming fans and scenes of mass hysteria", both their second album, Indio, and one of its singles, "Kiss Me", peaked at No. 1 on the relevant South African charts. By 1993 Sims and Szumowski were joined by Mark Gray on bass guitar, Richard Hennassey on lead vocals and Graham Kearns on lead guitar. The following year they issued another studio album, Relativity, before disbanding a year later.
Angela Ruth Hart, billed as Angie Hart, is an Australian singer best known for her role as lead vocalist in the alternative pop rock band Frente! and the indie pop duo Splendid with her then-husband Jesse Tobias. Hart's solo career commenced in 2006 with the release of the album, Grounded Bird (2007).
Simon Sean Nicholas David Austin is an Australian guitarist, songwriter, producer and sound engineer. Austin was a founding member of Frente! in Melbourne in 1989 with Angie Hart on vocals, Tim O'Connor on bass guitar and Mark Picton on drums. Their top five hits on the Australian Recording Industry Association (ARIA) Singles Chart were "Ordinary Angels" and "Accidently [sic] Kelly Street". Their debut album, Marvin the Album, reached top five on the ARIA Albums Chart in the same year. After Frente! disbanded in 1996, Austin moved into record production and sound engineering.
Talk is the debut album by Australian rock group Paul Kelly and the Dots and was originally released on 30 March 1981 by Mushroom Records and re-released in 1990. Jo Jo Zep & The Falcons leader Joe Camilleri produced seven of the eleven tracks with three tracks produced by Martin Armiger and one by Trevor Lucas. The album spawned the singles, "Recognition", "Billy Baxter" and "Lowdown". Only "Billy Baxter" appeared on the Kent Music Report Singles Chart it peaked at No. 38. The album peaked at No. 44 on the related Albums Chart. All tracks were written by Kelly, including two co-written with guitarist Chris Langman.
"Careless" is a song by Australian rock group Paul Kelly and the Messengers, released in October 1989 as the second single from their 1989 studio album, So Much Water So Close to Home. The song was written by Kelly and co-produced with Scott Litt. The single was released in October 1989 on the Mushroom Records label. It peaked at number 116 on the ARIA singles chart. The song was later covered by Renée Geyer on Difficult Woman (1994), Angie Hart on Women at the Well (2002), and Ozi Batla on Before Too Long (2010).
"Billy Baxter" is a song by Australian rock group Paul Kelly and the Dots, released on 20 October 1980 as the lead single from the album Talk (1981). It was written by band members Paul Kelly and Chris Langman. It peaked at No. 38 on the Australian Kent Music Report Singles Chart. The song was produced by Joe Camilleri for Mushroom Records. In early November the group performed the track on national pop music TV show, Countdown – it was Kelly's first TV appearance. The song's subject, Billy Baxter, is an Australian musician and was a long term member of Coodabeens Footy Show on ABC Radio National.
"Last Train to Heaven" is a song written by Paul Kelly for the album, Gossip, which was performed by his group, Paul Kelly & the Coloured Girls. It was re-written as "Last Train", a dance-orientated remake, and is the first single released by Christine Anu. Anu and Kelly performed "Last Train" as a duet, which was issued on 20 September 1993 and peaked at No. 93 on the Australian ARIA Singles Chart in the following month. It was listed at No. 61 on national radio, Triple J's Hottest 100 for 1993.
"Apple Eyes" is a song by Australian band Swoop that was released in October 1995 as the third single from the group's second studio album, The Woxo Principle (1995). It was their most successful single, peaking at number nine on the Australian ARIA Singles Chart. The single was certified gold by Australian Recording Industry Association (ARIA) for shipments exceeding 35,000 copies. At the ARIA Music Awards of 1996, the song was nominated for Song of the Year and Best Video.
"Happy Man" is a song by Australian power pop band, Sunnyboys. It was written by lead singer-guitarist, Jeremy Oxley, and was the first single released in June 1981, on Mushroom Records, from their self-titled debut album, which followed in September. The studio tracks were produced by Lobby Loyde and engineered by Colin Freeman at Alberts Studios, Sydney. "Happy Man" reached No. 26 on the Kent Music Report singles chart. The live tracks were recorded at the Bombay Rock, Brunswick.
"Wouldn't Change a Thing" is a song performed by Australian singer-songwriter Kylie Minogue, recorded for her second studio album Enjoy Yourself (1989). The song was written by Stock Aitken Waterman, and was released on 24 July 1989 by Mushroom and PWL Records. The song was released as the second single off the album.
Clunk is the second extended play (EP) by Australian alternative rock group Frente!. The five-track EP, produced by Daniel Denholm, was released in March 1992 via the White Label imprint of Mushroom Records. It peaked at No. 3 on Australia's ARIA Singles Chart. Its lead track, "Ordinary Angels", won Breakthrough Artist – Single at ARIA Music Awards of 1993. That track also appeared on their debut album, Marvin the Album, in November and was released as a single in Europe and North America in 1993.
"Ordinary Angels" is a song by Australian indie pop group Frente!. The song was not released as single in Australia but was included on the Clunk EP, which peaked at number three on the Australian ARIA Singles Chart in 1992. "Ordinary Angels" was released in North America and Europe in 1993 and was included on their first full-length album Marvin the Album. The song won the Breakthrough Artist – Single category at the ARIA Music Awards of 1993.
Lonely is the fourth extended play (EP) by Australian alternative rock group Frente!. It was released in Australia in May 1994 and peaked at number seven on the Australian Singles Chart, earning a gold sales certification. Prior to the EP's release, "Lonely" was originally issued as a three-track single in January 1994 and peaked at number 88 on the Australian Singles Chart.
Live at Fez, New York 2004 is the first live album by Australian alternative rock group Frente!. It was recorded in New York City in 2004 The album was released as a download in 2014 to pledgers of Frente!'s pledgemusic campaign to re-release a remastered Marvin the Album . It was self-released and unable to chart.
"Pash" is a pop song by Australian singer Kate Ceberano. It was released in 1997 as the first single from her sixth studio album of the same name. The track was co-written by Ceberano with the album's producer, Mark Goldenberg. In March 1998, it peaked at number 10 on the Australian ARIA Singles Chart and was certified gold by the Australian Recording Industry Association (ARIA) for shipment of 35,000 copies. In New Zealand, it reached the top 40. At the ARIA Music Awards of 1998, Ceberano was nominated for Best Female Artist for "Pash". AllMusic's Jonathan Lewis reviewed the album and observed, "The '60s-influenced pop of the title track became her biggest hit since 'Bedroom Eyes'."
