The Akkadian disputation poem or Akkadian debate, also known as the Babylonian disputation poem, is a genre of Akkadian literature in the form of a disputation. They feature a dialogue or a debate involving two contenders, usually cast as inarticulate beings such as particular objects, plants, animals, and so forth. Extant compositions from this genre date from the early 2nd millennium BC, the earliest example being the Tamarisk and Palm , to the late 1st millennium BC. These poems occur in verse and follow a type of meter called 2||2 or Vierheber, which is the same meter found in some other Akkadian texts like the Enuma Elish. [1]
None of the known Akkadian disputation poems are translations of works of the same, but earlier genre, in the Sumerian language, namely the Sumerian disputations; Akkadian disputations utilize different literary conventions and verse structure, debate different topics, and so on, although Tamarisk and Palm has one Sumerian loanword. [2] Nevertheless, some remarkable phraseological continuity is attested, such as between Hoe and Plough with the Akkadian Palm and Vine , even though two millennia separate their composition. [3] The disputants of some of the poems are also similar to the disputants of some Sumerian disputations. For example, Tamarisk and Palm and Palm and Vine both feature two plant contenders: this is alike the Sumerian Debate between tree and reed . [4]
Akkadian disputations, despite being more recent than their Sumerian counterpart, have significantly more fragmentary manuscripts. A dozen lines survive of the Donkey Disputation and that less than a tenth is now known of the Series of the Poplar and the Series of the Fox , which, originally, would have been hundreds of verses in length. [5]
Scholarly work on the Akkadian disputations was first synthesized by Wilfred Lambert. [6] [7]
Akkadian disputations share a rigid structure alongside earlier Sumerian disputations, which is also evident in disputations that occur in disputations from later periods in languages including Syriac, Arabic, Persian, and Turkish. The structure is as follows: [8]
The prologue introduces the story from the beginning of time and presents a cosmogony explaining the origins of the cosmos, and in this context, alludes or foreshadows the rivalry between the two contenders even from this early period. [9]
The disputation is a dialogue between the two (or, one occasion, more) contenders. Arguments either involve citing their own positive quality or utility to humans, or degrading the utility of the other. Narration is frequent, unlike in some of the disputations that occur in Aesop's fables, occurring only in small segments in Series of the Fox and Nissaba and Wheat. [10]
The adjudication scene involves one or both contenders appealing to a third-party to determine the winner of the dispute. In Sumerian disputations, the third party is either a king or a god (like Enlil). The fragmentary nature of Akkadian disputations prevents a clear determination of whether this continued in these texts. Some probably did, however the two Akkadian poems whose adjudication scenes are preserved, Series of the Fox and Nissaba and Wheat, do not end in such a manner. [1]
Akkadian literature is the ancient literature written in the Akkadian language in Mesopotamia during the period spanning the Middle Bronze Age to the Iron Age.
Disputation is a genre of literature involving two contenders who seek to establish a resolution to a problem or establish the superiority of something. An example of the latter is in Sumerian disputation poems.
Lugalbanda was a deified Sumerian king of Uruk who, according to various sources of Mesopotamian literature, was the father of Gilgamesh. Early sources mention his consort Ninsun and his heroic deeds in an expedition to Aratta by King Enmerkar.
Enkimdu (𒀭𒂗𒆠𒅎𒁺) was a Mesopotamian god associated with agriculture and irrigation. He is best known from the poem Dumuzi and Enkimdu, but in laments he was instead connected with the god Martu, who like Dumuzi could be described and depicted as a shepherd.
Sumerian literature constitutes the earliest known corpus of recorded literature, including the religious writings and other traditional stories maintained by the Sumerian civilization and largely preserved by the later Akkadian and Babylonian empires. These records were written in the Sumerian language in the 3rd and 2nd millennia BC during the Middle Bronze Age.
Dumuzid, titled the Fisherman, was a legendary Sumerian king of Uruk listed originating from Kuara. According to legend, in the one-hundredth year of his reign, he was captured by Enmebaragesi.
The "Debate between bird and fish" is an essay written in the Sumerian language on clay tablets, dating back to the mid to late 3rd millennium BC. It belongs to the genre of Sumerian disputation.
Sumerian religion was the religion practiced by the people of Sumer, the first literate civilization found in recorded history and based in ancient Mesopotamia, and what is modern day Iraq. The Sumerians widely regarded their divinities as responsible for all matters pertaining to the natural and social orders of their society.
The Oak and the Reed is one of Aesop's Fables and is numbered 70 in the Perry Index. It appears in many versions: in some it is with many reeds that the oak converses and in a late rewritten version it disputes with a willow.
The "Debate between sheep and grain" or "Myth of cattle and grain" is a Sumerian disputation and creation myth, written on clay tablets in the mid to late 3rd millennium BC.
The Debate between Winter and Summer or Myth of Emesh and Enten is a Sumerian creation myth belonging to the genre of Sumerian disputations, written on clay tablets in the mid to late 3rd millennium BC.
The Sumerian disputation poem or Sumerian debate is a genre of Sumerian literature in the form of a disputation. Extant compositions from this genre date to the middle-to-late 3rd millennium BC. There are six primary poems belonging to this genre. The genre of Sumerian disputations also differs from Aesopic disputations as the former contain only dialogue without narration. In their own language, the texts are described as adamin in the doxologies at the end of the poem, which literally means "contests (between) two".
The "Series of the Poplar" is an Akkadian disputation poem containing a discussion between a Poplar, an Ash, and probably other trees, who each tries to establish his preeminence in the vegetal kingdom by listing their many uses and excellent qualities. Most of the surviving examples of the work are from the library of King Assurbanipal of Nineveh, "one of the most important repositories of texts from the entire ancient world".
The Series of Ox and Horse is an Akkadian disputation poem. It contains a poetic dispute between an ox and a horse and perhaps other animals. Around 200 mostly fragmentary verses are known, but it is uncertain how long the text originally was, or in which order the preserved fragments should be arranged.
Palm and Vine is an Akkadian disputation poem. It contains a disputation poem between two litigants, Palm and Vine, each of which praises its own merits and many uses, and discredits those of its rival. The text may have been composed in the second-millennium BCE, but only first-millennium manuscripts of it are known. Fifty-four lines from the middle section of the text are preserved, which begin in medias res with a long speech of Palm, immediately followed by Vine's rejoinder. Three library manuscripts of the poem are known, as well as an excerpt on a peculiar school tablet.
The Story of the Poor, Forlorn Wren is a work of Akkadian literature, preserved only in late manuscripts. It contains a fable featuring a wren and an eagle. It is an example of poetic expression in the literature of Iraq in the first millennium BCE.
The Debate between tree and reed is a work of Sumerian literature belonging to the genre of disputations poem. It was written on clay tablets and dates to the Third Dynasty of Ur. The text was reconstructed by M. Civil in the 1960s from 24 manuscripts but it is currently the least studied of the disputation poems and a full translation has not yet been published. Some other Sumerian disputations include the dispute between bird and fish, cattle and grain, and Summer and Winter.
The Debate between the hoe and the plough is a work of Sumerian literature and one of the six extant works belonging to this literature's genre of disputations poem. It was written on clay tablets and dates to the Third Dynasty of Ur and runs 196 lines in length. The text was reconstructed by M. Civil in the 1960s. The two protagonists, as in other disputation poems, are two inarticulate things: in this case, two pieces of agricultural equipment, the hoe and the plough. The debate is about which is the better tool.
The Debate between silver and copper is a work of Sumerian literature and one of the six extant works belonging to this literature's genre of disputations poem. It was written on clay tablets and dates to the Third Dynasty of Ur and runs 196 lines in length. The text was reconstructed by M. Civil in the 1960s. Like other Sumerian disputation poems, it features two typically inarticulate things debating over which one is superior.
Tamarisk and Palm is an Akkadian disputation poem written on clay tablets and dates to the 18th century BC from the reign of Hammurabi. The poem features an argument between a tamarisk and a date palm; the Tamarisk leads in the name of the poem because it presents the first speech during the debate, followed by a reply from Palm. The text is fragmentary but appears to have followed the typical structure of Sumerian disputation poems. It was the most famous Akkadian disputation poem of antiquity, with its manuscripts ranging from the 18th to 12th centuries BC, and it continues to be the best-known Akkadian disputation today.