A Dyson sphere is a hypothetical megastructure that encompasses a star and captures a large percentage of its power output. The concept is a thought experiment that attempts to imagine how a spacefaring civilization would meet its energy requirements once those requirements exceed what can be generated from the home planet's resources alone. Because only a tiny fraction of a star's energy emissions reaches the surface of any orbiting planet, building structures encircling a star would enable a civilization to harvest far more energy.
Laurence van Cott Niven is an American science fiction writer. His 1970 novel Ringworld won the Hugo, Locus, Ditmar, and Nebula awards. With Jerry Pournelle he wrote The Mote in God's Eye (1974) and Lucifer's Hammer (1977). The Science Fiction and Fantasy Writers of America gave him the 2015 Damon Knight Memorial Grand Master Award.
Known Space is the fictional setting of about a dozen science fiction novels and several collections of short stories by American writer Larry Niven. It has also become a shared universe in the spin-off Man-Kzin Wars anthologies. The Internet Speculative Fiction Database (ISFDB) catalogs all works set in the fictional universe that includes Known Space under the series name Tales of Known Space, which was the title of a 1975 collection of Niven's short stories. The first-published work in the series, which was Niven's first published piece, was "The Coldest Place", in the December 1964 issue of If magazine, edited by Frederik Pohl. This was the first-published work in the 1975 collection.
Ringworld is a 1970 science fiction novel by Larry Niven, set in his Known Space universe and considered a classic of science fiction literature. Ringworld tells the story of Louis Wu and his companions on a mission to the Ringworld, an enormous rotating ring, an alien construct in space 186 million miles in diameter. Niven later wrote three sequel novels and then cowrote, with Edward M. Lerner, four prequels and a final sequel; the five latter novels constitute the Fleet of Worlds series. All the novels in the Ringworld series tie into numerous other books set in Known Space. Ringworld won the Nebula Award in 1970, as well as both the Hugo Award and Locus Award in 1971.
The Ringworld science fiction role-playing game was published by Chaosium in 1984, using the Basic Role-Playing system for its rules and Larry Niven's Ringworld novels as a setting.
In discussion of science fiction, a Big Dumb Object (BDO) is any mysterious object, usually of extraterrestrial or unknown origin and immense power, in a story which generates an intense sense of wonder by its mere existence. To a certain extent, the term deliberately deflates the intended grandeur of the mysterious object.
A matrioshka brain is a hypothetical megastructure of immense computational capacity powered by a Dyson sphere. It was proposed in 1997 by Robert J. Bradbury (1956–2011). It is an example of a class-B stellar engine, employing the entire energy output of a star to drive computer systems. This concept derives its name from the nesting Russian matryoshka dolls. The concept was deployed by Bradbury in the anthology Year Million: Science at the Far Edge of Knowledge.
Xenoarchaeology, a branch of xenology dealing with extraterrestrial cultures, is a hypothetical form of archaeology that exists mainly in works of science fiction. The field is concerned with the study of the material remains to reconstruct and interpret past life-ways of alien civilizations. Xenoarchaeology is not currently practiced by mainstream archaeologists due to the current lack of any material for the discipline to study.
A megastructure is a very large artificial object, although the limits of precisely how large vary considerably. Some apply the term to any especially large or tall building. Some sources define a megastructure as an enormous self-supporting artificial construct. The products of megascale engineering or astroengineering are megastructures.
Megascale engineering is a form of exploratory engineering concerned with the construction of structures on an enormous scale. Typically these structures are at least 1,000 km (620 mi) in length—in other words, at least one megameter, hence the name. Such large-scale structures are termed megastructures.
Globus Cassus is an art project and book by Swiss architect and artist Christian Waldvogel presenting a conceptual transformation of planet Earth into a much bigger, hollow, artificial world with an ecosphere on its inner surface. It was the Swiss contribution to the 2004 Venice Architecture Biennale and was awarded the gold medal in the category "Most beautiful books of the World" at the Leipzig Book Fair in 2005. It consists of a meticulous description of the transformation process, a narrative of its construction, and suggestions on the organizational workings on Globus Cassus.
A Dyson tree is a hypothetical genetically engineered plant capable of growing inside a comet, suggested by the physicist Freeman Dyson. Plants may be able to produce a breathable atmosphere within the hollow spaces of the comet, utilising solar energy for photosynthesis and cometary materials for nutrients, thus providing self-sustaining habitats for humanity in the outer solar system analogous to a greenhouse in space, a shell grown by a mollusc or the actions of thermogenic plants, such as the skunk cabbage or the voodoo lily.
Stellar engineering is a type of engineering concerned with creating or modifying stars through artificial means.
The Man-Kzin Wars is the name of a series of military science fiction anthologies as well as the name of the first book in the series. The short stories detail the eponymous conflicts between mankind and the Kzinti, set in Larry Niven's Known Space universe. However, Niven himself has written only a small number of the stories; most were written by other science fiction writers, as Niven opened this part of the Known Space to collaboration in the form of a shared universe. The cover art for the books in the series is created by Stephen Hickman.
Planets outside of the Solar System have appeared in fiction since at least the 1850s, long before the first real ones were discovered in the 1990s. Most of these fictional planets do not differ significantly from the Earth, and serve only as settings for the narrative. The majority host native lifeforms, sometimes with humans integrated into the ecosystems. Fictional planets that are not Earth-like vary in many different ways. They may have significantly stronger or weaker gravity on their surfaces, or have a particularly hot or cold climate. Both desert planets and ocean planets appear, as do planets with unusual chemical conditions. Various peculiar planetary shapes have been depicted, including flattened, cubic, and toroidal. Some fictional planets exist in multiple-star systems where the orbital mechanics can lead to exotic day–night or seasonal cycles, while others do not orbit any star at all. More fancifully, planets are occasionally portrayed as having sentience, though this is less common than stars receiving the same treatment or a planet's lifeforms having a collective consciousness.
Stars outside of the Solar System have been featured as settings in works of fiction since at least the 1600s, though this did not become commonplace until the pulp era of science fiction. Stars themselves are rarely a point of focus in fiction, their most common role being an indirect one as hosts of planetary systems. In stories where stars nevertheless do get specific attention, they play a variety of roles. Their appearance as points of light in the sky is significant in several stories where there are too many, too few, or an unexpected arrangement of them; in fantasy, they often serve as omens. Stars also appear as sources of power, be it the heat and light of their emanating radiation or superpowers. Certain stages of stellar evolution have received particular attention: supernovae, neutron stars, and black holes. Stars being depicted as sentient beings—whether portrayed as supernatural entities, personified in human form, or simply anthropomorphized as having intelligence—is a recurring theme. Real stars occasionally make appearances in science fiction, especially the nearest: the Alpha Centauri system, often portrayed as the destination of the first interstellar voyage. Tau Ceti, a relatively-nearby star regarded as a plausible candidate for harbouring habitable planets, is also popular.
A Bishop Ring is a type of hypothetical rotating space habitat originally proposed in 1997 by Forrest Bishop of the Institute of Atomic-Scale Engineering. The concept is a smaller scale version of the Banks Orbital, which itself is a smaller version of the Niven ring. Like other space habitat designs, the Bishop Ring would spin to produce artificial gravity by way of centrifugal force. The design differs from the classical designs produced in the 1970s by Gerard K. O'Neill and NASA in that it would use carbon nanotubes instead of steel, allowing the habitat to be built much larger. In the original proposal, the habitat would be approximately 1,000 km (620 mi) in radius and 500 km (310 mi) in width, containing 3 million square kilometers of living space, comparable to the area of Argentina or India.
Engineering on an astronomical scale, or astronomical engineering, i.e., engineering involving operations with whole astronomical objects, is a known theme in science fiction, as well as a matter of recent scientific research and exploratory engineering.
"Bigger Than Worlds" is an essay by the American science fiction writer Larry Niven. It was first published in March 1974 in Analog magazine, and has been anthologized in A Hole in Space (1974) and in Playgrounds of the Mind (1991). It reviews a number of proposals, not inconsistent with the known laws of physics, which have been made for habitable artificial astronomical megastructures.
An artificial planet is a proposed stellar megastructure. Its defining characteristic is that it has sufficient mass to generate its own gravity field that is strong enough to prevent atmosphere from escaping, although the term has been sometimes used to describe other types of megastructures that have self-sufficient ecosystems. The concept can be found in many works of science-fiction.
