Adele Addison is an American lyric soprano who was a figure in the classical music world during the 1950s and 1960s. Although she did appear in several operas, Addison spent most of her career performing in recital and concert. Her performances spanned a wide array of literature from the Baroque period to contemporary compositions. She is best remembered today as the singing voice for Bess in the 1959 movie, Porgy and Bess. Known for her polished and fluent tone, Addison made a desirable Baroque vocal artist. She can be heard on numerous recordings, of which her Baroque performances are perhaps her best work. Many of her recordings were made with the New York Philharmonic under the baton of Leonard Bernstein.
Thomas Bernard Heppner is a Canadian tenor and broadcaster, now retired from singing, who specialized in opera and other classical works for voice.
Jane Eaglen is an English soprano particularly known for her interpretations of the works of Richard Wagner and the title roles in Bellini's Norma and Puccini's Turandot.
Frances Yeend was an American classical soprano who had an active international career as a concert and opera singer during the 1940s through the 1960s. She had a long and fruitful association with the New York City Opera (NYCO) between 1948 and 1958, after which she joined the roster of principal sopranos at the Metropolitan Opera where she sang between 1961 and 1963. She also had an extensive concert career, particularly in the United States. By 1963 she had sung in more than 200 orchestral concerts in North American with major symphonies like the New York Philharmonic, the Boston Symphony Orchestra, the Philadelphia Orchestra, the Cleveland Orchestra, and the Chicago Symphony Orchestra among others.
Martina Arroyo is an American operatic soprano who had a major international opera career from the 1960s through the 1980s. She was part of the first generation of black opera singers to achieve wide success.
Cheryl Studer is an American dramatic soprano who has sung at many of the world's foremost opera houses. Studer has performed more than eighty roles ranging from the dramatic repertoire to roles more commonly associated with lyric sopranos and coloratura sopranos, and, in her late stage, mezzo-sopranos. She is particularly known for her interpretations of the works of Richard Strauss and Richard Wagner.
Dame Gwyneth Jones is a Welsh dramatic soprano, widely regarded as one of the greatest Wagnerian sopranos in the second half of the 20th century.
René Pape is a German operatic bass. Pape has received two Grammys, was named "Vocalist of the Year" by Musical America in 2002, "Artist of the Year" by the German opera critics in 2006, and won an ECHO award in 2009.
Andrea Gruber is an American dramatic soprano particularly admired for her interpretations of the works of Puccini, Verdi, and Wagner.
Johan Botha was a South African operatic tenor.
Éva Marton is a Hungarian dramatic soprano, particularly known for her operatic portrayals of Puccini's Turandot and Tosca, and Wagnerian roles.
Hong Hei-Kyung, often known in the west as Hei-Kyung Hong, is a South Korean operatic lyric soprano.
Aile Asszonyi is an Estonian soprano who made an international career, known for dramatic roles such as Puccini's Turandot, Wagner's Senta and Elektra by Richard Strauss.
Elizabeth Norberg-Schulz is a Norwegian-Italian operatic soprano.
Eva Likova was an American operatic soprano of Czech descent. She was notably one of the major sopranos at the New York City Opera during the company's early years. She also made guest appearances with a number of opera houses in North America and Europe, enjoying a particularly fruitful partnership with the Philadelphia Grand Opera Company. After retiring from the opera stage in 1966, she embarked on a second career as a voice teacher.
Jennifer Wilson is an American soprano known especially for her Wagnerian opera roles. She is the daughter of Newton Wilson and Katherine Still. The daughter, granddaughter and niece of professional singers, instrumentalists and music educators, Wilson grew up steeped in music from opera and oratorio to rock 'n' roll and bluegrass. She began tap dance lessons at age 3, ballet at 8, piano at 10, and solo classical singing at 12. Wilson attended Cornell University for several years, eventually departing on a leave of absence which she filled with advanced training in acting, languages, and vocal studies with former Metropolitan Opera coloratura soprano Marilyn Cotlow. During this time, Wilson supported herself as a news bureau assistant and wire editor for Radio Free Europe/Radio Liberty. The consolidation of US international broadcast services in 1995 caused Wilson to lose her position with RFE/RL, forcing her to find other employment. At this point she took up singing full-time, though her breakthrough to the elusive ranks of international soloist was still several years away.
Geraldine McMillian is an American soprano who has had an active career in concerts and operas since the mid-1980s.
Sigutė Stonytė is a Lithuanian soprano and professor at the Lithuanian Academy of Music and Theatre.
Roberta Alexander is an American operatic soprano. She began her career as a lyric soprano in 1975 and spent the next three decades performing principal roles with opera houses internationally. Particularly celebrated for her performances of Mozart heroines, she was a leading soprano at the Metropolitan Opera from 1983 to 1991. In addition to principal Mozart roles like Countess Almaviva, Elettra, Fiordiligi, and Donna Elvira, she had particular success with the parts of Mimì in Puccini's La bohème and the title role in Janáček's Jenůfa. More recently she has performed secondary character roles on stage, including performances at the Grand Théâtre de Provence in 2013, La Scala in 2014, and La Monnaie in 2015. She performed the Fifth Maid in Strauss's Elektra at the Met in 2016 and Curra in Verdi's La forza del destino at the Royal Opera House, Covent Garden, in 2019.
John Longmuir is a Scottish-born Australian tenor. Known primarily for operatic roles, he is also in demand on the concert platform and has appeared as a judge on channel seven's music competition show 'All Together Now'. Noted for his "generous voice, bright ringing vocal quality and legato phrasing" His operatic studies took place at the Australian Opera Studio. In 2019 John received his first Helpmann Award nomination, for his role as the Captain, in Berg's Wozzeck, for Opera Australia.
