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Alex Pascall | |
---|---|
Born | November 1936 (age 87) |
Nationality | British |
Occupation(s) | Broadcaster, musician, composer, educator |
Known for | Black Londoners (BBC Radio London) |
Spouse | Joyce Pascall |
Children | Deirdre; Ayandele |
Alex Pascall, OBE (born November 1936), [1] is a British broadcaster, journalist, musician, composer, oral historian and educator. Based in Britain for more than 50 years, he was one of the developers of the Notting Hill Carnival, is a political campaigner and was part of the team behind the birth of Britain's first national black newspaper The Voice . Credited with having "established a black presence in the British media", [2] Pascall is most notable as having been one of the first regular Black radio voices in the UK, presenting the programme Black Londoners on BBC Radio London for 14 years from 1974. [3] Initially planned as a test series of six programmes, Black Londoners became, in 1978, the first black daily radio show in British history. [2]
Born on the island of Grenada in the Eastern Caribbean, Pascall was the eldest son in a family of 10. [4] He travelled to Britain as a 22-year-old in 1959, [5] having represented his country as a musician the previous year in the Bee Wee Ballet Dance Troupe at the inauguration of the Federation of the West Indies. [2] He had originally intended to return home after five years but has remained in the UK for more than five decades. [6] Early on he involved himself with music and his group The Alex Pascall Singers, founded in the 1960s, [7] is reportedly the first known multi-cultural choir in London. [6] A former member of the group, Jacques Compton, recalls about Pascall that "in addition to being a very excellent drummer and singer, he was also a composer of some excellent songs." [8]
Pascall gained national prominence as a broadcaster through his work with the groundbreaking BBC Radio London programme Black Londoners, first aired on 22 November 1974, which he fronted for 14 years: "It began once a month, then once a week and within a couple of years we were broadcasting every day." [9] Britain's first daily Black radio magazine programme, [10] the hour-long Black Londoners – "half phone-in and half news content each day" [11] – was an important vehicle for the discussion of issues affecting the black community, in particular the New Cross Fire in 1981, and provided a mouthpiece for many black musicians, artists and politicians who either lived in or passed through the capital. [5] Prominent guests on the programme from the worlds of politics, sport, literature and the arts included Muhammad Ali, [12] Alex Haley, Bob Marley, Marvin Gaye, C. L. R. James, Maurice Bishop, Michael Jackson, Arthur Ashe, Althea McNish, Mustapha Matura, Jeremy Corbyn MP, Leon Britton MP, Angela Davis, Miriam Makeba and the Mighty Sparrow. [13]
Pascall has paid tribute to the role of his late colleague Barry Clayton [14] in the programme's genesis:
- "In 1973, a contingent of people in the field of race and community relations, recognising the lack of black representation in the British media, approached BBC local radio and succeeded in obtaining a slot for black programming.
- The responsibility for its development was placed in the hands of Barry Clayton as producer and Alex as presenter. We devised a magazine-style format programme for broadcast in November 1974.
- Black Londoners was aired by BBC Radio London for 14 years, going on to become the first black daily radio programme broadcast in Britain from 1978 till 1988, when the station changed its name and the general format....
- Barry and I also went off to the Caribbean to arrange a Christmas link-up of three of the islands (Jamaica, Barbados and Trinidad) for a special Channel 4 Christmas broadcast and developed links that later saw the return of Louise Bennett of Jamaica as one of the featured personalities for a Channel 4 series produced by Trevor Phillips." [15]
Among others who worked with Pascall on Black Londoners were Juliet Alexander, Syd Burke and Mike Phillips. [16]
In 1994, Pascall presented A Different Rhythm, an eight-part BBC Radio 3 series produced by Clayton and Nick Hughes, on the impact of the black presence on British music and musicians. [15] [17]
Other notable documentary features that Pascall has researched and presented include Caribbean Cocktail on BBC Radio 2 (1994), [18] They Came Before the Windrush on BBC Radio 4, produced by Marina Salandy-Brown, Alex Pascall's Caribbean Folk Music (1995), Let the Music Talk (24 June 1981) on Radio 2, produced by David Corser, [19] Sophisticated Ladies (1997, Radio 4), a celebration of Black female stars of British musical theatre since the 1850s, [20] Cricket Calypsos (25 July 1991 on Radio 3) [21] and World War Calypso. [2] [22]
Pascall is also well known for his compositions for the Early Years landmark children's TV series Teletubbies and BBC Schools. [23] [24]
On Boxing Day 2015, Pascall launched an online radio show called Alex Pascall's Londoners on Good Vibes Radio. [25] [26]
In 1982 Pascall co-founded with Val McCalla Britain's first national weekly Black British newspaper The Voice , utilising Pascall's media connections as presenter of the BBC programme Black Londoners; [27] [28] the first issue of The Voice coincided with the Notting Hill Carnival that year. [29]
From 1984 to 1989 Pascall was chairman of the Carnival and Arts Committee of the Notting Hill Carnival. [9] [10] [23] Committed to internationalising Caribbean cultural developments in Britain, he also served as the founding vice-president and national representative of the Foundation for European Carnival Cities (FECC) – a federation of European carnivals. [2] [23] [30]
In 1986, Pascall was appointed the National Coordinator for "Caribbean Focus 86", [31] a festival of arts and culture, in association with the Commonwealth Institute in London and CARICOM governments. It was the first national festival to showcase Caribbean peoples' contributions in British lifestyle. Pascall worked on "Caribbean Express '86", a cultural exhibition train that travelled to 18 cities in Britain in 21 days, running educational workshops. [2]
Pascall has frequently spoken out on issues particularly affecting the black community. [32] He has been chair of the Black Members' Council of the National Union of Journalists (NUJ), a member of the Commonwealth Institute Education Advisory Committee, and a Trustee of The Tabernacle Arts and Community Centre in Notting Hill. [33] Pascall is a Member of Honour of the NUJ. [10]
As an inspirational key note speaker and educator, he makes frequent appearances for university lectures, live events internationally, community engagement projects and appearances for schools. [34] [35] On occasion he still performs as a singer songwriter. [36]
Pascall is also a playwright, oral historian and cultural strategist, teaching, performing and promoting Caribbean music and history to people of all ages in schools, universities, libraries and communities. He has written and documented material to respond to the need to make Caribbean folk arts widely accessible and holds a large historical archive spanning over five decades of Black presence in Britain." [37] His play Common Threads, [38] set within a plantation on the island of Grenada and Big Pit Colliery in South Wales, revolves around the history of the sugar and coal industries and was first presented in 2001 by Gwent Theatre. [37] Pascall was also involved in pioneering the "Roots to Torfaen" local history project, [37] "to encourage pupils, parents and community members to explore their roots, celebrate cultural diversity in their area and discover global links." [2]
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Alex Pascall and his wife Joyce have lived in Crouch Hill, London, since 1959. Their daughter Deirdre is an arts educator, composer for film, professional cellist and pianist. [39] Their son Ayandele is a film editor.[ citation needed ]
Alex Pascall was made an Officer of the Order of the British Empire (OBE) in 1996 for services to community relations. [2] [9] [10] At a civic reception given by Islington Council on the day Pascall received his OBE, Sir Shridath (Sonny) Ramphal paid tribute to him as a "cultural 'guru' for Caribbean people in Britain who has spent 35 years as a commentator par excellence, teaching, performing and promoting Caribbean music and history". [40]
Notting Hill is a district of West London, England, in the Royal Borough of Kensington and Chelsea. Notting Hill is known for being a cosmopolitan and multicultural neighbourhood, hosting the annual Notting Hill Carnival and the Portobello Road Market. From around 1870, Notting Hill had an association with artists.
The Notting Hill Carnival is an annual Caribbean Carnival event that has taken place in London since 1966 on the streets of the Notting Hill area of Kensington, over the August Bank Holiday weekend.
BBC Radio London is the BBC's local radio station serving Greater London.
The Voice, founded in 1982, is a British national African-Caribbean newspaper operating in the United Kingdom. The paper is based in London and was published every Thursday until 2019 when it became monthly. It is available in a paper version by subscription and also online.
Leighton Rhett Radford "Darcus" Howe was a British broadcaster, writer and racial justice campaigner. Originally from Trinidad, Howe arrived in England as a teenager in 1961, intending to study law and settling in London. There he joined the British Black Panthers, a group named in sympathy with the US Black Panther Party.
British Afro-Caribbean people or British Black Caribbean people an ethnic group in the United Kingdom. They are British citizens whose recent ancestors originate from the Caribbean, and further trace much of their ancestry to West and Central Africa or they are nationals of the Caribbean who reside in the UK. There are some self-identified Afro-Caribbean people who are multi-racial. The most common and traditional use of the term African-Caribbean community is in reference to groups of residents continuing aspects of Caribbean culture, customs and traditions in the UK.
Edric Esclus Connor was a Caribbean singer, folklorist and actor who was born in Trinidad and Tobago. He was a performer of calypso in the United Kingdom, where he migrated in 1944 and chiefly lived and worked for the rest of his life until he died following a stroke in London, at the age of 55.
Ronald "Charlie" Phillips, also known by the nickname "Smokey", is a Jamaican-born restaurateur, photographer, and documenter of black London. He is now best known for his photographs of Notting Hill during the period of West Indian migration to London; however, his subject matter has also included film stars and student protests, with his photographs having appeared in Stern, Harper’s Bazaar, Life and Vogue and in Italian and Swiss journals. Notable recent shows by Phillips include How Great Thou Art, "a sensitive photographic documentary of the social and emotional traditions that surround death in London's African Caribbean community".
Allister Bain is a Grenadian television and film actor and theatre playwright and screenwriter, who moved to the UK in 1958. A veteran of British performing arts, his TV appearances include roles in Us Girls, Vanity Fair, Bugs, Doctor Who and Waking the Dead. On the stage Bain has appeared in plays by Derek Walcott, Earl Lovelace, Michael Abbensetts, Noël Coward, and William Shakespeare, among many others.
This is a list of events in British radio during 1974.
Selwyn Baptiste was a Trinidad and Tobago-born pioneer of the introduction of the steel drum into Britain, forming the country's second steel band in 1967, and early organizer of London's Notting Hill Carnival. An educator as well as a pannist, a percussionist and drummer, he is credited with bringing about the teaching of steelpan playing throughout the UK.
Pearl Connor-Mogotsi, née Nunez, was a Trinidadian-born theatrical and literary agent, actress and cultural activist, who was a pioneering campaigner for the recognition and promotion of African Caribbean arts. In the UK, in the 1950s, she was the first agent to represent black and other minority ethnic actors, writers and film-makers, and during the early 1960s was instrumental in setting up one of Britain's first black theatre companies, the Negro Theatre Workshop. In the words of John La Rose, who delivered a eulogy at her funeral on 26 February 2005: "Pearl Connor-Mogotsi was pivotal in the effort to remake the landscape for innovation and for the inclusion of African, Caribbean and Asian artists in shaping a new vision of consciousness for art and society."
Jacob Ross FRSL is a Grenada-born poet, playwright, journalist, novelist and creative writing tutor, based in the UK since 1984.
Margaret Yvonne Busby,, Hon. FRSL, also known as Nana Akua Ackon, is a Ghanaian-born publisher, editor, writer and broadcaster, resident in the UK. She was Britain's youngest and first black female book publisher when she and Clive Allison (1944–2011) co-founded the London-based publishing house Allison and Busby in the 1960s. She edited the anthology Daughters of Africa (1992), and its 2019 follow-up New Daughters of Africa. She is a recipient of the Benson Medal from the Royal Society of Literature. In 2020 she was voted one of the "100 Great Black Britons". In 2021, she was honoured with the London Book Fair Lifetime Achievement Award. In 2023, Busby was named as president of English PEN.
Leslie Stephen "Teacher" Palmer,, is a Trinidadian community activist, writer and teacher, who migrated in the 1960s to the UK, where he became involved in music and the arts in West London. He is credited with developing a successful template for the Notting Hill Carnival, of which he was director from 1973 to 1975, during which time he "completely revolutionised the event and transformed its structure and content almost beyond recognition." He is also known by the name of "The Wounded Soldier" as a kaisonian.
Sam Beaver King MBE was a Jamaican-British campaigner and community activist. He first came to England as an engineer in the Royal Air Force (RAF) during the Second World War but returned to Jamaica in 1947. Failing to settle there, King took passage to London in 1948, sailing on the Empire Windrush. He later became the first black mayor of Southwark and a campaigner in support of West Indian immigrants to the country.
Nubian Jak Community Trust (NJCT) is a commemorative plaque and sculpture scheme founded by Jak Beula that highlights the historic contributions of Black and minority ethnic people in Britain. The first NJCT heritage plaque, honouring Bob Marley, was unveiled in 2006 after "two years of research and behind the scenes negotiating". The scheme has been run and managed by the not-for-profit organization Nubian Jak Trust Ltd since August 2016, with a remit to commemorate and celebrate the diverse history of modern Britain. Its objectives include the promotion of social equality and to encourage activities that promote cultural diversity in society.
Ansel Keith David Wong is a Trinidadian-British cultural and political activist, who has been influential in many organisations particularly in the black community in the United Kingdom, where he has been based since the 1960s. He is the former Chair of the Notting Hill Carnival Board and founder of Elimu Mas Band. He is also an educationist and academic, and in a wide-ranging career has worked at senior levels in various organisations in the public and charitable sectors, including with the Windrush Foundation established in 1996 by Arthur Torrington.
Edmund Burke, known as Syd Burke, was a broadcaster, photographer and journalist, who moved to the UK from Jamaica to study photography in 1960, after having studied engineering, and later hosted London Broadcasting Corporation's (LBC) Rice 'n' Peas, a popular magazine programme.
Rhodan Gordon was a Black British community activist, who migrated to London from Grenada in the 1960s. He came to public attention in 1970 as one of the nine protestors, known as the Mangrove Nine, arrested and tried on charges that included conspiracy to incite a riot, following a protest against repeated police raids of The Mangrove restaurant in Notting Hill, London. They were all acquitted of the most serious charges and the trial became the first judicial acknowledgement of behaviour motivated by racial hatred, rather than legitimate crime control, within the Metropolitan Police.