Tabernacle (concert hall)

Last updated
33°45′31″N84°23′29″W / 33.75874°N 84.39139°W / 33.75874; -84.39139
The Tabernacle
TheTabernacleAtlantaFacadeJan2009.JPG
Exterior of the venue (c.2009)
Tabernacle (concert hall)
Former names House of Blues (1996-97)
Address152 Luckie St NW
Atlanta, GA 30303-2006
Location Downtown Atlanta
Owner Live Nation
Capacity 2,600
Construction
Broke groundAugust 17, 1909 (1909-08-17)
OpenedSeptember 3, 1911 (1911-09-03)
Renovated
  • 1994-96
  • 2008
  • 2014
Construction cost$125,000
($3.93 million in 2022 dollars [1] )
Architect Reuben Harrison Hunt
Website
Venue Website

The Tabernacle [2] [3] is a mid-size concert hall located in Downtown Atlanta, Georgia. Opening in 1911 as a church, the building was converted into a music venue in 1996. It is owned and managed by concert promoter Live Nation Entertainment and has a capacity of 2,600 people.

Contents

Since its rebranding, many notable acts performed at the venue, including: Guns N' Roses, Tove Lo, The Black Crowes, Adele, Eminem, Kendrick Lamar, Robbie Williams, Alice in Chains, Bob Dylan, Prince & The New Power Generation, Lana Del Rey, Babymetal, and Atlanta's own Mastodon, and Blackberry Smoke.

Along with music concerts, the venue also holds many comedy tours annually including Bob Saget, Lisa Lampanelli, Cheech & Chong and Stephen Lynch.

History

The building is over a century old and has a varied history.

Baptist Tabernacle (1911–94)

Dr. Len G. Broughton was recruited from Virginia to become pastor of Third Baptist Church in Atlanta in March 1898. Within a year he had founded a new Baptist Tabernacle church on the southwest corner of Luckie and Harris streets (now the middle of Centennial Olympic Park). [4] Rev. Broughton was closely associated with the church in its early years, leading the local press to refer to it as "Broughton's Tabernacle," though this was never the official name of the church or any of its buildings. [5] The new church was quite successful and had to be expanded several times to accommodate growth. [6]

The cornerstone of the building, placed March 1910 TabernacleAtlantaCornerstone.JPG
The cornerstone of the building, placed March 1910

Seeing the need for further growth, Broughton sought another location closer to the center of town, which led to the current property on Luckie St. However his Board of Deacons found the price too high and declined to buy it. As a result, Broughton himself and a few of his deacons bought the property [4] on July 7, 1906, and gave it to the church. The Atlanta Constitution reported the $52,000 transaction on its front page, reporting it as "one of the most important real estate and church transactions ever made in Atlanta" and described an auditorium "eight or ten stories in height" and estimated construction cost at $250,000. [7]

R. H. Hunt's original proposed design, 1907 Tabernacle Nov 8 1907 Drawing.jpg
R. H. Hunt's original proposed design, 1907

The building was designed by noted Chattanooga architect Reuben Harrison Hunt, [8] along with three other buildings for the same site including a nurses dormitory and a hospital building. (None of these other buildings survive to the present day). The plans were revealed in November 1907 and depict a church building somewhat larger than what was finally constructed, extending all the way to the corner of Luckie and Spring Street (see photo). [9]

Ground-breaking ceremonies were held for the new building on August 17, 1909, at which time the construction cost had been revised to $125,000. At the time the membership of the church was 1,850 (up from 350 at its founding ten years before). Broughton, who was preaching at Fifth Avenue Presbyterian Church at the time, was not present at the ground-breaking. [10]

The cornerstone for the building was laid at the end of the 1910 Bible Conference held at the church. Immediately after a sermon by F. B. Meyer on March 9, 1910, an "immense crowd" adjourned to the construction site. Meyer said at the ceremony, "I believe that this will be a historic occasion, not only in the history of the church but not unworthy to be chronicled in the history of this great and beautiful city." Paul Dwight Moody (son of D. L. Moody) also spoke at the ceremony. Broughton placed some papers in the stone including that day's program, the membership roll of the church and a list of officers. He capped the stone and sealed it with mortar. [11]

R. H. Hunt's architectural rendering of the final design, 1909 TabernacleAtlantaArchitectRendering.jpg
R. H. Hunt's architectural rendering of the final design, 1909

The structure measures 147 by 130 feet with an exterior of red brick trimmed by granite. The style is neoclassical with Ionic columns and arches on the facade. [8] The auditorium would seat 4,000 people (including the galleries) and the Sunday school facilities below could seat 3,000. The rostrum could accommodate a chorus of 500 people and featured a pipe organ that cost $15,000. The original planned opening was in May 1911, [12] but this was eventually delayed.

The first services in the new building were held on September 3, 1911 beginning with a Sunday school at 9:30 (attended by 2,000). The doors opened for the main service at 10:40 am, by which time some people had been waiting two hours to enter. [13] A week-long dedication for the church was held from September 10 to 17, 1911, during which as many as 8,000 people crowded into the auditorium and hundreds more were turned away. [8]

On the very first day in the new building, Broughton gave a sermon criticizing local politicians for standing in the way of prohibition. [13] Aside from the temperance movement, Broughton was outspoken on other political issues, and over the coming years he would have guest speakers appear at the Tabernacle toward this end. These included (then Vice President elect) Calvin Coolidge, [14] Frank Hanly [15] and others. Guest religious speakers appeared as well, including Russell Conwell, [4] G. Campbell Morgan [16] Billy Sunday [17] and George Washington Truett. [18]

Photo of the rostrum showing the choir seats and large pipe organ, 1920 TabernacleAtlantaPlatform1920.jpg
Photo of the rostrum showing the choir seats and large pipe organ, 1920

The congregation reached its peak in the 1950s with a membership of over 3,000. However, the phenomenon of white flight caused the church to go into decline in the decades afterward. By the 1980s, attendance at the church had dwindled to around 500, and it had trouble attracting a permanent pastor. [19]

An attempt by the city government to give the building historic status was resisted in 1989, the members citing a loan plan necessary to ensure the survival of the church. [20] The congregation's troubles continued after that, leading a later pastor to attempt a fast to encourage donations to save the church. (At this time the church was making ends meet via revenue from the two adjacent parking lots which it owned). [21] These efforts were ultimately unsuccessful. In December 1991 the congregation, then numbering about 100, voted to cease having services there and ordered the trustees to find a buyer for the building. [22]

The building's history as a church ended on Friday, October 14, 1994 when it was sold (along with the offices and the two parking lots) for $2.2 million to a group of investors led by James B. Cumming who intended to redevelop the area in conjunction with the 1996 Summer Olympics. Its position just across from Centennial Olympic Park made it very attractive as a potential Olympic entertainment venue. [23]

House of Blues (1996–97)

The Tabernacle during a show During a show.jpg
The Tabernacle during a show

At least two different teams attempted to develop the building as a venue for the Olympics with little success. [24] As the event approached, it looked for a time that no deal would come together. Then, in April 1996, Isaac Tigrett visited Atlanta with other investors and cut a deal to open a House of Blues in the building in time for the Olympics. Prior to this, Atlanta had not been a planned expansion location for House of Blues. [25] Tigrett gave his partner Lance Sterling the go-ahead for the project with only 45 days available, even after Sterling had told him even 60 days was too short a time. Despite this short lead time, the venue was ready when the Olympics opened in July 1996. [26]

The first act to perform (on July 19 & 20) was The Blues Brothers (with Dan Aykroyd, James Belushi and John Goodman)' [27] along with featured performers such as James Cotton, Luther "Guitar Jr." Johnson, Booker T. & the M.G.'s, Eddie Floyd, Tommy "Pipes" McDonald, Billy Boy Arnold and Paul Shaffer. [28] Other well-known performers during the Olympic run included James Brown, Johnny Cash, Al Green and Jerry Lee Lewis. [29] Lesser-known acts who appeared included Burning Spear, Johnny Clegg and Juluka, Third World, Tito Puente and His Latin Jazz All-Stars, and Celia Cruz. [30] At the close of the Olympics, Bob Dylan performed two shows on August 3 & 4. [31]

The stage Tabernacle wide.jpg
The stage

Civic leaders in Atlanta had high hopes that House of Blues would continue as a permanent downtown attraction, especially when the lease was extended through January 1997. But immediately after the Olympics were finished, word came that it would shut down. [32] Efforts were launched to convince Tigrett to continue in Atlanta, but the local investment money he insisted upon ($4 million by some accounts [33] ) could not be found. [25]

Some concerts were held at the venue under the House of Blues name beginning in 1997 through the efforts of Lance Sterling. [26] The trial run began on Wednesday, November 12, 1997, with a concert by Hall & Oates. [33] House of Blues ended its relationship with Atlanta when its lease expired for the last time in January 1998. City leaders continued negotiations with Sterling, who said "This is the premier venue in the Southeast. I am personally committed to making downtown Atlanta a venue, and I'm calling everybody I know to make this happen." [34]

Tabernacle (1998–present)

The Flaming Lips performing on September 13, 2006 The Flaming Lips, Tabernacle Atlanta-2006-09-13.jpg
The Flaming Lips performing on September 13, 2006

On March 11, 1998, Lance Sterling announced that he had entered into a 30-year lease agreement and was investing $2 million of his own money to develop the building. The venue was renamed Tabernacle at this time, affectionately called "The Tabby".[ citation needed ] The reopening was set for March 28, the same day that Centennial Olympic Park was set to reopen across the street. [35] The Tabernacle operated as a successful concert venue under Sterling's management for almost two years.

Eventually Sterling (whose home is in California) found the business was conflicting with his family life. "I would spend a week there and a week home. It was just too much," he said. [36] He sold his interest in the building to SFX Entertainment (now Live Nation) on December 17, 1999.

At the same time as the SFX sale, local music promoters Alex Cooley and Peter Conlon announced that they would move their Cotton Club to the basement of the building (the former Sunday school room) as an additional feature of the venue. [37] Cotton Club reopened Friday, February 11, 2000 with a show by Staind. [38] Cotton Club operated in the lower level of the Tabernacle until November 20, 2004. The last performer was Helmet. [39]

The Tabernacle continues as a major concert venue in Atlanta. Conan O'Brien hosted a week of Conan shows at the Tabernacle from April 1 to 4, 2013. [40]

2008 tornado

Debris including knocked-down signs are scattered on the street with the Tabernacle building in the background. Heavily damaged building next to Centennial Olympic Park after 14 March 2008 Downtown Atlanta storm.JPG
Debris including knocked-down signs are scattered on the street with the Tabernacle building in the background.

On March 14, 2008, the Tabernacle sustained extensive damage when a tornado tore through downtown Atlanta. Windows were blown out and the roof was severely damaged. A broken water pipe caused additional damage. [41] It was the first tornado to hit the downtown area since weather record keeping began in late 1878, or unofficially at any time in the city's history. [42]

Major repairs and restoration took less than two months, working around the clock. Because the ornate plasterwork on the ceiling could not be repaired, drywall and molding were used to re-create the same designs. The original painter from the 1996 opening was found to repaint the repaired sections. Upgrades were also done to electrical and other systems.

2014 floor collapse

Shortly after the beginning of a Panic! at the Disco concert, the building was evacuated due to possible cracking in the floor. [43]

Awards

The psychedelic interior of the Tabernacle Tabernacle in Atlanta.jpg
The psychedelic interior of the Tabernacle

The Tabernacle has been named one of the best concert venues in the nation by Rolling Stone , [44] Paste magazine [45] and USA Today . [3]

It has also won numerous "Best of Atlanta" awards over the years:

See also

House Of Blues

Related Research Articles

<span class="mw-page-title-main">Atlanta</span> Capital city of Georgia, United States

Atlanta is the capital and most populous city of the U.S. state of Georgia. It is the seat of Fulton County, the most populous county in Georgia, although a portion of the city extends into neighboring DeKalb County. With a population of 498,715 living within the city limits, it is the eighth most populous city in the Southeast and 38th most populous city in the United States according to the 2020 U.S. census. It is the core of the much larger Atlanta metropolitan area, which is home to more than 6.1 million people, making it the eighth-largest metropolitan area in the United States. Situated among the foothills of the Appalachian Mountains at an elevation of just over 1,000 feet (300 m) above sea level, it features unique topography that includes rolling hills, lush greenery, and the most dense urban tree coverage of any major city in the United States.

<span class="mw-page-title-main">Midtown Atlanta</span> Neighborhoods of Atlanta in Fulton County, Georgia, United States

Midtown Atlanta, or Midtown, is a high-density commercial and residential neighborhood of Atlanta, Georgia. The exact geographical extent of the area is ill-defined due to differing definitions used by the city, residents, and local business groups. However, the commercial core of the area is anchored by a series of high-rise office buildings, condominiums, hotels, and high-end retail along Peachtree Street between North Avenue and 17th Street. Midtown, situated between Downtown to the south and Buckhead to the north, is the second-largest business district in Metro Atlanta. In 2011, Midtown had a resident population of 41,681 and a business population of 81,418.

<span class="mw-page-title-main">Centennial Olympic Park</span> Public park in downtown Atlanta, Georgia, United States

Centennial Olympic Park is a 22-acre (89,000 m2) public park located in downtown Atlanta, Georgia, owned and operated by the Georgia World Congress Center Authority. It was built by the Atlanta Committee for the Olympic Games (ACOG) as part of the infrastructure improvements for the 1996 Summer Olympics. It plays host to millions of visitors a year and several events, including a summer popular music concert series and an annual Independence Day concert and fireworks display.

<span class="mw-page-title-main">Creative Loafing</span> Publisher in Atlanta, Georgia, US

Creative Loafing is an Atlanta-based publisher of a monthly arts and culture newspaper/magazine. The company publishes a 60,000 circulation monthly publication which is distributed to in-town locations and neighborhoods on the first Thursday of each month. The company has historically been a part of the alternative weekly newspapers association in the United States.

<span class="mw-page-title-main">Techwood Homes</span> United States historic place

Techwood Homes was an early public housing project in the Atlanta, Georgia in the United States, opened just before the First Houses. The whites-only Techwood Homes replaced an integrated settlement of low-income people known as Tanyard Bottom or Tech Flats. It was completed on August 15, 1936, but was dedicated on November 29 of the previous year by U.S. President Franklin D. Roosevelt. The new whites-only apartments included bathtubs and electric ranges in each unit, 189 of which had garages. Central laundry facilities, a kindergarten and a library were also provided. Techwood Homes was demolished in advance of the 1996 Olympics and is now Centennial Place Apartments.

<span class="mw-page-title-main">Downtown Atlanta</span> Central business district of Atlanta, Georgia, United States

Downtown Atlanta is the central business district of Atlanta, Georgia, United States. The larger of the city's two other commercial districts, it is the location of many corporate and regional headquarters; city, county, state, and federal government facilities; Georgia State University; sporting venues; and most of Atlanta's tourist attractions. It measures approximately four square miles, and had 26.850 residents as of 2017. Similar to other central business districts in the United States, it has recently undergone a transformation that includes the construction of new condos and lofts, renovation of historic buildings, and arrival of new residents and businesses.

<span class="mw-page-title-main">The Brains</span> American rock band

The Brains were an American rock band from Atlanta, Georgia, led by songwriter Tom Gray in the late 1970s and early 1980s. Their 1980 debut album was entitled The Brains, and was produced by Steve Lillywhite for Mercury Records. The album included "Money Changes Everything", originally released by the band in 1978, which became a hit single for Cyndi Lauper when she covered it in 1983. After a second Mercury recording in 1981, Electronic Eden and then an independently released EP, Dancing Under Streetlights, the band split up. A song from Electronic Eden, "Heart in the Street", was covered by Manfred Mann's Earth Band on their 1980 album Chance as "Heart on the Street."

<span class="mw-page-title-main">688 Club</span>

The 688 Club was a popular alternative music venue in Atlanta, Georgia, located at 688 Spring Street, near the intersection of Spring and 3rd Streets. The 688 Club opened in May 1980 and closed in November 1986. The club was operated by Steve May. The club was co-owned by Tony Evans, John Wicker, and in its final years by Mike Hendry. Cathy Hendrix served as the club's music director. During its brief lifetime, the 688 played host to hundreds of punk rock, new wave and alternative rock bands, many of whom would later become well known.

<span class="mw-page-title-main">Variety Playhouse</span> Music venue and former movie theater in Atlanta, Georgia, United States

The Variety Playhouse is a music venue in Atlanta, Georgia, United States. It is located on Euclid Avenue and features a variety of music acts including rock, indie, electronic, funk, country, folk, bluegrass, jazz, blues and world music as well as other live shows.

<span class="mw-page-title-main">Len G. Broughton</span>

Leonard Gaston Broughton was a fundamentalist Baptist minister, medical doctor, founder of Tabernacle Baptist Church in Atlanta, Georgia and of Tabernacle Infirmary, which later became Georgia Baptist Hospital.

<span class="mw-page-title-main">Atlanta Medical Center</span> Hospital in Georgia, United States

Wellstar Atlanta Medical Center was a hospital in Atlanta, Georgia operated by Wellstar Health System. It had 460 beds and over 700 physicians. The hospital was a Level I Trauma Center, and an Advanced Primary Stroke Center. It housed a Neurointensive Care Unit and a Level III Neonatal ICU. It was formerly known as Georgia Baptist Hospital.

<span class="mw-page-title-main">Atlanta Streetcar</span> Streetcar service in Atlanta, Georgia, USA

Atlanta Streetcar or Downtown Loop is a streetcar line in Atlanta, Georgia, United States. Testing on the line began in summer 2014 with passenger service beginning as scheduled on December 30, 2014. In 2022, the line had 158,000 rides, or about 300 per weekday in the fourth quarter of 2022.

<span class="mw-page-title-main">Streetcars in Atlanta</span> Aspect of the history of Atlanta, Georgia, USA

Streetcars originally operated in Atlanta downtown and into the surrounding areas from 1871 until the final line's closure in 1949.

The King Plow Arts Center is a commercial, performing, and visual arts center located on Marietta Street in the Marietta Street Artery district of West Midtown, Atlanta. King Plow is the largest center of its kind in the city. King Plow is also a popular music venue for concerts and live music shows in Atlanta.

<span class="mw-page-title-main">English Avenue and Vine City</span> Neighborhoods of Atlanta in Fulton, Georgia, United States

English Avenue and Vine City are two adjacent and closely linked neighborhoods of Atlanta, Georgia. Together the neighborhoods make up neighborhood planning unit L. The two neighborhoods are frequently cited together in reference to shared problems and to shared redevelopment schemes and revitalization plans.

<span class="mw-page-title-main">Centennial Park District</span>

The Centennial Park District, formerly the Luckie-Marietta District, is a district of Downtown Atlanta named after the walkable neighborhood and entertainment district that surround Centennial Olympic Park. The district was originally created in 2007 by Legacy Properties, in support of their redevelopment projects in the district. However, "Luckie Marietta" was used by a wide range of Atlanta media to refer to the district. The district was rebranded the Centennial Park District and is now under the management of Central Atlanta Progress.

<span class="mw-page-title-main">Goat Farm Arts Center</span> United States historic place

The Goat Farm Arts Center is a visual and performing arts center located in West Midtown, Atlanta, Georgia. The center is housed in a 19th-century complex of industrial buildings and contains the studio space of over 300 artists. Goat Farm hosts music concerts, traditional and experimental theatrical performances, film screenings, contemporary dance performances, art exhibitions, artist residency programs, and professional ballet and contemporary dance classes. It is also home to resident performance companies gloATL, Saiah Theater, and The Collective Project.

<span class="mw-page-title-main">Cuisine of Atlanta</span>

The cuisine of Atlanta reflects both Southern and much broader influences. The city is home to a mix of high-end chef-driven restaurants receiving praise at the national level, an ethnic restaurant scene along Buford Highway, and traditional Southern eateries.

<span class="mw-page-title-main">Center Stage (Atlanta)</span> Music venue in Atlanta, United States

Center Stage is a mid-sized concert complex comprising three separate venues located in Atlanta, Georgia. Originally known as Theatre Atlanta, the concert hall was built in memorial to a young theater enthusiast. Upon its opening in the fall of 1966, the building functioned as a performing arts theater, but has since become primarily music-focused.

Lance Sterling is an American entrepreneur and live entertainment venue owner who partnered early on with the House of Blues and its co-founder, Issac Tigrett. During his time at the House of Blues, Sterling helped the company expand from 3 venues to over 10, including those in top markets such as Las Vegas, Orlando, and Chicago. Sterling also owned and partnered with House of Blues to open the House of Blues Atlanta inside the Atlanta Baptist Tabernacle building in 1996. He was tasked with getting the space renovated and opened in under 60 days, which was accomplished when the venue opened in July 1996 for the 1996 Summer Olympics. Later when House Of Blues backed away from the Atlanta venue, Sterling put an additional investment into the venue - renaming it The Tabernacle and continuing to run it fully under his own banner. Under Sterling's direction, the Tabernacle hosted Tyler Perry's first successful stage production, "I Know I've Been Changed," in 1998. Sterling sold the venue to SFX Entertainment, Inc. in 1999.

References

  1. 1634–1699: McCusker, J. J. (1997). How Much Is That in Real Money? A Historical Price Index for Use as a Deflator of Money Values in the Economy of the United States: Addenda et Corrigenda (PDF). American Antiquarian Society. 1700–1799: McCusker, J. J. (1992). How Much Is That in Real Money? A Historical Price Index for Use as a Deflator of Money Values in the Economy of the United States (PDF). American Antiquarian Society. 1800–present: Federal Reserve Bank of Minneapolis. "Consumer Price Index (estimate) 1800–" . Retrieved May 28, 2023.
  2. Boise, Danielle (20 June 2013). "Tame Impala Shook the Tabernacle at a Sold Out Show in Atlanta - Target Audience Magazine". Target Audience Magazine. Retrieved 4 June 2016.
  3. 1 2 Bleiberg, Larry (October 10, 2014). "10Best: Concert venues across the USA". USA Today . Archived from the original on October 10, 2014. Retrieved 4 June 2016.
  4. 1 2 3 Garrett, Franklin Miller (1954), Atlanta and Environs: A Chronicle of Its People and Events, Volume II, Athens, Georgia: University of Georgia Press, pp. 378–379, ISBN   0-8203-0263-5, OCLC   191446
  5. "Tabernacle Planning for Tenth Anniversary: Birthday of First Baptist Church Will Be Celebrated by Congregation", The Atlanta Constitution, vol. XLI, no. 261, p. 6, March 3, 1909, archived from the original on August 28, 2019, retrieved August 28, 2019 via newspapers.com
  6. Meyer, Rev. F.B. (May 1910), "Rev. Len G. Broughton D.D.: An Appreciation", Record of Christian Work, XXIX (5): 308–310, ISSN   0364-4855 , retrieved 2009-01-27
  7. "Big Auditorium Is Planned By the Baptist Tabernacle at a Total Cost of $300,000", The Atlanta Constitution, vol. XXXIX, no. 24, p. 1, July 9, 1906, archived from the original on August 28, 2019, retrieved August 28, 2019 via newspapers.com
  8. 1 2 3 Loveland, Anne C.; Wheeler, Otis B. (2003), From Meetinghouse to Megachurch: A Material and Cultural History, Columbia, Missouri: University of Missouri Press, pp. 91–93, ISBN   0-8262-1480-0 , retrieved 2009-01-28
  9. "Plans Accepted for Tabernacle; Work Will Begin", The Atlanta Georgian and News, vol. VI, no. 82, p. 7, November 8, 1907, retrieved April 8, 2010
  10. "Dirt Is Broken For Tabernacle : Appropriate Ceremonies Held on Luckie St. Lot", The Atlanta Constitution, vol. XLII, no. 64, p. 7, August 18, 1909, archived from the original on August 28, 2019, retrieved August 28, 2019 via newspapers.com
  11. "Tabernacle Cornerstone Is Placed In Position Before Immense Crowd". The Atlanta Constitution. Vol. XLII, no. 268. March 10, 1910. p. 4. Archived from the original on August 15, 2019. Retrieved August 15, 2019 via newspapers.com.
  12. "New Baptist Tabernacle, Modern and Elegant, Will Be Opened May 31; Old Church For Sale", The Atlanta Constitution, January 27, 1911
  13. 1 2 "Shot At Russell Taken By Pastor: Dr. Broughton Attacks the Local Option Platform", The Atlanta Constitution, vol. XLIV, no. 81, p. 1, September 4, 1911
  14. "Coolidge Arrives Today to Attend Tariff Congress", The Atlanta Constitution, p. 1, January 26, 1921, retrieved 2009-01-28
  15. "Hanly Declares He Hates Liquor", The Atlanta Constitution, p. 7, March 13, 1915, retrieved 2009-01-28
  16. "New Tabernacle Praised by Dr. Campbell Morgan", The Atlanta Constitution, vol. XLIV, no. 87, p. 4A, September 10, 1911, retrieved July 15, 2020 via newspapers.com
  17. "Rev. Billy Sunday to Visit Atlanta", The Atlanta Constitution, p. 1, October 4, 1926, retrieved 2009-01-28
  18. "Truett to Speak at Tabernacle Bible Meeting", The Atlanta Constitution, p. 11, June 5, 1927, retrieved 2009-01-28
  19. Niebuhr, Gustav (November 13, 1988), "Tabernacle Turns 90, Seeks Pastor To Spur Renewal", The Atlanta Journal-Constitution, p. 1C,9C, archived from the original on June 2, 2020, retrieved June 2, 2020 via newspapers.com
  20. Cordell, Actor (November 16, 1989), "Tabernacle Says 'Historic' Status Will Ensure Its Demise", The Atlanta Journal-Constitution Intown Extra, p. 5D, retrieved July 15, 2020 via newspapers.com
  21. Cordell, Actor (January 3, 1991), "Minister is fasting for financial deliverance", The Atlanta Journal-Constitution Intown Extra, p. 4E, retrieved July 15, 2020 via newspapers.com
  22. Laccetti, Susan (February 22, 1992), "Faithful to the end: The remaining members of Luckie Street church agree it's time to close up", The Atlanta Journal-Constitution, p. E6, retrieved July 15, 2020 via newspapers.com
  23. Salter, Sallye (October 15, 1994), "Historic downtown church sold to Olympic investors", Atlanta Journal & Constitution, p. C-1, retrieved 2009-01-27
  24. Salter, Sallye (May 14, 1995), "Business Report - Commercial Real Estate - New team heading Tabernacle project", The Atlanta Journal and Constitution, p. D-2, retrieved 2009-02-02
  25. 1 2 Hinkelman, Michael (August 23, 1996), "Courtship with House of Blues was just a fling", Atlanta Business Chronicle , retrieved August 10, 2009
  26. 1 2 Saporta, Maria (March 27, 1998), "Cash flow intact, Tabernacle ready to roll", The Atlanta Journal and Constitution, p. H-3, retrieved 2009-02-02
  27. Press Release: House of Blues at the Centennial Summer Olympics in Atlanta, House of Blues, July 10, 1996, retrieved 2009-02-03
  28. Hicks, Chris; Iwasaki, Scott (July 24, 1996), "Atlanta Groovin' to the Beat of House of Blues, Other Hot Sounds", Deseret News, retrieved August 28, 2019
  29. Crenshaw, Holly (July 9, 2001), "Then & Now: A feature examining Atlanta's development", The Atlanta Journal-Constitution, p. 3-E, retrieved 2009-01-27
  30. "In Concert", The Atlanta Journal / The Atlanta Constitution Leisure Guide, 16–17, July 27, 1996
  31. "In Concert", The Atlanta Journal / The Atlanta Constitution Leisure Guide, 12, August 3, 1996
  32. Salter, Sallye; DeVault, Russ (August 9, 1996), "Future uncertain for two nightlife attractions - House of Blues is considering closing at the end of the month; "Pomp Duck and Circumstance" plans to reopen in September with a scaled-back show.", The Atlanta Journal and Constitution, p. F-1, retrieved 2009-02-02
  33. 1 2 Longino, Miriam (November 13, 1997), "Hall & Oates begin trial run for reopened House of Blues", The Atlanta Journal-Constitution, p. C8
  34. Saporta, Maria (January 15, 1998), "House of Blues won't call Atlanta home", The Atlanta Journal, p. C-2, retrieved 2009-02-02
  35. Saporta, Maria (March 12, 1998), "Former House of Blues reopening in downtown as the Tabernacle", The Atlanta Journal and Constitution, p. F-2, retrieved 2009-02-02
  36. "Canyon Club fills entertainment void", The Acorn, March 8, 2001, archived from the original on July 17, 2011, retrieved August 10, 2009
  37. DeVault, Russ (December 18, 1999), "Tabernacle sold; Cotton Club moving in", The Atlanta Journal and Constitution, p. E1, retrieved 2009-02-02
  38. "Cotton Club reopens doors at Tabernacle", The Atlanta Journal and Constitution, p. B2, February 9, 2000, retrieved 2009-02-02
  39. "It'll soon be curtains for the Cotton Club", The Atlanta Journal and Constitution, October 15, 2004
  40. "CONAN Live From Atlanta - Team Coco invaded Atlanta for a week of shows, April 1-4, 2013". Team coco . Retrieved June 4, 2016.
  41. Cook, Rhonda Cook; et al. (March 16, 2008), "Atlanta Tornado: The Aftermath: Landmarks Take a Hit", The Atlanta Journal and Constitution, retrieved August 10, 2009
  42. Eberly, Tim; Shea, Paul (March 15, 2008), "Friday tornado pummels downtown; Saturday storm kills 2", The Atlanta Journal and Constitution, retrieved August 10, 2009
  43. Stevens, Alexis (February 7, 2014), "Downtown Atlanta concert hall evacuated amid reports of cracked floor", The Atlanta Journal and Constitution, retrieved February 8, 2014
  44. Knopper, Steve (April 25, 2013). "The Best Big Rooms in America". Rolling Stone. Retrieved May 9, 2017.
  45. "America's 40 Best Music Venues", Paste Magazine, no. 32, June 2007, retrieved August 10, 2009
  46. "Best of Tech", The Technique: The Best and Worst of Tech, Georgia Institute of Technology, vol. 88, no. 31, p. 6, April 18, 2003, OCLC   7644360 , retrieved 2009-01-24
  47. "Best of Atlanta 2003: Readers' Picks", Creative Loafing, Eason Publications, vol. 32, no. 20, September 25, 2003, ISSN   0889-8685 , retrieved 2009-01-24
  48. "Best of Atlanta 2004 : Citizen's Choice", Creative Loafing, Eason Publications, vol. 33, no. 21, September 30, 2004, ISSN   0889-8685 , retrieved 2009-01-24
  49. "Best of Big A 2005: Best Live Music Club", Access Atlanta, Atlanta Journal-Constitution, archived from the original on 2008-09-27, retrieved 2009-01-24
  50. "Best of Tech", The Technique: The Best and Worst of Tech, Georgia Institute of Technology, vol. 91, no. 29, p. 5, April 21, 2006, OCLC   7644360 , retrieved 2009-01-24
  51. "After Dark Reader picks: Best of Atlanta 2006", Creative Loafing, Eason Publications, vol. 35, no. 21, September 27, 2006, ISSN   0889-8685 , retrieved 2009-01-24
  52. "Best of Tech", The Technique: The Best and Worst of Tech, Georgia Institute of Technology, vol. 92, no. 30, p. 3, April 20, 2007, OCLC   7644360 , retrieved 2009-01-24
  53. "Best & Worst of Food & Entertainment", The Technique: The Best and Worst of Tech, Georgia Institute of Technology, vol. 94, no. 30, p. 6, April 17, 2009, OCLC   7644360 , retrieved August 13, 2009
  54. "Creative Loafing Atlanta - Best of Atlanta 2010 - After Dark - Best concert venue - Reader Pick", Creative Loafing, vol. 39, no. 21, September 23, 2010, ISSN   0889-8685 , retrieved September 27, 2010