An instrumental or instrumental song is music normally without any vocals, although it might include some inarticulate vocals, such as shouted backup vocals in a big band setting. Through semantic widening, a broader sense of the word song may refer to instrumentals. The music is primarily or exclusively produced using musical instruments. An instrumental can exist in music notation, after it is written by a composer; in the mind of the composer ; as a piece that is performed live by a single instrumentalist or a musical ensemble, which could range in components from a duo or trio to a large big band, concert band or orchestra.
In music, a coda is a passage that brings a piece to an end. It may be as simple as a few measures, or as complex as an entire section.
Ultravox were a British new wave band, formed in London in April 1974 as Tiger Lily. Between 1980 and 1986, they scored seven Top Ten albums and seventeen Top 40 singles in the UK, the most successful of which was their 1981 hit "Vienna".
William Lee Currie is a British multi-instrumentalist and songwriter from Huddersfield, England. He is best known as the keyboard and strings player with new wave band Ultravox, who achieved their greatest commercial success in the 1980s.
A refrain is the line or lines that are repeated in music or in poetry — the "chorus" of a song. Poetic fixed forms that feature refrains include the villanelle, the virelay, and the sestina.
James "Midge" Ure is a Scottish musician, singer-songwriter and record producer. His stage name, Midge, is a phonetic reversal of Jim, a hypocorism of his given name. Ure enjoyed particular success in the 1970s and 1980s in bands including Slik, Thin Lizzy, Rich Kids and Visage, and as the second frontman of Ultravox. In 1984, he co-wrote and produced the charity single "Do They Know It's Christmas?", which has sold 3.7 million copies in the UK. The song is the second-highest-selling single in UK chart history. Ure co-organised Band Aid, Live Aid and Live 8 with Bob Geldof. He acts as a trustee for the charity and also serves as an ambassador for Save the Children.
In music, form refers to the structure of a musical composition or performance. In his book, Worlds of Music, Jeff Todd Titon suggests that a number of organizational elements may determine the formal structure of a piece of music, such as "the arrangement of musical units of rhythm, melody, and/or harmony that show repetition or variation, the arrangement of the instruments, or the way a symphonic piece is orchestrated", among other factors. It is, "the ways in which a composition is shaped to create a meaningful musical experience for the listener."
Form refers to the largest shape of the composition. Form in music is the result of the interaction of the four structural elements described above [sound, harmony, melody, rhythm]."
"Tie Your Mother Down" is a song by the British rock band Queen, written by lead guitarist Brian May. It is the opening track and the second single from their 1976 album A Day at the Races. On its original release as a single in 1977 the song peaked at 31 in the UK Singles Chart. More than 20 years later, it was released as a double a-side to "No-One but You " where it reached 13 in UK Singles Chart. On the album the song is preceded by a one-minute instrumental intro featuring a Shepard tone melody, performed by Brian May, which is reprised in the ending of "Teo Torriatte": this was intended to create a "circle" within the album.
"She Moved Through the Fair", also called "She Moves Through the Fair", is a traditional Irish folk song, which exists in a number of versions and has been recorded many times. The narrator sees his lover move away from him through the fair, after telling him that since her family will approve, "it will not be long, love, till our wedding day". She returns as a ghost at night, and repeats the words "it will not be long, love, till our wedding day", intimating her own tragic death and the couple's potential reunion in the afterlife.
Song structure is the arrangement of a song, and is a part of the songwriting process. It is typically sectional, which uses repeating forms in songs. Common forms include bar form, 32-bar form, verse–chorus form, ternary form, strophic form, and the 12-bar blues. Popular music songs traditionally use the same music for each verse or stanza of lyrics. Pop and traditional forms can be used even with songs that have structural differences in melodies. The most common format in modern popular music is introduction (intro), verse, pre-chorus, chorus, verse, pre-chorus, chorus, bridge, and chorus. In rock music styles, notably heavy metal music, there is usually one or more guitar solos in the song, often found after the middle chorus part. In pop music, there may be a guitar solo, or a solo performed with another instrument such as a synthesizer or a saxophone.
"Simple Gifts" is a Shaker song written and composed in 1848, generally attributed to Elder Joseph Brackett from Alfred Shaker Village.
"Fall on Me" is a song by the American alternative rock band R.E.M. from their fourth album Lifes Rich Pageant (1986). It was the first of two singles released from that LP. It peaked at number 94 on the Billboard Hot 100. The song was one of the band's early compositions about environmentalism, discussing acid rain. It also transitioned from their murky lyrics and jangling guitar of their first three albums to a more accessible sound influenced by producer Don Gehman.
Room to Roam is the fifth studio album by the Waterboys, released by Ensign Records on 2 October 1990. It continued the folk rock sound of 1988's Fisherman's Blues, but was less of a commercial success, reaching #180 on the Billboard Top 200 after its release in September 1990. Critical response continues to be mixed. Allmusic describes it both as "not quite as [musically] successful" as Fisherman's Blues, but also as a "Celtic rock classic". The front and back covers were designed by Simon Fowler based upon photography by Stefano Giovannini and Sean Jackson.
"Down by the Salley Gardens" is a poem by William Butler Yeats published in The Wanderings of Oisin and Other Poems in 1889.
U-Vox is the eighth studio album by British new wave band Ultravox, released on 13 October 1986 by Chrysalis Records. It was the band's fifth album during the Midge Ure era, and the final one featuring the band's 1979 lineup, with the exception of Warren Cann, for nearly 26 years. The Ure-era lineup would eventually reform in 2008. It was also the last Ultravox album to reach the top 10 of the UK Albums Chart, peaking at number nine.
"All in One Day" is the final single from Ultravox's 1986 album, U-Vox, released on 8 June 1987. It was the last Ultravox release during their most popular 1980's incarnation with Midge Ure. The song was written as a tribute to the Live Aid event and the orchestra was arranged and conducted by George Martin.
Dancing with Tears in My Eyes is a 1995 compilation from British band Ultravox covering their output with Midge Ure, recorded from 1980 to 1986. The album was released by EMI in the label's "Music For Pleasure" series. It was re-released in 1996 by the Disky label with the same title, then in 1997 by EMI as The Best of Ultravox in the label's "Centenary Collection", and again in 2003, again with the latter title.
"Take a Pebble" is a song by the British progressive rock group Emerson, Lake & Palmer. It is the second track of their eponymous debut album. It was written by Greg Lake, and arranged by the full band.
The Gift is the debut solo studio album by Scottish musician Midge Ure, released on 7 October 1985 by Chrysalis Records. It was released while his band Ultravox were taking a break; the band would go on to release U-Vox (1986) before breaking up. The album reached No. 2 in the UK Albums Chart partly due to the large attention drawn to it by the single "If I Was" which reached No. 1 on the UK Singles Chart in September 1985. "That Certain Smile" was released as the second single in November 1985, and "Wastelands" was released as the third single in January 1986.
"Why Can't We Live Together" is a song written and recorded by Timmy Thomas in 1972. A chart hit in the following year, it was included on the album Why Can't We Live Together. It was one of the first major hits to feature the use of a rhythm machine.
