Quartet (Ultravox album)

Last updated

Quartet
Ultravox-quartet.jpg
Studio album by
Ultravox
Released15 October 1982
Recorded1982
Studio
Genre
Length40:54
Label Chrysalis
Producer George Martin
Ultravox chronology
Rage in Eden
(1981)		Quartet
(1982)		 Monument
(1983)
Singles from Quartet
  1. "Reap the Wild Wind"
    Released: 17 September 1982
  2. "Hymn"
    Released: 19 November 1982
  3. "Visions in Blue"
    Released: 11 March 1983
  4. "We Came to Dance"
    Released: 27 May 1983
Professional ratings
Review scores
SourceRating
AllMusic Star full.svgStar full.svgStar full.svgStar empty.svgStar empty.svg [1]
Robert Christgau C [2]
Rolling Stone Star full.svgStar full.svgStar empty.svgStar empty.svgStar empty.svg [3]
Smash Hits Star full.svgStar full.svgStar full.svgStar full.svgStar full.svgStar full.svgStar full.svgStar full.svgStar empty.svgStar empty.svg [4]

Quartet is the sixth studio album by the British new wave band Ultravox. The album peaked at number six on the UK Albums Chart and was certified Gold by the BPI in December 1982 for 100,000 copies sold. It also peaked at number 13 in Germany, and at number 61 in the United States.

Contents

Background

After three albums produced by Conny Plank, Ultravox dropped their longtime producer, feeling they needed the excitement to work with another producer on their next. [5] They asked George Martin, most notable for his work with The Beatles, to produce the album. Martin chose to take the job as producer because his daughter was an Ultravox fan. [5] He said in 1983 in the Monument video: "They are without a doubt the most musical group I have come across in recent years." The album was recorded Martin's AIR Studios in London from June to July 1982, then in AIR Studios in Montserrat from July to August 1982. [6]

The band had already decided that they didn't want to write the songs in the studio like they did with their previous album Rage in Eden so they developed a pattern whereby they went into a rehearsal studio for three weeks and put down ideas. Then they took a week off and listened to the cassettes and pulled out the best bits and thought about lyrics. They did that for three months and found that they had no shortage of ideas, although fitting them together was often a problem as they kept having to cut out bits they liked. At the end of that time there were eight complete songs. One of the basic philosophies of the band has been that constant change and development was important to their music, which prompted them to start thinking about a new producer. When George Martin's name was suggested, they all agreed that it was such an unusual choice that he was the man for the job. [7]

The choice of George Martin to produce the album was criticised by some as overly safe and conservative, and the band members later expressed similar feelings about the collaboration: Midge Ure said that Martin was a pleasure to work with but that Quartet was perhaps too polished, cutting out all the rough edges from the band's sound. [6] Warren Cann expressed similar mixed feelings about the experience of working with Martin. [8] Billy Currie acknowledged that Martin had some influence on their arrangements, [9] but concurred that there was a safeness to it all. [6] George's son, Giles, noted in 2018 that George's hearing loss (which was then "an industry secret") impeded his ability to contribute to the album, citing an anecdote where he asked his father about how production was progressing, only for the elder Martin to answer "Two boiled eggs," having misheard Giles' remark as an inquiry into what he had eaten for lunch. [10]

The cover artwork was designed by Peter Saville. [11]

The Monument Tour became the largest tour Ultravox undertook. The tour started in November 1982 to May 1983 with shows in Europe, United States, Canada and Japan. The support band were Messengers who also sang backing vocals with Ultravox.

Release

The album was released in October 1982. Four singles, "Reap the Wild Wind", "Hymn", "Visions in Blue" and "We Came to Dance", were released from the album, all of which reached the UK Top 20. The album was also released as a marble picture disc LP, a cassette and, in 1983, a CD. [12] The band promoted the album with their "Monument Tour" in late 1982, one of the shows from which was recorded and released as an album and video in 1983.

Critical reception

Quartet has received mixed reviews. Upon its 1982 release Smash Hits gave it a positive 8/10 rating, while Rolling Stone reviewer Kurt Loder described the bands decision to work with George Martin as "something of a catastrophe". Giving it a 2/5 rating Loder concluded: "In Martin's regulation AOR production, there's little depth or drama; everything seems to sit on the surface. Quartet isn't a bad record, but coming from the band that gave us Vienna , it's inevitably a disappointment." [13]

Retrospectively, Trouser Press described the album as "clear but unsatisfying", [14] while the 2023 box set was given a 4 out of 5 star rating in Record Collector : "For their third Midge Ure album, released in 1982, Ultravox replaced producer Conny Plank with George Martin for a slicker pop version of their futurist grandeur. The results delivered as desired, furnishing them with hits in the elegantly catchy "Reap The Wild Wind", irresistibly lofty "Hymn" and glacial "We Came To Dance". Ure flexes his guitar-god tendencies on "Mine For Life" and "When The Scream Subsides", while "Visions In Blue" maxes the moody opulence marvellously." [15]

Remasters

Quartet was remastered and re-released on CD by EMI in 1998 with the B-sides to each of the album's singles as bonus tracks. Another remastered version, a 2-disc set with previously unreleased material, was released in February 2009.

A 7-disc box set was released in July 2023, consisting of a 1982 analog master, a new Steven Wilson remix, plus discs containing rehearsals, b-sides and a Hammersmith Odeon show from 1982. A surround mix was included on DVD. The instrumental mix was not included, but it was mentioned online that that usually follows on a separate CD.

Track listing

All songs written by Warren Cann, Chris Cross, Billy Currie and Midge Ure.

Original release (CDL 1394)

Side A
  1. "Reap the Wild Wind" – 3:49
  2. "Serenade" – 5:05
  3. "Mine for Life" – 4:44
  4. "Hymn" – 5:46

Side B

  1. "Visions in Blue" – 4:38
  2. "When the Scream Subsides" – 4:17
  3. "We Came to Dance" – 4:14
  4. "Cut and Run" – 4:18
  5. "The Song" (We Go) – 3:56

1998 CD re-release (7243 4 96823 2 0)

  1. "Reap the Wild Wind" – 3:49
  2. "Serenade" – 5:05
  3. "Mine for Life" – 4:44
  4. "Hymn" – 5:46
  5. "Visions in Blue" – 4:38
  6. "When the Scream Subsides" – 4:17
  7. "We Came to Dance" – 4:14
  8. "Cut and Run" – 4:18
  9. "The Song" (We Go) – 3:56
  11. "Hosanna (In Excelsis Deo)" – 4:21 (bonus track)
  12. "Monument" – 3:16 (bonus track)
  13. "Break Your Back" – 3:27 (bonus track)
  14. "Overlook" – 4:04 (bonus track)

2009 Remastered Definitive Edition (B001OD6HFO)

Disc 1
  1. "Reap the Wild Wind" – 3:49
  2. "Serenade" – 5:05
  3. "Mine for Life" – 4:46
  4. "Hymn" – 5:49
  5. "Visions in Blue" – 4:40
  6. "When the Scream Subsides" – 4:16
  7. "We Came to Dance" – 4:13
  8. "Cut and Run" – 4:17
  9. "The Song (We Go)" – 3:59
Disc 2
  1. "Reap the Wild Wind" (Extended 12" Version) – 4:45
  2. "Hosanna (In Excelsis Deo)" (B-side of Reap the Wild Wind) – 4:21
  3. "Monument" (B-side of Hymn) – 3:14
  4. "The Thin Wall (Live)" (B-side of Hymn 12") – 5:54
  5. "Break Your Back" (B-side of Visions in Blue) – 3:25
  6. "Reap the Wild Wind" (Live) – 4:04
  7. "We Came to Dance" (Extended 12" Version) – 7:35
  8. "Overlook" (B-side of We Came to Dance) – 4:03
  9. "The Voice" (Fanclub Flexi-disc Version) (Live) – 4:36
  10. "Serenade" (Special Remix) – 6:03
  11. "New Europeans" (Live) – 4:18
  12. "We Stand Alone" (Live) – 5:35
  13. "I Remember (Death in the Afternoon)" (Live) – 6:25

Personnel

Ultravox
Additional personnel

Charts

Chart (1982/83)Peak
position
Australia (Kent Music Report) [16] 35
United Kingdom (Official Charts Company)6
United States (Billboard 200)61

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References

  1. ↑ Allmusic review
  2. ↑ Christgau, Robert. "Ultravox: Quartet". Robert Christgau.com. Retrieved 12 September 2012.
  3. ↑ Rolling Stone review
  4. ↑ Steels, Deborah (28 October 1982). "Album Reviews (Ultravox - "Quartet")". Smash Hits. Vol. 4, no. 22. EMAP Metro. p. 23.
  5. 1 2 Johnson, Dean (June 1983). "A Locked Door Swings Open, and Ultravox Is in Demand". Record. 2 (8): 15.
  6. 1 2 3 Kirkley, Paul (21 September 2023). "Ultravox – the OTHER Fab Four". classicpopmag.com.
  7. ↑ Interviews from Pop Superstars Annual 1984. World Distributors.
  8. ↑ "Cann Interview".
  9. ↑ Interview by Peter Gilbert and Francis Drake for The Voice Ultravox American Fan Club Magazine
  10. ↑ Yahoo Music (2 August 2018). "Giles Martin on father George Martin's hearing loss: 'I became his ears when I was quite young'". Y! Entertainment. Archived from the original on 17 November 2023. Retrieved 24 July 2024.
  11. ↑ Peter Saville Sleeve Design 1978-1982 Peter Saville Info
  12. ↑ Ultravox Quartet Discogs.com
  13. ↑ Rolling Stone review
  14. ↑ "Ultravox reviews". Trouser Press.
  15. ↑ "Quartet Ultravox". Record Collector. 17 July 2023.
  16. ↑ Kent, David (1993). Australian Chart Book 1970–1992 (illustrated ed.). St Ives, N.S.W.: Australian Chart Book. p. 317. ISBN   0-646-11917-6.
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