All I Really Want (Alanis Morissette song)

Last updated
"All I Really Want"
All I Really Want single cover.jpg
Single by Alanis Morissette
from the album Jagged Little Pill
B-side
ReleasedNovember 25, 1996 (1996-11-25) [1]
Recorded1994–early 1995 [2]
Studio
Genre
Length4:44
Label Maverick
Songwriters
Producer Glen Ballard
Alanis Morissette singles chronology
"Head over Feet"
(1996)
"All I Really Want"
(1996)
"Uninvited"
(1998)

"All I Really Want" is a song written by Canadian singer-songwriter Alanis Morissette and Glen Ballard, and produced by Ballard for Morissette's third album, Jagged Little Pill (1995). It was released by Maverick Records as the album's sixth and final single in the United Kingdom in November 1996, and in Australia in February 1997. The song is also the opening track of Jagged Little Pill. It was the last song written for Jagged Little Pill but originated from a song called "The Bottom Line", which was the first song Morissette wrote with Glen Ballard. The single peaked at number 14 on the US Billboard Modern Rock Tracks chart in December 1995, number 40 on the ARIA Charts in Australia and number 59 on the UK Singles Chart in December 1996.

Contents

Composition

"All I Really Want" opens the album Jagged Little Pill with a raw, energetic sound. The song features prominent harmonica, distorted guitars, and drum programming, creating an alternative rock and pop-rock arrangement. Morissette's vocal delivery is characterized by rapid-fire, stream-of-consciousness phrasing that shifts between melodic singing and spoken-word passages. The production, helmed by Glen Ballard, combines the song's aggressive instrumental textures with polished studio clarity, reflecting the post-grunge aesthetic popular in mid-1990s alternative rock. The track's structure alternates between verses driven by Morissette's breathless vocal cadence and a more anthemic chorus section.

Lyrics

The lyrics of "All I Really Want" express a desire for genuine connection and personal freedom. Throughout the song, Morissette references Estella, the cold and emotionally distant character from Charles Dickens' novel Great Expectations , using the comparison to explore themes of emotional unavailability and learned defensiveness in relationships. The song's stream-of-consciousness style presents a series of desires and frustrations, with Morissette listing what she wants from a partner and from life, including honesty, understanding, and the freedom to be herself without judgment. Rather than focusing on a single narrative, the lyrics capture a restless, introspective state of mind, moving rapidly between vulnerability and self-assertion.

Critical reception

Helen Lamont from Smash Hits gave "All I Really Want" five out of five and named it Best New Single, writing, "Aww, wow! This is fantastic! This is definitely the strangest Single of the Fortnight — and the best. Alanis growls her way through from start to finish, squealing over a dancebeat and tripping over her words. Her vocals are—uh—distinctive (the closest thing is Dolores from The Cranberries), but when you get past all the gimmicky fancy bits, what you've left with is still a brilliant, original tune. There's not many bands who can do both, because having both makes a top song indeed." [6]

Music video

The song has no official video, but there was a promo video that contained footage from concerts and the videos for "You Oughta Know" and "Hand in My Pocket".[ citation needed ]

Track listing

The following tracks were included on the CD single release:

  1. "All I Really Want" – 4:42
  2. "Ironic" (live from Sydney) – 4:34
  3. "Hand in My Pocket" (live from Brisbane) – 4:34

Personnel

Source: [7]

Charts

Covers

In 2011, jazz musician Louis Durra recorded a version of "All I Really Want" with DJ Rob Swift, which appeared on the Tangled Up In Blue EP and the album Arrogant Doormats.

In 2020, Melbourne electronic artist Sui Zhen released a cover of the song for the Remote Control Records compilation Bloom and Simmer. Zhen explained that she chose the track because the lyrics resonated with her, noting that despite over 20 years since purchasing Jagged Little Pill, she could still remember all the words.

The song has also been performed by the cast of the Jagged Little Pill (musical), which premiered in 2018, and has been covered by instrumental groups including Vitamin String Quartet.

References

  1. "New Releases: Singles". Music Week . November 23, 1996. p. 29.
  2. "Entertainment Weekly October 9, 2015".
  3. Erlewine, Stephen Thomas. "Jagged Little Pill – Alanis Morissette | AllMusic". AllMusic . Retrieved December 26, 2011.
  4. "Jagged Little Pill - Alanis Morissette | Album | AllMusic". AllMusic .
  5. Johnson, Neil (2025-01-01). "Exploring the Impact of Jagged Little Pill". Riffology: Iconic Rock Albums. Retrieved 2025-08-16.
  6. Lamont, Helen (January 17, 1996). "Singles". Smash Hits . p. 52. Retrieved December 1, 2024.
  7. Jagged Little Pill (CD liner notes). Alanis Morissette. 1995.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  8. "Alanis Morissette – All I Really Want". ARIA Top 50 Singles. Retrieved September 2, 2018.
  9. "Official Scottish Singles Sales Chart Top 100". Official Charts Company. Retrieved September 2, 2018.
  10. "Official Singles Chart Top 100". Official Charts Company. Retrieved September 2, 2018.
  11. "Alanis Morissette Chart History (Radio Songs)". Billboard. Retrieved September 2, 2018.
  12. "Alanis Morissette Chart History (Alternative Airplay)". Billboard. Retrieved September 2, 2018.
  13. 1 2 "R&R The Back Pages – National Airplay Overview – January 12, 1996". Radio & Records . No. 1128. Los Angeles, California. January 12, 1996. pp. 82–83. ISSN   0277-4860.
  14. "R&R The Back Page – National Airplay Overview – Alternative". Radio & Records . No. 1124. Los Angeles, California. December 8, 1995. p. 90. ISSN   0277-4860.
  15. "Rock Top 50". Radio & Records . No. 1130. Los Angeles, California. January 26, 1996. p. 70. ISSN   0277-4860.
  16. "Airplay Monitor Best of '96: Modern Rock Tracks". Airplay Monitor . Vol. 4, no. 53. December 27, 1996. p. 24.