All the Dread Magnificence of Perversity | ||||
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Studio album by | ||||
Released | May 10, 2009 | |||
Recorded | 2008 | – 2009|||
Studio | De Bejaarde, Drachten, NL | |||
Genre | Dark ambient, industrial, noise | |||
Length | 82:12 | |||
Label | Burning World/Crucial Blast | |||
Gnaw Their Tongues chronology | ||||
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Maurice de Jong chronology | ||||
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All the Dread Magnificence of Perversity is the fourth full-length studio album by Gnaw Their Tongues, released on May 10, 2009 by Burning World and Crucial Blast. [1] [2]
Review scores | |
---|---|
Source | Rating |
Allmusic | [3] |
Music journalist Ned Raggett wrote a mixed to positive review, describing the album as "dreadfully magnificent in its arrangements of sheer sonic overload, sculpted to be an opera-of-sorts in a black pit" and concluded that "it's a well-done, if off-putting, approach." [3] Noel Gardner of The Quietus compared the music favorably to the bludgeoning sound of Khanate and Swans and said "the amount of ground Gnaw Their Tongues covers, while achieving a certain stubborn musical inertia, is truly impressive." [4]
All music is composed by Maurice de Jong.
No. | Title | Length |
---|---|---|
1. | "My Orifices Await Ravaging" | 7:12 |
2. | "Verbrennt und Verflucht" | 6:00 |
3. | "Broken Fingers Point Upwards in Vain" | 7:26 |
No. | Title | Length |
---|---|---|
1. | "The Stench of Dead Horses on My Breath and the Vile of Existence in My Hands" | 6:48 |
2. | "L'ange qui annonce la fin du temps" | 6:14 |
3. | "Gazing at Me Through Tears of Urine" | 5:04 |
No. | Title | Length |
---|---|---|
1. | "Rife with Deep Teeth Marks" | 8:17 |
2. | "All the Dread Magnificence of Perversity" | 7:52 |
3. | "The Gnostic Ritual Consumption of Semen As Embodiment of Wounds Teared in the Soul" | 7:15 |
No. | Title | Length |
---|---|---|
1. | "Thee, I Invoke, Akephalou" | 6:42 |
2. | "I Hear Only the Clanking of the Scythe" | 6:25 |
3. | "A Promise of Revenge Whispered from Stitched Lips" | 7:07 |
No. | Title | Length |
---|---|---|
1. | "My Orifices Await Ravaging" | 7:12 |
2. | "Verbrennt und Verflucht" | 6:00 |
3. | "Broken Fingers Point Upwards in Vain" | 7:26 |
4. | "The Stench of Dead Horses on My Breath and the Vile of Existence in My Hands" | 6:48 |
5. | "L'ange qui annonce la fin du temps" | 6:14 |
6. | "Gazing at Me Through Tears of Urine" | 5:04 |
7. | "Rife with Deep Teeth Marks" | 8:17 |
8. | "All the Dread Magnificence of Perversity" | 7:52 |
9. | "The Gnostic Ritual Consumption of Semen As Embodiment of Wounds Teared in the Soul" | 7:15 |
Adapted from the All the Dread Magnificence of Perversity liner notes. [5]
Region | Date | Label | Format | Catalog |
---|---|---|---|---|
Netherlands | 2009 | Burning World | LP | BWR007 |
United States | Crucial Blast | CD | CBR78 |
Slavestate is an EP by industrial metal band Godflesh. It was released in July 1991 through Earache Records. The EP saw the band experimenting with more samples and electronic sounds than their predominantly industrial metal prior releases.
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Gnaw Their Tongues is an experimental musical project started by Dutch multi-instrumentalist and composer Maurice de Jong, otherwise known as Mories. It was founded in 2004 and produced a debut album in 2006 titled Spit at Me and Wreak Havoc on My Flesh. The output of Gnaw Their Tongues is extensive, with over seventy releases being attributed to its name. The name of the project is taken from passage 16:10-11 from the Book of Revelation: "The fifth angel, who poured out his vial upon the seat of the beast; and his kingdom was full of darkness; and they gnawed their tongues for pain, And blasphemed the God of heaven because of their pains and their sores, and repented not of their deeds."
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An Epiphanic Vomiting of Blood is the third full-length studio album by Gnaw Their Tongues, released on December 15, 2007 by Burning World and Señor Hernandez Records. It was re-issued in 2008 by Crucial Blast and became Gnaw Their Tongues' first album to be released on Compact Disc in the United States. This allowed for wider distribution and marked the first time the project garnered critical interest, with comparisons being favorably drawn to the music of Napalm Death and Carcass.
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