| Rend Each Other Like Wild Beasts, Till Earth Shall Reek With Midnight Massacre | ||||
|---|---|---|---|---|
 | ||||
| EP by | ||||
| Released | May 16, 2009 | |||
| Recorded | Winter 2008 | |||
| Studio | De Bejaarde, Drachten, NL | |||
| Genre | Dark ambient, noise | |||
| Length | 39:27 | |||
| Label | At War With False Noise | |||
| Gnaw Their Tongues chronology | ||||
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| Maurice de Jong chronology | ||||
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Rend Each Other Like Wild Beasts, Till Earth Shall Reek With Midnight Massacre is an EP by Gnaw Their Tongues, released on May 16, 2009 by at War With False Noise. [1] [2]
All music is composed by Maurice de Jong
| No. | Title | Length |
|---|---|---|
| 1. | "Rend Each Other Like Wild Beasts, Till Earth Shall Reek With Midnight Massacre" | 19:38 |
| No. | Title | Length |
|---|---|---|
| 1. | "Then Shall They Come, Oh Master, Shrieking From Red Battle Fields to People Thy Dark Realms" | 11:43 |
| 2. | "In Sullen Silence Stalks Forth Pestilence" | 8:06 |
Adapted from the Rend Each Other Like Wild Beasts, Till Earth Shall Reek With Midnight Massacre liner notes. [3]
| Region | Date | Label | Format | Catalog |
|---|---|---|---|---|
| United Kingdom | 2009 | At War With False Noise | LP | atwar056 |
Gnaw Their Tongues is an experimental musical project started by Dutch multi-instrumentalist and composer Maurice de Jong, otherwise known as Mories. It was founded in 2004 and produced a debut album in 2006 titled Spit at Me and Wreak Havoc on My Flesh. The output of Gnaw Their Tongues is extensive, with over seventy releases being attributed to its name. The name of the project is taken from passage 16:10-11 from the Book of Revelation: "The fifth angel, who poured out his vial upon the seat of the beast; and his kingdom was full of darkness; and they gnawed their tongues for pain, And blasphemed the God of heaven because of their pains and their sores, and repented not of their deeds."
Spit at Me and Wreak Havoc on My Flesh is the debut full-length studio album of Gnaw Their Tongues, independently released in January 2006.
Horse Drawn Hearse is an EP by Gnaw Their Tongues, independently released in February 2006. It would appear in its entirety on the compilation Collected Atrocities 2005–2008, released in 2015.
Deathdrone 3 is a compilation album by Gnaw Their Tongues, independently released in 2007. The album comprises remixed recordings made during 2005 and 2006 that weren't compatible with the music of Spit at Me and Wreak Havoc on My Flesh and Horse Drawn Hearse. The compositions "Nihilism; Tied Up and Burning", "Anhedonia" and "Destroying Is Creating" later appeared on Gnaw Their Tongues' second full-length album Reeking Pained and Shuddering.
Die Mutter wählt das Todtenkleidchen is an EP by Gnaw Their Tongues, released on August 7, 2007 by Corps-Morts Records. The 2009 re-release coupled the album with the EP Dawn Breaks Open Like a Wound That Bleeds Afresh and three additional previously unreleased tracks.
Issei Sagawa is an EP by Gnaw Their Tongues, independently released on August 24, 2007. The album takes its name from Issei Sagawa, a Japanese man who murdered and cannibalized a Dutch woman named Renée Hartevelt in 1981. The music draws more from industrial music than previous work by Gnaw Their Tongues.
Reeking Pained and Shuddering is the second full-length studio album by Gnaw Their Tongues, released on September 8, 2007, by Paradigms Recordings.
Dawn Breaks Open Like a Wound That Bleeds Afresh is an EP by Gnaw Their Tongues, released in November 2007 by Universal Tongue.
Bubonic Burial Rites is an EP by Gnaw Their Tongues, independently released on November 21, 2007.
An Epiphanic Vomiting of Blood is the third full-length studio album by Gnaw Their Tongues, released on December 15, 2007 by Burning World and Señor Hernandez Records. It was re-issued in 2008 by Crucial Blast and became Gnaw Their Tongues' first album to be released on compact disc in the United States. This allowed for wider distribution and marked the first time the project garnered critical interest, with comparisons being favorably drawn to the music of Napalm Death and Carcass.
Devotion is an EP by Gnaw Their Tongues, released on March 22, 2008 by at War With False Noise.
My Womb Is Barren is an EP by Gnaw Their Tongues that was released on July 24, 2008 by at War With False Noise.
For All Slaves a Song of False Hope is an EP by Gnaw Their Tongues, released in September 2008 by Burning World. The title of the track "Aderlating" would serve as the name of de Jong's band. The album would appear in its entirety on the compilation Collected Atrocities 2005–2008, released in 2015.
The Genocidal Deliverance is an EP by Gnaw Their Tongues, released on October 16, 2008 by at War With False Noise.
All the Dread Magnificence of Perversity is the fourth full-length studio album by Gnaw Their Tongues, released on May 10, 2009 by Burning World and Crucial Blast.
Dimlit Hate Cellar is an EP by Gnaw Their Tongues, independently released on January 4, 2010. The album compiles some of Gnaw Their Tongues' earliest recordings.
Kaolo is an EP by Gnaw Their Tongues, independently released in January 2010.
The Blotched and the Unwanted is a compilation album by Gnaw Their Tongues, released on March 3, 2010 by Hell Lies in Others. The album comprises previously unreleased compositions recorded between 2006 and 2010.
Eschatological Scatology is the seventh full-length studio album by Gnaw Their Tongues, independently released on June 6, 2012.
Sulfur is an EP by Dutch experimental music group Gnaw Their Tongues, independently released on February 20, 2013. The music centers around the theme of World War I and the album artwork is a photograph depicting three Canadian soldiers wounded by mustard gas.
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