"Alright, Okay, You Win" | ||||
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Single by Peggy Lee | ||||
B-side | "My Man" | |||
Released | December 1958 | |||
Genre | Jazz | |||
Length | 2:51 | |||
Label | Capitol | |||
Songwriter(s) | ||||
Peggy Lee singles chronology | ||||
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"Alright, Okay, You Win" is a jazz standard written by Sid Wyche (music) and Mayme Watts (lyrics). [1] It was first recorded in 1955 by several artists including Ella Johnson, The Modernaires, Bill Farrell, and Count Basie, but failed to chart nationally. [2] [3] Peggy Lee's 1958 recording (Capitol 45-19202) reached number 68 on the Billboard Hot 100 list. [4] It has since become a jazz standard, [5] which has been recorded by numerous artists.
Paul McCartney can be heard singing some lyrics from it as he prepares to record a take of the song "You Never Give Me Your Money". The recording is featured on the 50th Anniversary Edition of Abbey Road .
Norma Deloris Engstrom, known professionally as Peggy Lee, was an American jazz and popular music singer, songwriter, composer, and actress, over a career spanning seven decades. From her beginning as a vocalist on local radio to singing with Benny Goodman's big band, Lee created a sophisticated persona, writing music for films, acting, and recording conceptual record albums combining poetry and music. Called the "Queen of American pop music," Lee recorded over 1,100 masters and composed over 270 songs.
"Mack the Knife" or "The Ballad of Mack the Knife" is a song composed by Kurt Weill with lyrics by Bertolt Brecht for their 1928 music drama The Threepenny Opera. The song tells of a knife-wielding criminal of the London underworld from the musical named Macheath, the "Mack the Knife" of the title.
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"Misty" is a jazz standard written in 1954 by pianist Erroll Garner. He composed it as an instrumental in the traditional 32-bar format, and recorded it for the album Contrasts. Lyrics were added later by Johnny Burke. It appeared on Johnny Mathis' 1959 album Heavenly, and this recording reached number 12 on the U.S. Pop Singles chart later that year. It has since become the signature song of Mathis.
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"Why Don't You Do Right?" is an American blues and jazz-influenced pop song usually credited to Kansas Joe McCoy. A minor key twelve-bar blues with a few chord substitutions, it is considered a classic "woman's blues" song and has become a standard. Singer Lil Green recorded a popular rendition in 1941, which Peggy Lee recorded the next year — accompanied by Benny Goodman — and made one of her signature songs.
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"The Way You Look To-night" is a song from the film Swing Time that was performed by Fred Astaire and composed by Jerome Kern with lyrics written by Dorothy Fields. It won the Academy Award for Best Original Song in 1936. Fields remarked, "The first time Jerry played that melody for me I went out and started to cry. The release absolutely killed me. I couldn't stop, it was so beautiful."
"Saturday Night's Alright for Fighting" (sometimes written "Saturday Night's Alright (For Fighting)") is a song originally recorded by English musician Elton John. John composed it with his long-time songwriting partner Bernie Taupin. It was released on John's best-selling album Goodbye Yellow Brick Road (1973) and as the first single. It has been covered by many artists and featured on motion picture, video game, and television soundtracks.
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"Just Squeeze Me " is a 1941 popular song composed by Duke Ellington, with lyrics by Lee Gaines. The song has been recorded numerous times by a number of artists in the years since, having become a jazz standard. Hit recordings have been by Paul Weston & His Orchestra and by The Four Aces.
"I'm Glad There Is You (In This World of Ordinary People)" is a song written by Jimmy Dorsey and Paul Madeira (sometimes credited as Paul Mertz) first published in 1941. It has become a jazz and pop standard.