Antidawn

Last updated

Antidawn
BurialAntidawn.jpg
EP by
Released6 January 2022
Genre
Length43:30
Label Hyperdub
Burial chronology
Chemz / Dolphinz
(2021)
Antidawn
(2022)
Streetlands
(2022)

Antidawn is an EP by British electronic musician Burial, released 6 January 2022 via Hyperdub. [1]

Contents

Composition

Antidawn is a collection of beatless ambient music, cementing the direction that Burial had taken since his late 2010s work, [2] and was his most ambient work yet. [3] The tracks have unconventional structures and focus on distorted vocal samples and crackles, combining into a "loose, amorphous soundscape". [4] Tom Kingsley of Clash Music wrote that Burial's only previous track "that comes close" to Antidawn was the 2021 B-side "Dolphinz". [4] Resident Advisor reviewer Emeka Okonkwo described it as a release of "spectral, wintery ambient sound-collages" and compared it to previous Burial tracks "Rival Dealer" and "Beachfires". [3] For Loud and Quiet critic Luke Cartledge, the EP is a "familiar blend of rainy, minor-key textures and forlorn-sounding field recordings". [5] "New Love" is the only track to contain percussive elements, although they are vague and distant. [4]

Kingsley compared the music to the KLF's Chill Out (1990) due to their use of collage "as a way to convey a sense of movement, not only through space ("all the way down the East Coast") but through time" and for their use of musique concrète, "piecing together functional, everyday sounds – the strike of a lighter, coughs and muffled voices, metallic clangs – to create something totally otherworldly." [4]

Reception

Antidawn ratings
Aggregate scores
SourceRating
AnyDecentMusic? 7.9/10 [6]
Metacritic 81/100 [7]
Review scores
SourceRating
AllMusic Star full.svgStar full.svgStar full.svgStar half.svgStar empty.svg [2]
Beats Per Minute 90% [8]
Clash 9/10 [9]
Crack 8/10 [10]
Loud and Quiet 8/10 [5]
NME Star full.svgStar full.svgStar full.svgStar full.svgStar empty.svg [1]
Pitchfork 7.3/10 [11]
PopMatters 8/10 [12]

According to the review aggregator Metacritic , Antidawn received "universal acclaim" based on a weighted average score of 81 out of 100 from 7 critic scores. [7]

John Wohlmacher of Beats Per Minute wrote, "At almost 44 minutes and rich in complex structures, these five sound collages are state of the art electronic compositions that unite the elements present on his LPs with the vapor-like ambience of his 12 inch output." [8] In Crack , Jasmine Kent-Smith described Anitidawn as "a loosely-stitched patchwork of hums, crackles and clicks, plus organic sounds such as the clearing of a throat". While noting that some Burial fans may find it disappointing on comparison to Untrue (2007), the writer deemed it an impressive release that would grow on listeners, who would come to enjoy Burial's fixation on his "ambient inclinations". [10] Tom Kinsley of Clash similarly described it as "delicate, complex music that demands relistening". He said that while listeners expecting "another dubstep masterpiece" would initially find the EP frustrating, it would grow on open-minded listeners. "Love it or hate it," he concluded, "Antidawn is one of the most unique releases you’re likely to hear in 2022." [4]

Year-end lists

Antidawn year-end lists
Publication#Ref.
Gorilla vs. Bear 14 [13]
PopMatters 64 [14]
Slant Magazine 32 [15]

Track listing

All tracks are written by W. Bevan

Antidawn track listing
No.TitleLength
1."Strange Neighbourhood"11:04
2."Antidawn"8:43
3."Shadow Paradise"10:20
4."New Love"7:13
5."Upstairs Flat"6:07
Total length:43:30

Related Research Articles

<i>...I Care Because You Do</i> 1995 studio album by Aphex Twin

...I Care Because You Do is the third studio album by electronic musician Richard D. James under the alias Aphex Twin, released on 24 April 1995 by Warp. Containing material recorded between 1990 and 1994, the album marked James's return to a percussive sound following the largely beatless Selected Ambient Works Volume II (1994), and pairs abrasive rhythms with symphonic and ambient elements. The cover artwork is a self-portrait by James.

In music, montage or sound collage is a technique where newly branded sound objects or compositions, including songs, are created from collage, also known as Musique concrète. This is often done through the use of sampling, while some sound collages are produced by gluing together sectors of different vinyl records. Like its visual cousin, sound collage works may have a completely different effect than that of the component parts, even if the original parts are recognizable or from a single source. Audio collage was a feature of the audio art of John Cage, Fluxus, postmodern hip-hop and postconceptual digital art.

<i>Ambient 2: The Plateaux of Mirror</i> 1980 studio album by Harold Budd and Brian Eno

Ambient 2: The Plateaux of Mirror is a 1980 studio album by Harold Budd and Brian Eno. A work of ambient music, it is the second installment of Eno's Ambient series, which began in 1978 with Ambient 1: Music for Airports. Ambient 2 consists mainly of minimalist composer Budd playing improvisational piano in soundscapes produced by Eno. The album received positive reviews and led to Budd and Eno collaborating again for the sonically similar The Pearl (1984).

<span class="mw-page-title-main">Burial (musician)</span> British electronic musician

William Emmanuel Bevan, known by his recording alias Burial, is a British electronic musician from South London. Initially remaining anonymous, Burial became the first artist signed to Kode9's electronic label Hyperdub in 2005. He won acclaim the following year for his self-titled debut album, an influential release in the UK's dubstep scene which showcased a dark, emotive take on UK rave music styles such as UK garage and 2-step; it was named the album of the year by The Wire. Burial's second album, Untrue, was released to further critical acclaim in 2007.

<i>Burial</i> (Burial album) 2006 studio album by Burial

Burial is the debut studio album by British electronic musician Burial, released on 15 May 2006 by Kode9's Hyperdub label. Considered a landmark of the mid-2000s dubstep scene, the album's sound features a dark, emotive take on the UK rave music that preoccupied Burial in his youth, including UK garage and 2-step. Critics have variously interpreted the release as an elegy for the dissipated rave movement and a sullen audio portrait of London.

<i>Untrue</i> (album) 2007 studio album by Burial

Untrue is the second studio album by British electronic music producer Burial. Released on 5 November 2007 by Hyperdub, the album was produced by Burial in 2007 using the digital audio editing software Sound Forge. Untrue builds on the sound established by Burial on his eponymous debut album from the previous year, notably through its more prominent use of pitch-shifted and time-stretched vocal samples. The album, like Burial's previous work, also draws on influences from UK garage, ambient, and hardcore music.

<span class="mw-page-title-main">Here We Go Magic</span> American indie rock band

Here We Go Magic was an American indie rock band based in Brooklyn, New York. It was formed by core members Luke Temple, Michael Bloch and Peter Hale, in late 2008. The band signed to Western Vinyl in 2008, followed by the five-piece group's signing to Secretly Canadian in 2009.

<i>An Empty Bliss Beyond This World</i> 2011 studio album by the Caretaker

An Empty Bliss Beyond This World is the ninth studio album by the Caretaker, an ambient music project of English musician Leyland Kirby, released on 1 June 2011 through History Always Favours the Winners.

<i>Kindred</i> (EP) 2012 EP by Burial

Kindred is the fifth extended play by British electronic music producer Burial. It was first released on 13 February 2012 digitally by Hyperdub, with a vinyl release following on 12 March 2012. The EP was met with praise, with Metacritic assigning an averaged score of 88 out of 100 based on 17 reviews from mainstream critics. In Japan and selected world markets, Hyperdub issued Kindred as a compilation with Burial's previous EP Street Halo on 11 February 2012. The release, Street Halo / Kindred, placed on the Ultratop 50 albums chart.

<i>Crosses</i> (Crosses album) 2014 studio album by Crosses

Crosses is the debut full-length album by the American musical group Crosses. The album was released on February 11, 2014, on Sumerian Records. The album contains remastered versions of songs from the band's previous two EPs as well as five new songs that were originally set to be released as EP 3. The album debuted at No. 26 on the Billboard 200 upon release. The album's sound reflects elements of electronic rock, nu gaze, dream pop, ambient, dark ambient, gothic rock, trip hop, dark wave, witch house and electronica.

<span class="mw-page-title-main">Sales (band)</span> American indie pop band

Sales is an American guitar-based indie pop band from Orlando, Florida. The band's members are musicians Lauren Morgan and Jordan Shih. They are joined on tour by Malcolm Martin, who serves as the live drummer and percussionist.

<i>Burials in Several Earths</i> 2017 studio album by Radiophonic Workshop

Burials in Several Earths is a 2017 album of recordings created by the Radiophonic Workshop, released on 19 May 2017. It marks the first official studio album since 1985's Doctor Who: The Music II.

<i>On Vacation</i> (CFCF album) Album by CFCF

On Vacation is a mini-album by Canadian electronic musician Michael Silver, known by his stage name as CFCF, and the second record in Balearic beat music label International Feel's On Vacation mini-album series. On Vacation was initially planned to be a project of two extended plays titled Road Movie and House Music; this was before an International Feel A&R worker suggested to Silver he should make the project one whole album. International Feel first released vinyl versions of the LP in Europe on February 17, 2016 before releasing it in digital shops all around the world on February 19.

<i>Subtemple / Beachfires</i> 2017 EP by Burial

Subtemple / Beachfires is the ninth extended play of English electronic musician William Emmanuel Bevan, known by his stage name as Burial. It was released on 19 May 2017 by the label Hyperdub. It is an ambient record that only includes the quiet synthesizers and ghostly vocal samples of Burial's sound and does not include any percussion. Responses from professional music journalists were generally mixed to positive.

<i>Young Death / Nightmarket</i> 2016 EP by Burial

Young Death / Nightmarket is the eighth extended play released by William Emmanuel Bevan, an electronic musician known by his stage name Burial, and the 100th release in the catalog of the Hyperdub label. It departs from his previous two extended plays, Kindred (2012) and Rival Dealer (2013), in that it returns to Burial's signature sound consisting of vinyl crackle sounds, rain-filled atmospheres and vocal samples that was on records like Untrue (2007). It is also less dance-based than previous releases by the producer, with the percussion of "Young Death" being submerged by other sounds and "Nightmarket" being devoid of any drum beats.

<i>Noonday Dream</i> 2018 studio album by Ben Howard

Noonday Dream is the third album by British singer-songwriter Ben Howard, released on 1 June 2018.

<i>Well All Go Riding on a Rainbow</i> 2003 studio album by the Caretaker

We'll All Go Riding on a Rainbow is the third studio album by the Caretaker, an alias of musician Leyland Kirby. Released in 2003, it was the last of Kirby's "haunted ballroom trilogy", which spans his albums influenced by the film The Shining. It features looped melodies and vinyl crackle to create the ambience of The Shining's ballroom, with its artwork emphasizing this style. We'll All Go Riding on a Rainbow was met with positive reception from music critics, who praised its haunted ballroom ambiance. However, other critics felt that the album's length was an issue. Kirby's next album as the Caretaker, Theoretically Pure Anterograde Amnesia (2005) would abandon the haunted ballroom concept and install themes of memory loss.

<i>The Asymptotical World</i> 2021 EP by Yves Tumor

The Asymptotical World EP is an EP by experimental musician Yves Tumor, released by Warp on July 15, 2021. It follows on the heels of their acclaimed 2020 album Heaven to a Tortured Mind.

<i>W</i> (Boris album) 2022 studio album by Boris

W is the twenty-seventh studio album by Japanese experimental band Boris, released 21 January 2022 on the Sacred Bones label.

<i>Rainforest</i> (EP) 2011 EP by Clams Casino

Rainforest is the debut extended play (EP) by American musician Clams Casino, released on June 27, 2011, through Tri Angle Records. Initially known as a rap producer, Volpe's backing music started being listened to by electronic music fans after the release of his Instrumentals mixtape in March. For the Rainforest EP, he chose five instrumentals that had been rejected by rappers.

References

  1. 1 2 Jolley, Ben (6 January 2022). "Burial - Antidawn EP review: enigma returns with videogame-style ambient immersion". NME. Retrieved 2 March 2022.
  2. 1 2 Simpson, Paul. "Antidawn - Burial". AllMusic. Retrieved 2 March 2022.
  3. 1 2 Okonkwo, Emeka (13 January 2022). "Burial - Antidawn". Resident Advisor. Retrieved 15 October 2022.
  4. 1 2 3 4 5 Kingsley, Tom (6 January 2022). "Burial – Antidawn". Clash Music. Retrieved 15 October 2022.
  5. 1 2 Cartledge, Luke (6 January 2022). "Burial - Antidawn - Album Review". Loud and Quiet. Retrieved 2 March 2022.
  6. "Antidawn EP by Burial reviews". AnyDecentMusic. Retrieved 2 March 2022.
  7. 1 2 "Antidawn[EP] by Burial Reviews and Tracks". Metacritic. Retrieved 2 March 2022.
  8. 1 2 Wohlmacher, John (7 January 2022). "Album Review: Burial - Antidawn EP". Beats Per Minute. Retrieved 2 March 2022.
  9. Kingsley, Tom (6 January 2022). "Burial - Antidawn". Clash. Retrieved 2 March 2022.
  10. 1 2 Kent-Smith, Jasmine (10 February 2022). "Burial: Antidawn". Crack. Retrieved 2 March 2022.
  11. Sherburne, Philip (11 January 2022). "Burial: Antidawn Album Review". Pitchfork. Retrieved 2 March 2022.
  12. Soulsby, Nick (8 February 2022). "Burial Has Carved Out an Inimitable New Space With Antidawn". PopMatters. Retrieved 2 March 2022.
  13. Cantalini, Chris (1 December 2022). "Gorilla vs. Bear's Albums of 2022". Gorilla vs. Bear. Retrieved 1 December 2022.
  14. Britt, Thomas (6 December 2022). "The 80 Best Albums of 2022". PopMatters. Retrieved 7 December 2022.
  15. Erickson, Steve (7 December 2022). "The 50 Best Albums of 2022". Slant Magazine. Retrieved 8 December 2022.