| Archie Shepp & Philly Joe Jones | ||||
|---|---|---|---|---|
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| Studio album by | ||||
| Released | 1970 | |||
| Recorded | November–December 1969 | |||
| Genre | Jazz | |||
| Label | America | |||
| Producer | Pierre Berjot | |||
| Archie Shepp chronology | ||||
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| Philly Joe Jones chronology | ||||
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| Review scores | |
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| Source | Rating |
| Allmusic |   [1] |
Archie Shepp & Philly Joe Jones is an album by jazz saxophonist Archie Shepp and drummer Philly Joe Jones recorded in Europe in 1969 for the America label. The album was also issued by the Fantasy label.
The Allmusic review by Scott Yanow states: "This intriguing LP does not live up to its potential... Unfortunately, both of the sidelong pieces have recitations, the performances are overly long, and there is quite a bit of rambling." [2]
Attica Blues is an album by avant-garde jazz saxophonist Archie Shepp. Originally released in 1972 on the Impulse! label, the album title refers to the Attica Prison riots.
Blasé is an album by jazz saxophonist Archie Shepp recorded in Europe in 1969 for the BYG Actuel label.
Yasmina, a Black Woman is a jazz album by Archie Shepp, recorded in 1969 in Paris for BYG Actuel. It features musicians from the Art Ensemble of Chicago. The first track, giving its title to the album, is a long free jazz piece by an 11-piece orchestra; in it, the references to Africa that Shepp had experimented with only a few weeks earlier in Algiers are to be found in the use of African percussion instruments, or the African incantations sung by Shepp himself at the beginning of the track. The other two pieces, a homage to Sonny Rollins written by trombonist Grachan Moncur III and a standard, played by a more traditional quintet and quartet respectively, are more reminiscent of the hard bop genre, although the fiery playing of the musicians, notably Shepp himself, gives them a definite avant-garde edge. It was originally issued on CD by Affinity, mastered from an incredibly noisy vinyl source and later reissued by Charly from the original master tapes.
Poem for Malcolm is a jazz album by Archie Shepp. Recorded in Paris in August 1969 only two days after Yasmina, a Black Woman, it again features musicians from the Art Ensemble of Chicago. This time, the tone is resolutely set to avant garde and free jazz, with a political edge in the all but explicit tribute to Malcolm X. The Allmusic review by Scott Yanow states: "This LP from the English Affinity LP is a mixed bag. Best is 'Rain Forrest' on which tenor saxophonist Archie Shepp, in a collaboration with trombonist Grachan Moncur III, pianist Vince Benedetti, bassist Malachi Favors, and drummer Philly Joe Jones, perform some stirring free jazz; the interplay between Shepp and Jones is particularly exciting. On a four-and-a-half minute 'Oleo,' Shepp "battles" some bebop with fellow tenor Hank Mobley, but the other two tracks, a workout for the leader's erratic soprano on 'Mamarose,' and his emotional recitation on 'Poem for Malcolm,' are much less interesting, making this a less than essential release despite 'Rain Forrest'." It was originally issued on CD by Affinity mastered from a vinyl source and later reissued by Charly from the original master tapes.
Things Have Got to Change is an album by avant-garde jazz saxophonist Archie Shepp released in 1971 on the Impulse! label. The album features a performance by Shepp with a large ensemble and vocal choir. The album "solidified the saxophonists reputation as a soulful, yet radical free jazz artist motivated by social commentary and cultural change".
The Cry of My People is an album by avant-garde jazz saxophonist Archie Shepp released in 1972 on the Impulse! label. The album features performances by Shepp with gospel singers, big bands, quintets, sextets, and chamber orchestras. The AllMusic review by Thom Jurek states: "Shepp worked with many larger ensembles as a leader, but never did he achieve such a perfect balance as he did on The Cry of My People".
Kwanza is an album by Archie Shepp released on Impulse! in 1974. The album contains tracks recorded from September 1968 to August 1969 by Shepp with four different ensembles.
For Losers is an album by Archie Shepp released on Impulse! in 1970. The album contains tracks recorded from September 1968 to August 1969 by Shepp with three different ensembles. The AllMusic review by Rob Ferrier states "for anyone wishing to understand the music and career of this brilliant musician, this is an undervalued piece of the puzzle".
There's a Trumpet in My Soul is an album by avant-garde jazz saxophonist Archie Shepp released in 1975 on the Arista Freedom label.
Black Gipsy is an album by jazz saxophonist Archie Shepp recorded in Europe in 1969 for the America label. The album was also issued by the Prestige label under the title Black Gypsy.
Pitchin Can is an album by jazz saxophonist Archie Shepp recorded in Paris, France, in 1969 and 1970 for the America label. The album features one track by Shepp with Clifford Thornton, Noah Howard, Julio Finn, Leroy Jenkins, Dave Burrell, Earl Freeman, Sunny Murray and Chicago Beau and one extended track by Shepp with Thornton, Lester Bowie, Alan Shorter, Bobby Few, Bob Reid, Muhammad Ali, Djibrill and Ostaine Blue Warner.
Jumpin' Punkins is an album by Cecil Taylor recorded for the Candid label in January 1961 but not issued in the States until 1987. The first release was in Japan by Victor in 1977 as Cecil Taylor All Stars Featuring Buell Neidlinger. The album features two small group performances by Taylor with Buell Neidlinger, Denis Charles and Archie Shepp, and two performances by a larger group including Billy Higgins, Clark Terry, Roswell Rudd, Steve Lacy and Charles Davis. Additional recordings from these sessions were released on New York City R&B in 1971 and Cell Walk for Celeste in 1988.
Montreux One is a live album by jazz saxophonist Archie Shepp recorded at the Montreux Jazz Festival in 1975 and released on the Arista Freedom label.
Montreux Two is a live album by jazz saxophonist Archie Shepp recorded at the Montreux Jazz Festival in 1975 and released on the Arista Freedom label.
Archie Shepp & the New York Contemporary Five is a live album by the New York Contemporary Five recorded at the Jazzhus Montmartre in Copenhagen, Denmark, on November 15, 1963, and featuring saxophonists Archie Shepp and John Tchicai, trumpeter Don Cherry, bassist Don Moore and drummer J. C. Moses. The album was originally released on the Sonet label in 1964 as New York Contemporary 5 in two separate volumes on LP and later as an edited concert on a single CD, removing the track "Cisum."
The House I Live In is a live album featuring saxophonists Archie Shepp and Lars Gullin recorded at the Jazzhus Montmartre in Copenhagen, Denmark on November 21, 1963 and released on the Steeplechase label in 1980.
Trouble in Mind is a studio album by American jazz saxophonist Archie Shepp and pianist Horace Parlan, featuring performances recorded in 1980 and released on the Danish-based SteepleChase label. The album consists mainly of early and traditional blues and follows up to their 1977 album of duets on spirituals Goin' Home.
Little Red Moon is an album by the American jazz saxophonist Archie Shepp recorded in 1985 and released on the Italian Soul Note label.
California Meeting: Live on Broadway is a live album by the American jazz saxophonist Archie Shepp recorded in 1985 and released on the Italian Soul Note label.
Soul Song is an album by saxophonist Archie Shepp recorded in 1982 for the Enja label.
